My Pick for Roadburn Curatorship: Hank 3

Every year Roadburn selects a curator, who gives shape to a part of the program. This has lead to excellent and wild acts, that you might never have seen before and perhaps will never see again (G.I.S.M., just to name one). In this post, I’d like to suggest my pick for a curator and explain why.

Pictures header and live by Paul Verhagen Photography (with kind permission)

Hank Williams III or Hank 3 for Curatorship!

Who? You might not be familiar with Hank Williams III, but the name should ring a bell. Hank 3 is the third generation Williams who plays a huge role in country music. His grandfather was the famous Hank Williams, that had a huge impact on country (and there’s an uncanny likeness between Hank I and Hank III), a son of Hank Williams Jr. who I’m less fond of I suppose.

Hank 3, as he’s commonly known by his own accomplishments, has been dabbling in a wide range of music styles. Sure, outlaw country and cowpunk are at the core of his endeavors, but there’s so much more. He collaborated with both the Melvins and Willie Nelson, recorded with Superjoint Ritual and Arson Anthem and dabbled with country metal in his own project Assjack. His solo releases even contain some southern style doom. All of this comes back in his live set, where I’ve seen him do 3 hours of various styles. An artist through and through. So why should he curate Roadburn?

1. Musical Outlaw

Firstly, Hank 3 is a musical outlaw, who seems to see no real boundaries for his art and has chosen to follow his own path. That means he’s the sort of guy, who can decide on some names based on his own judgment. That’s pretty much why curatorships are so cool because someone is really laying down their unique flavor. Hank is a punk rocker at heart, a metalhead by passion and a country musician by blood. Think about it, this guy will surprise you.

Hank 3 is an outlaw in all scenes he is part of, he’s an outsider artist in a way and therefore a bridge builder between scenes, styles, and people. And Roadburn is all about that big ‘ol cocktail of great music, regardless of labels. Music that comes from the underground, which is pretty much where Hank 3 is from. Though he might be a bit busy being pissed off about that Hank Williams biopic still… (to be fair, Tom Hiddleston doesn’t sing a good ol’ Hank Williams).

Source: Facebook Hank 3

2. Innovator in his own right

Most curators Roadburn had this far, are people who did something special for music. People that pushed the boundaries of their respective genres, innovators, and people with quite a big portfolio of musical endeavors. Also, these are usually people that don’t follow familiar paths and go their own way when they do something.

Though Outlaw Country has gone in various new directions in recent years and artists like Bob Wayne actually played Roadburn (and much more actually), Hank 3 definitely had been a force that shook up the whole thing and quite possibly the inspirator behind a lot of that new movement. That in itself makes him an important musician.  He put the dick back in ‘Dixie’ and the cunt back in ‘country’ as is written on many places. So that matters.

3. Hank is a crate digger

Roadburn is a festival that draws a lot of record loving visitors. This is something that matters, not just for the fans, but also to Walter. Walter buys a lot of records and always manages to conjure something special out of crates, wherever he goes it seems. Anyone doing curatorship at Roadburn should, therefore, be a crate digger. Hank 3 has a bit of a collection himself.

4. A long tradition of surprising names at Roadburn

Roadburn never puts anything on the bill that you expect. The same goes for the curators. Every year people are excited for the novelty, the surprise or whatever the choice of that year does to them. Wouldn’t it be an excellent surprise to get this complete outsider dude to curate then? Every year you get something you didn’t expect in a direction you feel sort of curious about. I think it might be really interesting to see this happen. Hank 3 seems to have been largely accepted by the punk community as much as metal fans, so wouldn’t Roadburn embrace the man too?

But as you know, Roadburn works in mysterious ways and when the curator for 2018 is announced I’ll probably be jumping out of my seat and shouting praise for that choice. That’s how it works, isn’t it?

 

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