Black metal artists have always had a knack for pushing the envelope. Though some stay in their cave and spit out furious raw sounds forever, Sin Nanna has decided to depart and enter the realms of electronics with depressed black metal outfit Striborg. Obviously, this has been to an unkind reception at times, but ‘Blackwave’ is a great, atmospheric record in its own right and worth a try for those who love the vibe of the Tasmanian artists work.
Striborg has released an impressive array of records throughout the years, but the man behind the project seems to believe a new direction is needed. Understandable, as this was not even his only project. At times he even dabbled with other projects, like gritty death metal outlet Cromlech or the one-off Sun O))) participation of Pentemple. Striborg has steadily been his main outfit, after growing out of Kathaaria, which started in 1994. That’s a long line of darkness…
Eerie synthwave with harrowing vocals, urge the listener onwards, through the dense halls of a futuristic construction or spaceship. The music is cold, but oriental influences give it some body and enhance the otherworldly experience of ‘Trapped in a Void of the Nightgrass Repetitive, droning melodies, with odd effects that enhance the futuristic feel of the music. Diving deep into the niche of synthwave, Striborg is going into the unknown here.
It’s during tracks like ‘Making The World Cold’, that the atmospheric black metal influence really shines through again. The guitars are condensed in a singular melody line, compressed and bent into an electronic vibe, but the drums are ase Burzumesque as it gets. That shifts slightly on the track ‘All Alone in A Room Filled With Souls’, which feels… dare I say? Dancy actually, with the electroclash vibe of the early synth music with a steady, thudding drum.
We close of with a harrowing, horror tune, titled ‘Penance Stare’. A creepy outro, that leaves you cold. In other words, great stuff! With ‘Blackwave’, Striborg reaches a new level of depth in the feeling and emotion of the string of great works. Definitely leaving the purists far behind, it challenges genre definitions, but grips listeners.