And we’re up to number 26 of Sounds of the Underground with Regarde Les Hommes Tomber, Draugurinn, Misþyrming and Gurthang. Check them out!
Regarde Les Hommes Tomber – EXILE Les Acteurs de l’ombre Productions
You only need to start listening to opener ‘L’Exil’ to get captivated by the soaring tremolo guitars and thundering rhythms, that crash like waves unto your eardrums. The Frenchies are back with a fenomenal record, casting a shadow over their self-titled debut, which I discussed in my very first review block. From the sludge/post-hardcore front the band was residing in before, there’s a definite movement here towards the black metal sound. Well, post-blackmetal is what we need to say I suppose.
The clanging cymbals in dischord with the blastbeat and crackling feedback offers a wealthy wall of sound. Connect that to the imposing vocals and sound and the record becomes an intense and bombastic experience. ‘Embrace the Flames’ is for example a full on black assault, with a harrowing guitar riff spiralling through it. There’s so much power to the music of this Nantes band, it’s a shame everyone keeps talking about the new deafheaven.
Misþyrming – Söngvar elds og óreiðu Fallen Empire Records & Terratur Possessions
Icelandic black metal, that surely has something special about it they must feel at the Roadburn office. So these guys are an integral part of the next edition of the festival. This album came out earlier in 2015 and only now I’ve discovered the intense, excruciating sound of a band whose name means something like maltreatment. Neck breaking ferocious guitar riffs are unrelenting in their sonic assault from the first moments of the album onwards.
It’s a tortured affair of eerie feedback, blustering music and howled vocals. There are no breaks on the wheels of Misþyrming when the y star turning. There’s a certain unique sound to the band that is intriguing. An industrial, desolate atmosphere maybe, but also a Darkthrone like punk vibe that brings a rawness to the band. The sound is explosive, erupting from the deeps and therefor truly overwhelming at times. This is always accompanied by a clear link to the oldschool sound.
Draugurinn – Ísavetur Nordvis
‘The Ghost’ in Icelandic, this project is the solo effort of Swedish artist Dísa, previously active in black metal bands Murmurs and Korpblod and currently also working on Turdus Merula. This lady has been making some really amazing stuff and Draugurinn takes it a bit more into the mystical region of aetherial ambient with a shamanistic feeling to it. The story is that of a world covered and obscured by volcanic ash and a drumming that melds together with your heartbeat, captivating the listener completely.
There is something intensely pagan and foreign to the music, it draws you into a natural and soothing environment of ritual and dreams. Soundscapes or eerie howls clash with the rhythmic drums that bring a trance with them. The cover appears like a drawing of Theodor Kittelsen, as popularized by early black metal acts like Burzum, but somehow fits better here. For me, this album awakens a thirst for that spiritual connection to nature, for the harmony I find in the work of Dísa, whose other bands I’ll definitely keep my eye on. PS, for Skyrim fans, now you now where the word Draugr comes from.
Gurthang – I will notserve Immortal Frost Productions
The Polish band has derived their name from Tolkien novels, where the sword Gurthang is wielded by hero Túrin Túrumbar. It’s name means ‘Steel of death’. The band has been around forever and their sound fits in with the Polish style of blackened death you can hear with Behemoth. Cold, stiff tones, majestic sounding and sharp thudding rhythms. The band has been around for a couple of years, but has a prolific catalogue of music already. This may be their best addition as yet.
There’s a cold fury to the sound of Gurthang, a controlled distribution of rage with a sound that in general leans more towards the melodic death metal, but with a much grimmer atmosphere. The Frosty guitar riffs soar over the rumbling drums, which demonstrates how the studio can really affect the sound of an album in this corner of the extreme metal genre. There is a certain lack of dynamics to the record, but it’s in a way like a piece of old fashioned armor: it is sturdy, frightning and cold. Good record, that is exciting enough to give a spin.
This is an interview conducted with Malthus from Vaalghul, originally published here on Echoes And Dust.
Metal is a many headed beast and mostly we hear about the bands that roam the western part of Europe or North-America. In the quest to find out what else is out there I stumbled onto the band Vaalghul from Macedonia. Now, just saying Macedonia causes bad blood, so usually the country is known as the Former Yugoslavic Republic Of Macedonia (FYROM). That depends on where you come from though.
I find that many people in my country don’t even know this place exists, which is quite interesting. It borders on Kosovo, which is another great unknown together with Albania. The main conflict concerning the countries name is with the southern neighbours, which is Greece. The country has bene heavily investing in its identity, even following a policy of antiquisation. Macedonian identity is a part of the music, Malthus readily admits, it seeps into things.
Vaalghul is a black metal band, which is currently unsigned. In 2014 the first EP was released and work is underway to fix the second release. Malthus answered them on e-mail and through the chat, because he’s currently residing in Australia.
Can you start with where the name comes from and how you started out with the band? Vaal is the name of a demon, ghul is just an addition to give it a better sound. Vaalghul is the ‘Tyrant Overlord’ (God of Terror). The vocalist got that name when we were wondering about a band name a couple of years ago. There were some other options but we felt this fits pretty well. Back in those days we weren’t entirely sure if we would be doing something serious. Not that it was a joke of course. We came with some good ideas and then recorded the first demo. The production was very raw and almost impossible, but some people liked it.
We recorded the demo in the classic way with one guitar amp, a shit soundcard and then this is the result you get. There are many ideas behind this project, but one of them was making something different in our country. We wanted to be unique in our country with some extreme music.
The lyrics were satanic initially, but the point of them was to provoke people. Shake them up from their regular ways of drinking coffee on Main Street and gossiping. They enter the church when they have to and that’s that. We did enjoy writing the lyrics. I guess the Satanism is mainly provocative, but it also is a tribute to those who want to live free and do what feels good.
You’re using the name Malthus, can you tell me why you chose that name?
In demonology Malthus is a prince of Hell and I liked the name. That’s why I took it.
Which are the bands that inspired you to get into heavy metal? I’m not sure I remember what I was listening to, but I’m sure I listened a lot of Death, King Diamond,Psychotic Waltz, Iced Earth, Iron Maiden, Judas Priest, Dio and Slayer.
I read that you used to have some band members, what made you continue on your own? Which bands inspired you? Yeah, I used to have some band members. We were three people in the band, but one of the members never had time to record, another had no time at all… It wouldn’t work out that way.
What made me continue was my passion for the music. I also had the time to write and record music. It’s not that I had big hopes, but I wanted to make everything more extreme and more provocative. I guess the biggest inspirations were Mayhem, 1349, Dark Fortress, Isegrim, Leviathan and Setherial for me.
How did you, living in Macedonia, get into metal music? Where there any local bands inspiring you? I happened to have really good friends who were listening to all kind of metal music, when I was in my youth. My best regards to them! Actualy local bands were my inspiration and drive to record something new and more serious. There are lot of good bands though, but most are not my style but still unique in their own way.
Are you playing live shows? Back in the early days we never had plans to play live. We did want to at some point, but we didn’t had a drummer who was up to the challenge. There are quite good shows in Macedonia though, even though most are hardcore shows. At least they’re very energetic.
I don’t think the hardcore scene is much bigger, but it’s just more acceptable to people. It’s hard to find a true black and death metal music fan…
I read you’re working on a new album. Can you tell a bit about the record, the artwork and the message you’re trying to convey? It will take some time before I actually finish this album, it was supposed to be out a few months ago. It’ll be out sooner or later though. The vocalist of Septuagint (kick-ass band from Greece) will perform the vocals on the album as a guest musician. The artwork is going to be done by Gediminas Kiaunė (Manum Diaboli Art) from Lithuania. He is a really passionate artist, who makes the perfect artwork. If you need some artwork, he is your man. He just popped up on Facebook, which got my interest. I checked his work out and was amazed, so I got in touch and we struck a deal. I check his work again for new stuff every week.
On the new release the lyrics will be more spiritual satanic, the message itself I’ll leave in the middle. Each can figure out their own from it.
What to you makes a band a black metal band? It’s hard to give an answer to this that feels right. It depends, it can be thrashy, mixed with doom or anything these days. Many bands have been taking black metal to whole different levels. Look at bands like Dark Fortress mixing music but still good kick ass and still black metal maybe not pure like raw one line but still black metal. If you listen to the records ‘De Mysteriis Dom Sathanas’ and then to ‘Ordo Ad Chao’, you hear two different worlds, but still both black metal. Both completely Mayhem. Uniqueness? I took these because of the good vocal range of the vocalists, Good “scream” “grim” cold evil vocals, good atmosphere in the music.
Can you tell a bit about the scene in Macedonia, its history and what bands are standing out according to you? Sure, back in the 80’s it got serious here with bands like Orion and in the early 90’s. They played thrash/death metal with some excellent riffs and solo’s. On their tail followed bands like Dismay and Sanatorium. Later band like Arhont and Hall Of Sins rose up in the 00’s. Those are the most important names I think.
I also think they represent the spirit of metal in Macedonia. There’re only a few extreme metal bands, but they have a good history behind them. The same goes for most of these bands. When you have the time, take a listen to each one carefully.
I noticed there are more bands than I thought in Macedonia, but I hadn’t found them due to the Cyrillic writing. What makes bands chose either? The Macedonian alphabet is in Cyrillic, so many bands just want to represent themselves in their own language, which is their choice. Personally, I prefer the English, because this way everyone can grasp your message, whatever the lyrics are. If you write in your mother tongue, it’s pretty hard for foreign listeners to get your lyrics and translating them is not really it I think. But what do I know, there are people who care nothing for the lyrics, so it doesn’t matter whatever language it is.
If I visit your country, what spots should I as a metal head definitely visit? There are many great locations in Macedonia to visit, especially in Bitola. The city has a history behind it, but as a metal head I think only summer is a good period to visit. Usually people (metal heads) are gathering in the park, drinking a beer. A lot of people do that anyways.
There used to be some good places to hang out, but not anymore. The new generation of metal heads is trying to change that and I think they are getting there. There are no real record stores you could go to, the only choice is to buy music online or go to Thessaloniki in Greece. That’s an option since my city is close to it. There are gigs though.
I understood there’s quite a rivalry between Greece and Macedonia, based on a name and cultural dispute. Is that in any way tangible in the metal scene? Yeah, a lot of people are curious and asking about that. For me, I have a lot of good friends in Greece here and there, these days not many people think the way about this as they did in the 90’s (when this was an actual political issue red.). Especially people involved in the metal scene and who don’t care or are against politics from both countries don’t care much for these issues. Governments are the problem I think, not the people.
Do you think anything of the Macedonian identity seeps into the music? Yes definitely.
What future plans do you have with the band? For now, it will be the new single that is going to be released. The album will be out later some time. Who know, for now when I think about the album release, I have no clue what’ll happen after.
Thanks everyone for reading my ‘Sounds of the Underground’. It’s much appreciated, so here’s #25 with Graveworm, Murg, Witchsorrow and Fluisteraars.
Graveworm – Ascending Hate
Things tend to get back to you in time and bite you in the face it seems. Graveworm is one of the first extreme metal bands I got to hear and genuinely scared me at the time. Their album covers fascinated me, specially in the early days. Now, the Italian band is back with a death/symphonic/blackened explosion titled ‘Ascending Hate’, which to me sounds most like Cradle of Filth having a car crash with Therion.
The album is very well produced, which helps bring forward the symphonic and melodic elements in the music, which has soaring guitars and ambience enhancing keys playing throughout the songs. The harsh, barked vocals offer a contrast of brutality, together with the death metal barrage of guitars, but the bands doesn’t shy away from using their softer side when they can, like ‘To The Empire Of Madness’. There’s a beauty to this album, that unfortunately not the whole world will appreciate.
Murg – Varg & Björn
Fuck yeah, black metal the way it used to be made, that’s what I want! This album brings back the fury of the original second wave in the hand of this Swedish company. Blistering guitar play and a dense, northern atmosphre make this a well worthy ride, full of frostbitten grimness. These are songs with blast beats the way you love and cherish them, in full furious swing and high on energy. There over you hear the tremolo guitar play, reaching up to this static buzzing sound.
It is rather hard to find info on the band, but there’s a good interview out there if you are interested. To the sound, though it can be murky and harrowing, there is also a certain beauty and melodic nature to the sound, hidden underneath tones that speak of decay and morbididty. Big, wavy guitar parts speak in no uncertain terms of a grandeur and power of nature, which is an influence clearly to be felt in the music of this mysterious duo. This record brings back the past, but a bit more in its grandeur and passion. A next album might come into being, so I’m rooting for that one.
Witchsorrow – No Light Only Fire
Brittish doom lords Witchsorrow have a new one, which looks rather good on first sight. The eye does not lie with this record, but it’s not just doom. Opening title track is a jagged, heavy stoner anthem with a break neck speed. The vocals are restrained, as if the full power of the band is waiting to be unleashed as yet on this record, which happens on the thrudging ‘The Martyr’. The celebration of their 10 year anniversary is definitely one this three piece does by showing the full scale of their skills.
The slow and heavy part is definitely in order with these guys, who manage to combine that element with a certain hardcore vibe. All the sound is crisp, clear and filled with a certain venom. This is however, without ever sounding like anything that isn’t doom. Witchsorrow is one of those bands that reinvigorate the genre with a catchy and open sound. It is not without reason that album immediately resonates with me and I sincerely recommend it to anyone who bears love for the genre as a testament to its enduring longevity.
Fluisteraars – Luwte
There’s this new wave of black metal in the Netherlands, which seems to rely strongly on a certain poetic aesthetic. I think of Laster and Terzij De Horde, but Fluisteraars also puts on a particular brand of sweeping majesty into the sound they paint. In their bio, the band speaks of windswept black metal and that sort of makes sense when you listen to the organic, wavering sound of the band. The Gelderland collective is definitely taking the listener on a journey with their specific sound.
Continuously surging guitar parts drag you along in a sonic river of grief, remorse and sadness, where now and then an echo of hope seems to be woven into the sound. The band manages to lift that sound up to etheral hights. Without any hesitation the sound then twists and turns around again, like a u-turn into a shouty cacophony on ‘Angstvrees’. The track then resumes the stream. The record takes an epic approach to the black metal genre, which is truly captivating.