Category Archives: Music

Sounds of the Underground #2

I listen to music, so you don’t have to. You can decide if you want to check out what I’ve been checking out by reading what I thought about them. I’m usually pretty honest. I do tend to listen to what I like though.


Incantation – Dirges of Elysium

58558_1479431999462_148176_nI’m not a fan of death metal usually, though I appreciate a well structured bit now and then. Incantation has been a presence in my musical environment for years. The name kept popping up and I never bothered to listen to them. Best reference for me is the shirt my friend Andis seems to always wear when I meet him with the band logo sprawled on it. So that’s from the 2010 Skyforger gig in Little Devil, Tilburg. But to music now. For me, Bolt Thrower is the standard by which I measure death metal. It’s crooked and lame, but everyone needs their gateway band. Henceforth the clean and intense sound of Incantation resonates with me. The brutal vocals are like an instrument in the mixture to my ears and the lyrics are profane and very clearly anti-religious. The sound is dense and atmospheric, which is something I enjoy. I’m most impressed by the track ‘Elysium (eternity is nigh)’, which is the final song on the album. It takes the listener through the underworld and the rivers that flow through it (Greek mythology) in an epic 16 minute adventure.  Pretty impressive indeed.


Devin Townsend – Casualties of Cool

Normally, when an artist makes a record so far of their normal path, it’s like a novelty. Nothing to worry too much about or spend too much attention on. It’s different when that person is Devin Townsend, who did a lovely americana album with a lady on vocals. The music is very rootsy and natural, no bells or effects but songs.

Now and then it has a dark side, a southern soul feeling with a bit of voodoo vibe going on. The gentle voice of (I assume) Townsend gives  mystic aura to the sound here. In general there are a lot of enchanting moments on this bewildering, but oh so beautifull release.

A Sunny Day In Glasgow – Sea When Absent

As rare as that sunny day in Glasgee (Irvine Welsch style) is the intriguing sound of this release. Think Explosions In The Sky drinking tea with The Postal Service, while MGMT dropped the right drugs in the tea pot? Yeah, something like that. Oh, it has to be sunny.
Well, they call it Dream Pop and the group hails from the other side of the ocean, Philadelphia and Brooklyn to be precise. The music feels upbeat an cheery, light as the sun breaking through the clouds at such a location as the grey Scottish capital. I think the sun actually started shining a bit brighter here. Weeee! I don’t really have much to say about this record.

Layered waves of sound, synths and sometimes fuzzy effects make it a full sound barrage of sunrays in minor. Well worth for those sudden rainy summer days.


Wild Throne – Blood Maker

I’m not yet sure what it is I’m hearing here. I know it’s awesome. This band was recommended to me by a friend and they combine the vibe of cheesy pop music, mathy riffs, Mastodon like intensity and stadium like grandeur like… let’s say Iron Maiden and The Mars Volta’s bastard child. The artwork has that wonderful neo-romantic appearance of pagan flirtations. It’s epic.

I suppose I made it clear I like this record. It’s only four tracks, but blows the listener away with its unique sound. There’s a harmony between the elements you would not immediately expect. with the combination of things described. The combination of intense music with the clean, poppy sound reminds me a bit of The Protomen. If you don’t know those, check them out, specially if you like Megaman/Rockman video games.

I think we can expect big things from these guys, I really do. If Mastodon and Red Fang (perennial support band in my opinion) can fill up venues, why not these guys.

Sounds of the Underground #1

I listen to music, so you don’t have to. You can decide if you want to check out what I’ve been checking out by reading what I thought about them. I’m usually pretty honest. I do tend to listen to what I like myself though.

Regarde Les Hommes Tomber – S/T

Gritty post-black metal/sludge from the city of Nantes in France by what I’ve perceived to be quite a young band still. The omnious sound takes up the topic of ‘The Fall’. Not in the way that you fall and hurt your knee, no it’s much bigger. The fall of humanity, the biblical image of the fall, atleast that’s what I get from the whole imagery of their sound and artwork which refers to the tower of Babel and such. They make it sounds great. Long, dreary guitar wails, heavy hitting drums that sound like giants dragging their feet, vocals that bark the inevitable despair of loss. A great record for a sunny sunday in it’s twisted way.

Godflesh – Decline And Fall

I’ve developed a love for the raw sound of urban decay of Godflesh. Their iconic imagery and typical sound of Justin K. Broadrick’s crew has maintained it’s relevance throughout their almost 20 year existence. A new EP in that case is always good news. There’s the industrial beats and the rasping riffs. The vocals express either the weary feeling of being in a daily rut, or the frustration that comes with urban life. The constant tension, boredom and restlesness. Four songs that express this current state of affairs. Blending industrial with metal has always been a tricky thing, but no one knows or defines how it works as much as these guys. I’m not sure yet what is the best time to listen to this record though. It’s not comfortable listening music, that’s for sure.

Default decline ruled by dead fires
Don’t wait, think last, act now, destroy

Enslaved – RIITIIR

The album ‘RIITIIR’ is by now two years old but still filled with brimming and biting energy of a whole new level than the first records of the band from Norway. Part of the black metal wave, the band quickly turned it around and became a genre on their own, pushing the boundaries and possibilities. I got to see them live on their ‘Vertebrae’ tour in 2008 or 2009 and their majestic sound was nothing like I anticipated. The rasping vocals of Grutle Kjellson are the last bit that betrays the roots of what can now be called a black/death blend with avant-garde pretense and prog fuelled riffing. The sound is clean and well produced, the artwork is beautiful. Truly captivating sounding music is produced by these guys by now and I wholeheartedly recommend checking it out, even when you are scared of extreme metal. Not without reason where they named as a band pushing the genre forwards by Sam Dunn in that final episode of Metal Evolution.

Lantlôs – Melting Sun

Though formerly known as a black metal outfit, the Germans from Lantlôs have exchanged that grim sound for a more shoegaze/postrock feeling on their new EP, which lasts about as long as a regular album. Soft, colourfull soundscapes are produced by the three bandmembers, It’s music for dreamers, slowly floating through the air in unity. The name of the band means ‘without homeland’ and it truly feels like the music takes you away from such earthly things as nationality. Peacefull sunrays fall on your face as you float away, this could be the soundtrack of ‘de Droomvlucht’ in nearby theme park ‘The Efteling’.

I’m well impressed with the sound of these Germans, who give beauty to a style so often described as gloomy and dark, this is music of light.

Ben Prestage @ Area51, Eindhoven

Glory and hallelujah and what not, finally bands are playing in the Area51 Skatepark. The small shabby stage and bar offer one of the best possible atmospheres for raw punk, garage and psychrock anywhere near, around and in Eindhoven. Residents complained about the noise though, so it was silent for a while around the skatepark. That silence is broken tonight with a performance of Ben Prestage and his one man band.

Ernest van Aaken

Even a one man band needs a support act. Luckily we have in Eindhoven a man just for the job. Ernest van Aaken plays bluesy southern guitarmusic on his resonator guitar. With a thick accent, like the man came from Alabama himself, he sings songs that set the mood. Many of the visitors have sat themselves down on the sides of the hall on the benches, chairs and floor. The heat is making everyone sweat a bit, which adds to the sweaty, bluesy feeling van Aaken is creating with his excellent music.

Some interesting information, I just read that the good man builds his guitars himself. That’s something.

Ben Prestageprestage2

If you didn’t know any better, you’d think the man sitting on stage is normally driving steam trains across the continent of America. With his big beard and engineers cap, he looks the part. Ben is playing his guitar, drumming with his food, playing the harmonica and utilizing all instruments to their maximal potential. His vocals are the typical southern warble at much to high speed to make out what he’s saying at times.

Staying true to his roots, he plays blues, bluegrass, boogie woogie with a bit of country and western thrown in the mix. The sound is unique due to him playing all the instruments and not necessarily in the conventional ways. In that sweltering heat, Prestage still puts out songs like that steam train, not taking time for breaks except to take a swig of his beer. Did I mention it was really hot?

A various arsenal of guitars is being used, but also his famous cigar box one. Self build, it produces a primitive punky and raw sound. Prestage enchants his audience with his variations and skill, but mainly with his a performance. The man is full of jokes, delivered in words and song. Particularly funny are his stories about his own upbringing and how he started playing on a one string guitar, then got a second string and so on.


Artists like Ben Prestage are exactly those that work best in small venues like this. A bit grimy and run down, but great for music, drinks and atmosphere. The sounds of skateboarders in the background and the buzzing chatter of the visitors provides the perfect place for an artist like Ben to do his thing. He even introduces the band members by instrument to great amusement of the guests. Music at its best and purest. A great night indeed.

Lyrical Lucidity

I said a hip hop the hippie the hippie
to the hip hip hop, a you dont stop
the rock it to the bang bang boogie say up jumped the boogie
to the rhythm of the boogie, the beat

– Sugar Hill Gang ‘Rappers Delight’

Not many people know that I have a great love for hip hop music. It sounds strange to most, because they know me for loving hardcore and black metal. For some reason hip hop always spoke to me, from the first time I saw the videos on MTV as a child with the checkered shirts and fell in love with that early stuff of Snoop Dogg (that video where he changed into a dog, awesome), Notorious BIG and all that stuff. When I got one of those oversized, woolen black/white checkered shirts I was over the moon. I was sure I looked bad ass.

So later came the Dutch stuff with Extince’s ‘Viervoeters’ and ‘Zoete Inval’ or Osdorp Posse’s ‘Origineel Amsterdams’. I was loving it. I started listening to a lot of harder stuff, but one can hardly deny the hard hip hop influences in the likes of Limp Bizkit, Deftones, Rage Against The Machine and various others. The whole nu-metal scene was full of rhymes. I started being a DJ myself in a bar later and slowly got into the resurging wave of Dutch hiphop, or Nederhop as they call it again. I started checking out all sorts of stuff over the years.

I loved the clear sound of words and literary qualities of the genre. I still dig smart lyrics and listenability. I guess I got into it again and again over the years, checking out oddities and other languages. From the Baltic groups like Metsakutsu. Gacho and G&G Sindikatas to German, Swedish, Russian and whatever kind of stuff. I listened to anything.

Another point of interest has always been the lifestyle. Having listened, identified and dressed like a hardcore and punk afficionado for most of my life, there was a close connection between the two cultures. This is ofcourse emphasized by a lot of hip hop groups I came across in later life, like the Beasty Boys (I knew them, but didnt really get it until later) and the stuff Danny Diablo and those other NYHC guys did.

Now we come to a more fun part though. Did you ever hear about this subgenre called Nerdcore? I did. I’ve always been a geek and if there’s any music (apart from power metal and W40k metal (yes…)) that helped me accept that, it’s Nerdcore. Nerdcore deals with the same beats, sounds and lyrical skills, but just doesnt talk about beef, bitches and bling. I’m not a cool dude who had tons of bitches in my life, I don’t care that much about golden chains and big cars and I try to avoid beef by not being a dick (I’ll get to that link later). So what do they rhyme about? Daily life, porn addication, self acceptance and just dorky, funny, silly and highly amusing songs. Two MC’s I’d like to mention that are really great, are MC Frontalot and MC Lars. The second is actually an English major, who did this whole TEDx talk on hip hop and Shakespeare (watch it, its so cool). I’m still hoping ‘the Front’ will let me interview him.  Look for the documentary ‘Nerdcore Rising’ as well, to get more of an idea what the whole thing is about.

That does not mean I limit myself to anything in that sense. From Devlin and Giggs to Ice Cube, NWA and Public Enemy, my iPod is filled with it and more new things I get to hear every day. Words have always been important to me, good lyrics, catchy beats and the right hooks to get you hooked on a song. Hip hop is all about self expression and whatever you do in your life, there’s something to be found in this music for you.

In the mean time I continue looking for that perfect beat and the sharpest words. I love music and hip hop has a special place in my heart.


Review roundup #2

I love shows, but I really need better shoes for them. My legs hurt so much when I just wear my Vans shoes. Leather boots all the time are not going to work either, one loves to look fancy now and then. For the first show I went to this week that is very important, the second… mwoah.

Ignite + Colors Dead Bleed + Said And Done @ Dynamo, Eindhoven

I missed one support act but did get to see Said And Done, band of Some Will Never Know Zine chief editor Pim. I’ve been writing for SWNK for 2 years now I believe, so I’m quite excited to finally see his band. The guys look tired and struggle with some of the sound, but still play a heavy and grungy set. Very different to what I would expect. Definitely enjoyed that. Colors Dead Bleed plays some nice melo-hardcore, but lacks a distinguishing quality. The singer does pull of a great Nathan Gray look though. I might not find them that special, the crowd loves them and who am I to doubt that judgement.

I’ve seen Ignite play live a bunch of times now, all after the ‘Darker Days’ album of 2006 except for once in Hungary in 2005. That was impressive. Today the band looks tired and enthousiast at the same time. The songs are still the same after 8 years of touring and the passion Zoli Teglas shows with his men is more about the fans than the music. Some new songs are played too and the band livens up a little there. Zoli also is strong and convincing in his rants and speeches in between the songs. I think this band loves playing, it loves its audience, but the songs remain the same so the plans to go into the studio are a great next move for these guys.

Songs like ‘Let It Burn’, ‘A Place Called Home’ and so on, they still give me chills. I love how the background of Zoli has shaped up so many of his songs and how he transferred it to something global and understandable.  No Sea Sheperd this time though, just a sweater from a Pelican saving organization. I can’t say I’m sad about that, I’ve always found them a bit too hard edged to receive main stream sympathy (particularly about the Faroe Islands tradition: they might have a point, but sometimes it’s the way you carry it that matters).

All in all a satisfying experience again, good show from Ignite although I think the sound made them sound a bit weak now and then.

Slayer + Gojira @ 013, Tilburg

I’m actually more excited about Gojira for this gig than I am about seeing Slayer again. Slayer is not really itself anymore, I got to see them 4 times after tonight. That excludes 3 cancelled shows in this very venue, one after the support act actually playing. So tonight I’m a bit nervous about that.

Gojira plays a smashing set. Their technical death metal makes it hard to stand still and look onwards stoically like many Slayer fans apparently tend to do in such situations. Though that might be a harsh verdict. Funny is the fact that many Slayer fans have brought their spawn with them, so a second Slayer Nation Generation is being raised. The kiddos seem to enjoy the support act more though.

All in all, the band themselves play a great set. Slayer might not be the original fourpiece, they rock as hard as they always did. The crowd chants along with ‘Disciple’, ‘Suicide’, ‘Reigning Blood’ and ‘Angel Of Death’. A new song is also being played. I’ve never been a huge Slayer fan, but they are something unique in the metal scene. Respected and eternal in their own peculiar way. Loud, fast and raw, finding controversy, whatever they may do. I must admit that they sound a bit sloppy and tired here and there, but all in all they play just as tight as ever. There’s very little to no interaction with the crowd, but that’s fine. The crowd is happy, whatever the band will do.

Long live Slayer!


Romulus: Romans, Metal and Game of Thrones

Standing at the hill cliff
A flock of birds crown me
I am fathered by the god of war, I am the king of Rome

– Ex Deo ‘Romulus’

My title is random in mentioning GoT but really, where do you think that whole show gets it from? Right, from the Romans. Now, I’ve listened to a lot of epic metal in my day. From the blazing battle sounds of Amon Amarth to the proggy Nordic mayhem of Moonsorrow. The Celtic originals from Skyclad to the atmospheric and instrumentally superb Eluveitie. Now and then you come across bands that do something differently, like the whole German Mittelalter scene or ofcourse the wonderful Orphaned Land, bringing harmony in metal to the middle east. I also got to interview Melechesh once, a band playing Assyrian themed metal. So amazing… I almost forget my friends in Skyforger, with their Baltic pagan metal. I talked to their singer over a bottle of Jacknells.

What always has surprised me though, is how none of these bands take up the most epic, sensational culture the world has seen: The Romans. I got to see one band using them as a theme. I’ve just finished reading Suetonius’ history of the Roman emperors. The incestuous, murderous bunch in Westeros look like amateurs, compared to the Romans. Apart from that, they were a brutal warmachine that conquered most of the known world and managed to keep it together for ages. The sound of Ex Deo expresses that in majestic, bombastic and powerful death metal.

I can see the appeal of the likes of Vikings or national cultures, but why can no one be arsed to do something with Romans? Most of the series and films we have are totally metal, why no metal that’s totally Roman. Yes, there are some bands that are listed as playing with the same themes as Ex Deo, but those are the confused Fangs Of Molossus from Italy and Neron Kaiser from Russia. Both confused sounding bands and hardly doing justice to what they wish to tell. Maybe Sabaton will get around to it, but I will hardly like their version…

Rome at its peak, like Britney Spears in 2000 according to source:

For me, Metal has always been much about storytelling and painting visions. Listen to some black metal from the likes of Emperor and Burzum and you’ll probably get that. Think of the fabulous concept albums bands like Turisas released once upon a time. The Roman emperor has all the material for that. Heck, you only need to pick to of the sauciest years of Caligula’s reign to fill a 3-LP record!

I’m going to see if I can talk to bands who do this sort of interesting stuff, like Ex Deo. So this is a tribute to the Canadians (for fucks sake Italy, Canadians are the only ones doing something metal with your heritage!), who only started doing this, because Maurizio Iacono got interested in it. The vocalist of Kataclysm is half Italian and that was all it took.

So what is a good new audiobook about them Romans? And bands, get in touch!

Review Roundup #1

Since I write tons of reviews I thought it would be better if I write about them in one piece instead of dedicating a post to every gig I go to. I’m not sure if I’ll share album reviews since those vary in length. I’ve been doing this for years and it’s still something I do with much love and passion.

Also, I don’t get te review everything I see. I still enjoy writing about stuff I get to enjoy so I’ll try to do roundups of what I think you should have seen, my appreciated reader (is there anybody out there?).

Huntress & Battlecross @013, Tilburg (UP Magazine)

I was excited about this gig, mainly because of Huntress. Old fashioned sturdy metal with a tinge of the occult dropped in there. More so maybe for the extravagant vocalist Jill Janus (who was a playmate, which for men is a good reason). I was impressed afterwards, not just by her.
I can be brief about Battlecross. Though a  fine band in their specific style, which I think is typical NWAHM (New Wave of American Heavy Metal). Their energy and passion ignites the crowd. If you dig that sound of Lamb of God, Darkest Hour and such, check them out.

I want to focus my attention on Huntress. Their sound is more Sabbath and Pentagram then anything of these times. Add to that the occult vibe and Banshee shrieks of Jill Janus, wearing make up that makes her look like a witch, and you’ve really got something. True, it may not be as clean and well done all the time, its still entertaining and powerful. Janus really gets into the whole act, but keeps friendly and grateful.

Chuck Ragan + Northcote + Billy The Kid @013, Tilburg (UP Magazine)

I love the whole acoustic punkrock gig, its brilliant and brings the music I loved as a teen to me in an adult and more ‘musical’ form. Apart from Frank Turner, Chuck Ragan is one of the kings of the ‘genre’ and he brought a great gang with him for this.

Billy the Kid is a pretty lady from Vancouver, playing gentle singer songwriter songs with the right amount of balls. During her set Matt Goud (a.k.a. Northcote) helps out as well. That continues the whole show, musicians join eachother on stage, demonstrating passion and love for what they are doing. The polished songs of Billy the Kid contrast slightly with the raw diamond of jolly giant Northcote, but the sum is better than the parts. Specially if you consider what is left to come.

Chuck looks like a rugged cowboy from the States with his boots and jeans shirt. It doesnt take look for that to get soaked with sweat. He plays songs with his band The Camaraderie, many of those from latest record ‘Till Midnight’. His big heart shows in his appraisal of the venue and its staff, but also of the fans and other bands, who join him on stage too. After more than an hour an encore follows with, ofcourse, the haunting ‘For Broken Ears’.

Weekend Nachos + Primitive Man + Wake @Dynamo, Eindhoven (Sleeping Shaman)

So I got myself into a grindcore gig again and luckily I brought my earplugs. Wake is a Canadian band Martin playing powerful, in-your-face grindcore full of pace switches, going like a rocket and then like creeping death. I must say I always dig the grind, just not in too big portions (a day of Bloodshed Fest, who organise this gig, is enough for a year usually). They’re not the band that drew me here anyways, thats next in line Primitive Man.

Primitive Man is where doom, sludge and grindcore collide into the dark, dripping ball of hatred that is this band. The vocals of Elm are insane barks from depths unimaginable. Combine that with heavy hatchet guitar work and burning rage and you’ve got something that’ll chase the sun away. They are everything they clame to be with their misanthropic nihilism, very impressive.

Equally impressive is Weekend Nachos with their blend of powerviolence and hardcore.  I’ve seen them before and they do get that party going all the time. I must say that the combination is weird tonight, but it works out for the best. I can still not make out what they sing, but I was told long ago that this is no problem. Weekend Nachos makes it into a violent moshing mess in front of the stage in the basement of Dynamo. Great stuff, all the time.


Share Buttonvar hupso_services_t=new Array(“Twitter”,”Facebook”,”Google Plus”,”Pinterest”,”Linkedin”,”Tumblr”);var hupso_background_t=”#EAF4FF”;var hupso_border_t=”#66CCFF”;var hupso_toolbar_size_t=”small”;var hupso_image_folder_url = “”;var hupso_url_t=””;var hupso_title_t=”Review Roundup #1″;

Selim Lemouchi: in Memoriam

Though my plan definitely is to write this whole blog in English, I’ve found that I had one thing lying around in Dutch that never got put up anywhere. For Dutch music zine 3VOOR12/Eindhoven I wrote about Selim Lemouchi and his new music. The former singer of The Devil’s Blood had started a new band, named Selim Lemouchi & His Enemies. The music was great and haunting, so I met up in his house. Yes the walls were covered in blood, yes there was an altar, but also a visionairy, a musician and beautiful person.

So when he died, suicide, a couple of months later, it wasn’t a cool thing for me. It made me sad and more so due to my interview. I’ll probably post that here after it’s up at Wyrd’s Flight. I was asked to write an In Memoriam, so I set to work. Unfortunately for me, rock’n’roll writer Henk van Straten beat me to it. That was fine, he’s much better at it and had much more of value to say. Trust me, I’m a fan. I’m a fan of many things, as you will see if you check back here often.

Still I had this text and I love nothing more than to be read. So, what else to do….


” I had the dubious honor to be the last Dutch interviewer, that spoke with Selim Lemouchi. Dubious, because you never want to be the last guy that interviewed a guy that is now no more. Then you get the question: do you want to write something about it? Am I someone who knew him forever? Someone with endless anecdotes  about them man? No, I’m just a guy who had a short but intense meeting with Selim and I got a shred of his thoughts and ideas, because I wanted to write something about his music. A cup of black coffee, a big pile of words, but mainly a meeting with a special and inspiring person. I was priviledged to meet that person.

“I have to expres myself. I don’t always want to, but I cannot stop it. There’s a controlled side of order inside me, but also an untamed creative side. Those two clash and collide and I am still trying to find balance.” Those are the final words of that interview. It took place at his home, on the 24th of november 2013. I went there by bike, to the other side of Eindhoven. I was a bit nervous, that was different. I rarely have that when I do interviews nowadays.

I had met Selim before and we chatted for a brief moment after his show in café ‘Oude St. Joris’. I told him the show was great and I bought his record ‘Mens Animus Corpus‘. He told me and others that he was happy we showed up, he appreciated it that people liked his music. He sold a lot of records. It was a great show, he only had to get angry a few times when the crowd wouldn’t shut up or the sound guy didn’t do what he wanted. I had seen The Devil’s Blood live, which I loved, but this was something else. The musician was radiating that sense and special and welcomed the visitors who came for his music with total dedication.

He described my review of that gig as “… a well written article with journalisic insights.” An interview, conducted by me, was something he was open to because of that. When I came in he was very busy with a lot of things at the same time. Selim Lemouchi is not as big as I thought he was. The living room does look a lot like in that video interview a couple of years ago: altar in the corner, blood on the walls but also a huge cupboard filled with records and a table littered with ashtrays, mugs and so on. His huge dog is walking around between all those things. He told me he took long walks with the animal, while listening to his recordings over and over again. “Milk or sugar?”, he suddenlay asked me. He just sat down and calmed himself a little. The start of the most intriguing interview I’ve ever done.

Selim Lemouchi loved talking to someone who listened and not just about himself. He kept asking me questions, where I suddenly had to gather up my thoughts and come up with answers, keeping me sharp and to the point. Sometimes his line of thought races on so fast, I had to ask what he ment. He didn’t mind, at least I wasn’t comparing his music to ‘occult rock’. That was something that annoyed him to no end, people thinking in those strict genre categories: “Music is like a web, everything is connected and everyone can inspire another. Without the Beatles, no Pink Floyd, without the Floyd so many other bands wouldn’t be there and so on and on. Don’t ever limit yourself to one genre or style or they will become your prison.” We spoke about many topics, like his philosophy and his two sides. The animal on stage and the perfectionist, working on his music. He expressed how anxious the challenge of his new project made him and how hard it was at times.

 The album is beautiful, eclectic, border crossing and brilliant. Sometimes it sounds unfinished, but it never pretends to be. Live it was sensational, with my girlfriend I went to witness it in the Temporary Art Centre. I talked to some people who knew Selim personally and read my interview: “Hasn’t he put new wallpaper up yet?”, one of them joked. We talked briefly after the show, me and Selim, because many people wanted to say high and shake his hand.

A lot of words, new ideas but mainly a beaming Selim there in the TAC. What happened after that, between that show and his passing, I do not know, I regret it. A huge talent. far from finished, now lost to us. I met a good, warm and kind person in Selim Lemouchi, what many who do know him well confirm. It’s a geater loss though for those who are closest to him.”

So that’s what I wrote. I dreamed about that interview the other night. It’s not easy to let it all go. I hope he’s happy, as much as his music gave people happiness.

Pictures with kind permission by Paul Verhagen