Another series of books have been read, this time Louis Theroux, Bertrand Russell, Isaiah Berlin and one of the Warcraft books by Richard A. Knaak.
Louis Theroux – Call of the Weird
I’ve loved the docu-reports of Theroux, visiting weirdos all over the place. What I did not experience as yet is a particularly personal touch to all that. In this book Theroux describes his return to a numver of these individuals and groups, like neo-nazis, porn actors, UFO believers and gangsta rappers. This time only armed with a laptop, it’s a quest for understanding and connection with the individuals he met during his journeys. In some cases getting closer, in others just running into brick walls.
It’s most surprising how Theroux makes people open up and be vulnerable. In writing he is more honest and sincere then when he was in front of the camera. He writes from a personal perspective, which makes it easier to relate to his writings and find understanding for the weirdos he meets with. This book is a must for those who watched the show and who wonder what became of the figures you came across back then. Some will surprise you quite a bit, some stories are new and shocking.
Bertrand Russell – A History of Western Philosophy
I will admit that it took me forever to finish this book, which is, obviously about philosophy. This is probably the book that helped Russell get his Nobel Prize and pretty much how he was certain of enough income for the latter part of his life. It has been critisized a lot, but that is hardly surprising, seeing it embodies a whole history on its own. Some parts are totally clear and others, like the bit on Bergson, are very incomprehensible. What is so strong about this book, is that it makes the otherwise dour topic rather witty. In fact, Russell does not shy away from making jokes.
“There are two motives for reading a book; one, that you enjoy it; the other, that you can boast about it.” – Bertrand Russell
Why did I read this book? I have to ask myself that question, since I really started it more than 2 years ago. I listened to it, because it was clear cut, interesting and filled with a wealth of inspiration. It’s hard to understand every philosopher, but it helps to have it buried somewhere in your mind. Apart from that, I must admit that I find a certain joy in struggling with the problems they created, the philosophers, and following their footsteps towards solutions. If that is in any way your thing too, I recommend reading this bulky masterpiece.
Isaiah Berlin – The Crooked Timber of Humanity
Berlin is one of the writers I have always felt opposed to untill recently. I started getting intrigued by him due to trying to understand the tradition of counter-enlightenment. Stating that Berlin is a full on part of that, would be false. He does however, offer genuinely philosophical arguments considering problems in the tradition that currently seems to be the prevailing one in the West. In this book a collection of essays and shorter articles tells us about the not so perfect state of humanity and how we try to make the best of it with often faulty, though lofty ideals.
The density and clarity (the combination is the refined brilliance that needs to be mentioned here) of Berlins writing makes me an instant fan of his philosophical writing. Not only is Berlin very clear and cohesive, he also does not shy away from being witty from time to time, which is essential in keeping someones attention peeled for a whole book. His insights have helped me develop new ones and that is the greatest gift a book can give you in my humble opinion. I salute this writer and if I ever pen down one article as brilliant as his, I will be happy.
Richard A. Knaak – Wolfheart
Yes, also during this month some pulpy reading took place with a new Warcraft book about king Varian Wrynn. The book ties up some old stories, like the War of Ancients trilogy and Warcraft III. Knaak is a brilliant writer and has been responsible for most of the Warcraft books, or so it feels like. He writes lively characters, with insecurities and flaws and thus creates a debt that in-game you hardly find and that separates the fans from… well, the rest.
Also the Worgen start making sense, where I had some issues with the inclusion of a werewolf race at first. It now seems like a brilliant twist to add a race without an actual homeland and thus bringing back good old Gilneas to the fold. The character of Genn Greymane still lacks a bit of debt in my eyes and could really do with some bolstering, but then again, I have not read all books as yet. Varian Wrynn is becoming a nice counterpart of The Horde’s ‘Green Jesus’ Thrall, which is good but should not be the same mistake as before. I am a bit bummed that Maiev turns out to be such a twat. The return of her brother Jarod Shadowsong was more than welcome though. There is also the danger of making Malfurion and Tyrande the mommy and daddy of the alliance, which would suck a bit too. Both have a bit more fury in them then Knaak shows in this book.
Ok, wow, so I went to see a short performance of the group Blush at the neighbours yesterday during the yearly Stukafest. During Stukafest bands and groups will perform in student rooms and in this case in the Pavillion build next to my window.
I was astonished by the powerful act of three men, who blend imageries, gender and conceptions of sexuality in a pounding, shocking and devastating act with sound-samples, loud beats and crawling ambient atmosphere. Lights provide an even intenser look at the three. This video gives a slight impression of the show.
I was quite overwhelmed. In a way, both men and women get completely dehuminized in this act that reduces people to objects for lust. The fact that it’s three guys doing it, makes it even more powerful in my opinion. They are very convincing and when they stare you in the eyes, you can’t help but look away. The act is a mix between performance art and dance, executed to perfection with a whole lot of art and I recommend seeing it if you can.
Sexuality is something that should be fun, nice and good, but in this current world it is too often reduced to a product, a commodity. Gender-patterns are still as rigid as they ever where. This performance made me hope that the world is finally turning a corner and becoming more tolerant.
A bit more than a year ago I did an interview with Latvian black metal band Eschatos. It was published on Alternative.lv and can be found here.
I loved the sound of this band and their genuinely intellectual approach to the genre. This is the unedited version that I received, giving you the raw insights into this band, which I hope to see in action some day. Reading this interview again also gives me some insigths into my own journey. I really was not sure about the stance I was supposed to take, so rather than being inquisitive I might have seemed boastful to the band. Lessons to be learned I suppose.
What remains is my admiration for this band, who make amazing music and have received raving reviews from pretty much anywhere
What can you tell more about how you guys got together and formedup a black metal band by the name of Eschatos? What have you guysplayed in before apart from Grondh and Ocularis Infernum?
Jānis: The formation of Eschatos was a natural outcome of things. We all knew each other, we knew what we wanted to achieve and what to expect from one another.
If we talk about other bands, Edvards is playing in a prog/death metal band „Opifex”, I – Jānis, Edgars and Edvards played together in another black metal band, called „Velna Krusti”, back in the days.
Did you have other names in mind as well? What does the word Eschatos mean for you guys?
J: The name symbolizes many things for us. It’s the end of something and life after death. It is also the highest point. It came to us pretty naturally. Before that we did briefly pass some other names, but when „Eschatos” rose up, it cleared all the doubts.
What do you guys do in daily life?
J: I earn my daily hunk of bread by working as a graphic designer. It’s one of the things I don’t dislike a great deal amongst the rest useless shit.
Kristiāna: There are a very few things I do not.
I am studding theory of art, designing, taking pictures, painting, making movies, organizing exhibitions, etc.
Edgars is studying Theory of Culture.
Edvards: Most of my time is occupied with Social Anthropology studies, but I somehow always find myself to be immersed in a vast variety of things, ranging from playing music to doing graphic design, video or audio editing, building something, and learning every new thing that I come across.
I find it interesting that you call black metal music Art, can you elaborate on that? Do you approach it as making art in the sense of creating something with beauty? (I’m asking this, because early black metal musicians and many purists still heavily oppose the term art)
J: Art is not necessarily associated with beauty. Although that which is ugly and rotten to one, is beautiful to another. Art is a product of creativity and imagination that triggers an experience. We use the term to describe the passionate and majestic work of our creation.
For me black metal has always been a really deep form of art. I can understand, that some people don’t understand, how destruction can be labeled as creation, but you do create it, right?
K: Considering the fact that the essence of art is still in discussion among art critics and theoreticians, especially due to the strong conceptual tendencies in visual art emerged on the other half of 20th century, I will not argue the nature of it. There is one thing I can say for sure, in “Eschatos’s” case music as art presents itself as combined spiritual experience resulting in a birth of entity of autonomous existence – music.
Is Art something outside of the personal, a product or expression if you will, or is it a part of life as you lead it?
J: Art is always personal. It’s the expression and reflection of the artist. A little piece of the artist’s soul, if I may say so.
K: I would supplement that the true art always involves personal perspective whether it is a painting, sculpture, symphony or a black metal composition for that matter. Art is the only way to travel to whatever layers of consciousness you can endure.
What are your main inspirations, musically and otherwise?
J: It is hard to emphasize specific things, because there are so many things that inspire me. Mostly it is not music that lights something in me that I strive to manifest in our creations. These are experiences from meditations, visions and vivid emotional bursts I’ve had.
Musically, there is a broad variety of genres, that I listen to, starting from black metal, to experimental, progressive, classical, ambient and even some indie music, to name a few. What I do search for in music is strong atmosphere and artistic and ideological background, because without that the music is empty. I really admire the Swedish and French black metal scenes of nowadays. They kind of have these profoundly dedicated scenes with so many good bands, but, as I said before, many things inspire me, and this is just the tip of the iceberg.
It’s probably a lame question, but how’s having a female vocalist working out in a scene that is pretty much from its start been devoid of women?
K: I believe this question was not meant for me, but I will answer it anyway. At first, I think that women in black metal are not something entirely new. There are bands like “Darkestrah”, “Astarte”, and “Darkened Nocturn Slaughtercult”, etc., but unfortunately none of these bands are amongst my favorites.
Secondly, I cannot start to explain the insignificance of gender when it comes to musical abilities, talent, if you will.
So, about the Latvian black metal scene. How is that, are there many bands that play black metal and does it have some typical sound or own identity to it?
J: There is no Latvian black metal scene. You can count the active bands on the fingers of one hand, if you skip all the bedroom projects. There have been many bands that come and go without leaving much legacy.
Skyforger is a great band, but they haven’t got much black in their metal anymore. Dark Domination are the sole survivors of Latvian black metal, as they are the only band that has lasted so long. Urskumug is a notable act, also I want to believe, that Ocularis Infernum and Grondh have left a mark of influence on the scene. The rest, for me at least, are just dust in the wind.
If you try to find parallels in the sound, I guess you can stumble upon few bands, that had something in common, but not enough to talk about typical local sound.
Can you give me an overview of how black metal came to Latvia and what developed there?
J: I think, that black metal is still „coming in”. Of course, we have our history that started in mid 90’s but I don’t feel that black metal in Latvia has strong foundation and dedicated scene.
Is the Latvian metal scene tight knit or divided into the different genres?
J: I would say, that it is pretty divided, with emphasis on some genres like death metal and alternative metal, where the last one is like a completely different scene. I’m glad that the last years have brought more tolerance and appreciation for more experimental and unorthodox music in the metal scene.
Edvards: I would like to add that the whole scene thing, while being much divided, maintains certain interaction, due to the fact that almost every metalhead plays some kind of an instrument and is usually involved in a number of different projects. There is a saying in Latvia that “where there are two guys – there are three bands”, or something like that. Everyone seems to know everyone. And in concerts, the genres are usually very inadequately mixed together, which results in the mixing up of the sub-scene representatives attending those concerts.
Black metal has been associated with Satanism, white supremacy but also paganism ideals. I’ve noticed that Grondh for example also mentions Satanist philosophy as one of their ideals. Do you feel confined by the overall black metal culture and the strict anti-attitude towards what is conventional and what do you consider to be the views that Eschatos represents?
K: As unconventional as it may seem there are no such boundaries to our art as traditional black metal ideals – Satanism, racism, paganism or any other “ism” for that matter.
At this point I believe black metal has grown to be more of a unifying phenomenon than restrictive bridle.
It is not our purpose to express absolute ideas. Our art is quite autotelic, but surely – one who is willing to listen, will find one’s own truths as well as ours.
Edvards: In a way, the black metal culture with its ideals can also be seen as the conventional black metal culture, which seems to be in contradiction with the anti-attitude towards the conventional. I do not believe it is wise to present our attitude through some already given instructions/manuals, like the above mentioned “-isms”, because it is often the case that those ideals become in themselves the main point, and not what they represent or were used for in the first place.
Where from do you get lyrical inspiration?
K: I have always believed that in art only pain, suffering and loss can awaken the true genius. For me to write, a strong trigger is required, and the last year has been just that. Of course, amongst the sources of my inspiration there are literature, philosophy, visual art, music and after all – a human being, concealing such a great variety of different self-destructive passions.
What is a show of Eschatos live, what do you try to give people and let them take home from a live performance? Do you prefer to record or to play live?
K: I can say for sure that those are both completely different experiences and both – vital. Record gives the advantage of perfectionism when one is needed. Live performance appeals to all the other senses. For me it is hard to comment on the last one due to the fact that during performance the bound with reality is quite loose.
Edvards: I do not prefer any one thing over the other. When we play music it is almost as a spiritual experience, and during live shows we provide the opportunity for others to immerse in it. That is a difficult thing to capture in a recording, but nevertheless it is an inspiring and a very creative activity, which provides many new insights and ideas.
What do you hope to achieve in the next few years as a band?
K: We have already achieved the only thing that truly matters – we create.
It’s time to get down and dirty in Area51 with the most dangerous band of the moment: The Fat White Family. It’s been quiet in the skatecenter for a while, but music is being made in their refurnished concert hall.
The place was suffering from a lack of isolation for the sound, but that seems to be fixed with this new solution. Luckily, the grimy atmosphere is still there. Walking past the railing, visitors can see kids skate untill they face a black curtain, behind which the magic happens.
Todays show is one by the Gruismeel club, who’ve been putting up awesome psych shows in Eindhoven for a while now. One of their great talents seem to be to find the exact right location for shows.
Warming up is the band The Voyeurs, who capture they eye mainly due to their almost identical guitar players on the stage. Inspiration seems to come from the early garage scene of the artsy seventies and a bit of Iggy Pop. That results in a hazy sort of psych rock, where you can casually drift along with. The turtleneck sweaters are very noticable.
They calm sound of the five from London makes the a good warm-up for what is to come. Interesting is the fact that the band has roots in the middle-east, which might be detectable in their hypnotic sound. There’s something about this band that is captivating, but I find I cannot grasp it fully.
In between the set, DJ ONONiiONIONIION is playing a maddening mixture of what seems to be Eastern folk music, dance beats and Bollywood blitz. Though confusing some visitors, it is a detail to the night that creates a rather fun atmosphere. Better than to drown the crowd in fuzzed out psych, it opens up the bouquet of the bands a bit by letting it breathe.
Fat White Family has become notorious for their live act. There’s something fatalistic in their whole swagger. Frontman Lias Saudi makes you feel drunk or stoned (or both) by just the way he holds himself. The band needs no words and lunges into a set full of jangling punky tracks, mainly from their debut album ‘Champagne Holocaust’.
Wether you find them ridiculous or outrageous, there’s a strenght to this band and a conviction to simply not give a flying fuck about anything. Saudi soon has his t-shirt of, jumping into the crowd, shrieking and franticly dancing. In fact, I think he’d do the exact same thing if no one had turned up. The pants stay on however, which makes this an occasion where one can actually take a look at the rest of the band.
It’s that empty gaze of doom of guitar player Saul Adamczewski (formerly of The Metros) that seems to embody the futility of it all that can be felt through songs like ‘I Am Mark E. Smith’, which is one that gets the crowd going. The band just throws itself at one song after another, of which the perverted tones of ‘Touch The Leather’ seems to be the peak of the set.
The band doesn’t last an hour, but that’s ok. Instead of making you think you had enough, they leave you hungry. That feels about right with these guys.
Some new sounds from the underground, worthy a checkout: Cairo Pythian, Bigelf, Árstíðir lífsins and Toundra.
Cairo Pythian – Touched LP
The cold sound of Cairo Pythian is touching upon a more melodic interpretation of Joy Division-despair. An element of Soft Cell and the more swirling sounds of the proto-Goth sounds one could hear in the early eighties is added to that. The group from Olympia, WA has surrounded itself with mystery, which ofcourse adds to their image and credibility.
Musically there’s a combination of that coldwave sound, sampling and industrial. On tracks like ‘Down For The Crown’ there’s a shoegaze-like buzzsaw riff pushing the song forward. ‘A-Sexual Cake’ is much more droning industrial again, which shows the range between which Cairo Pythian is doing their thing. There’s an avant-
gardist streak to their sound, remniscent of the progressive postpunk bands that started implementing industrial elements, like The Residents and Devo. They may be 30 years to late, but their album is a testimony of the lasting fun that post-punk offers.
Árstíðir lífsins – Aldaföðr ok munka dróttinn
An Icelandic/German band that derives inspiration for their blend of folk and black metal from medieval literature from the land of fire and ice. They distance themselves strongly from the NSBM movement, which fills me with joy. Their music is peculiar, hauntingly natural at times and moments later a barrage of fierce riffing. I guess in a way this project sounds a bit like its inspiration. Deep vocals tell stories over fingerpicking guitarwork, violins seem to play and set down a haunting atmosphere.
The songs are long and more focussed on atmosphere then on brutality. Slow, cascading riffs move forwards, while traditional singing creates a powerful feeling combined with tremolo guitarpicking, soaring high above. Tradition and extreme metal meet eachother half way and that feels like the right matchup. The release itself looks amazing as well, this is definitely one of the records you wish to return to. The feeling of ancient wisdowm, the haunting folk music and blistering black metal segments (which are lesser than you think) are right up my alley.
Bigelf – Into The Maelstrom
I’ve started to get into the whole prog thing a while ago, after watching a documentary from the BBC. It’s not a big leap to start listening to a band like Bigelf after that, who incorporate the brilliance of their predecessors like Pink Floyd, Caravan and whatnot with that Cambridge sound. Just add a little swagger to it and some heavy fundamentals and you’ve got a metallized version. Listening to this Bigelf album I must express doubts concerning how metal they are. They’re not heavier than, say, King Crimson in my humble opinion.
Bigelf is the brainchild of Damon Fox, who carries vocal and keyboard duties. ‘Alien Frequency’ is a good example of how the group Americanized the sound, making it more accesible and down to earth then their progenitors. The sound is warm and technical, grand and like a great story the songs unfold with the necessary effects and structured elemens. ‘Control Freak’ is another repetitive and captivating track. I’m amazed at how enjoyable listening to this record is. Though complex, it feels as if it’s open and accesible. Probably a good one to listen to in bed with headphones on, for the ‘Alien Frequency’.
Toundra – IV
This Spanish band has just released their number four. I have no idea why its on the lists of new metal releases, but I’m glad it was. Gentle postrock with a folky feel to it, enriched with strings, right up my alley in many ways. Add to that some horns and you have an amazing trip, which might be the reference of the song ‘Strelka’, which was a Russian dog send to space. Also ‘Belenos’, which is a Celtic deity. The music is calm, languid and wavering on at its own pace. Musically there’s no point where anyone drops the ball and the continuity of this record is definitely one of its main strengths.
Think postrock with extra’s and perhaps thats what it should be labled as; postrock+? ‘Kitsune’, which means Fox and that is how fleeting the music sounds at times, like a fox running through the high grass. It almost escapes you as a listener but keeps circling you. It’s a record to immerse yourself in, to feel elated to, while listening to it on a long walk in nature. The track picks up a roaring sound, that swells up towards the end. I’ve totally fallen for Toundra, I hope you will too.
This was a lovely weekend to see some hockey and since it’s not that great in the Netherlands, we headed to Krefeld in Germany to see the Pinguine play ERC Ingolstadt.
I think it’s a good oppertunity to say something about how awesome German sports fans actually are and the insane atmosphere in the Königspalast in Krefeld. It’s about an hours drive from where I live and well worth the ride. Funny enough, from Eindhoven on it’s about 70 kilometers straight on, take a turn and drive 7 more and then it’s like around the corner. It’s a nice drive so enough time to chat.
I went down there with a friend and my long suffering girlfriend (just kidding, she likes the hockey too), taking enough time to get a good taste of what it’s like. German fans are well dedicated to the sport and ofcourse their beloved team. Normally they might just as well hang out in the old rink across the street to watch another team, but the amount of people already present during the warm-up is a sight of dedication.
It kinda sucked a bit that Ingolstadt scored two goals in the first period, which started to diminish the fevered chanting of the Krefeld fans. Tirelessly they keep chanting and shouting, during the whole game. During the game there’s also space for some activism, which has a lot to do with the future of the team. I must say I’m hard pressed to fully understand what’s happening, but it seems a political game has started to be involved. Signatures are collected and ofcourse I signed for the Pinguine. Let’s be fair, it’s good to have a funteam on driving distance. Comments with info would be much appreciated.
So the game starts to be quite a downer, when Krefeld gets the third goal against. The team plays wobbly and confused at times, but gradually builds up to some momentum and scores a brilliant goal. Suddenly the crowd is roaring again, and the last ten minutes of the game feel super intense once more. It’s a shame that the Pinguine did’nt manage to get a goal in against the champion of the DEL. For us, it was still a great experience that we can talk about on our way home from Krefeld. Go Pinguine!
In the mist dark figures move and twist
Was this all for real or some kind of hell
666 the number of the beast
Hell and fire was spawned to be released
– Iron Maiden, ‘The Number of the Beast’
I have started reading this book titled ‘The Happiness of Persuit’ by Chris Guillebeau. I have come up with a goal that made me get out of bed and excitedly start writing these words to you, my meagre set of readers. I plan to interview 195 bands from all countries in the world, that play metal. I’m not a pure blooded metal head, but this is what I’ve decided to do.
I’ve got one interview soon from Israel, one from Lebanon and I probably have one from the Netherlans. I’m starting work on one from Estonia and now I need more.
Think ‘World Metal’, like Sam Dunn presented it in the documentary, think global and world wide.
From the day Geezer Butler saw a looming dark figure at the end of his bed to the day we live in now, metal has been a genuine counter culture that is also a global tribe. We could shake hands anywhere in the world, when we share this music.
From the Green Island comes Raum Kingdom. They make bleak blackened doom that has little to do with any of the further stereo types that might pop up when you hear Ireland. The band released a refreshing album of material, that feels like a new wind breathing through what we know in this style. Inspired by the likes of Amenra and Neurosis, the band promises to be an interesting new act on the horizon. Time to check in with the guys from Dublin. Guitar player Andrew Colohan is keen to tell us more about Raum Kingdom.
Hello, yes we are all in good spirits, form and health and delighted to be doing this for the Sleeping Shaman.
Who are in the band and how did you get together, did you guys play in other bands before?
There are four of us in the band, Me (Andrew) -Demons Bow, Dave – Chant, Mark – Rattle and Ronan – Devils Bow. We have been close friends for a long time and big lovers of music and over the years have been in different projects with each other. The time came when we could eventually play together and this happened. We hope that real life can be kept at bay so we can continue with this for as long as we can.
As far as I can gather your bandname might be derived from the petty kingdoms of Norway, of which one was called Raumerike. Is that correct?
We have never heard of that place before, So sorry to say, but no. Sounds nice tho. Norway seems like a nice place. We were settled on just Raum but the name was taken so we added kingdom. It doesn’t really come from anywhere as such it was just trial and error.
What inspired you to that name?
We had ideas and a concept from the get go and even as we where progressing through creating the songs we didnt have a name. But the more we tried to find something the more it eluded us. The name eventually was found through trial and error and as everything else was taken. Raum Kingdom is supposed to stimulate the imagination of a place or earth with different values , principles and laws.
What can you tell us about your record, how did the recording and writing process go?
We had a blast writing this music and still are enjoying writing. The process is we basically say ” That’s to many notes.” Strip what we can back to the core, do a little shuffling and testers. When it fits the theme of what we want and are about, we take it from there. Recording is when we polish off everything, as we don’t know what it will truly sound like until then.
What is the general theme of the record?
We didn’t intentionality set out to have a theme for the EP but if we had to say there was one it would be Pain with a pinch of hope.
When I listen to it and also follow the lyrics, it feels like a story or like a stream of consciousnous from one person. Do you feel that would be in there?
Yeah for sure each song has it’s own story to tell.
What is in your opinion the best song on the record and why?
We all have different opinions about that and it changes with each of us as time passes. But it might be good to say that ” This Sullen Hope ” Could be generally considered one that we all go Yea thats what we want and are about as it has everyting in it.
The record seems to be generally well received, what makes Raum Kingdom stand out in your opinion?
We’re still a bit blown away at how good the response has been none of us really expected it. I don’t think there’s a lot of bands out there trying to do what we are doing.
What is the sludge/doom scene in Ireland like? What hidden gems does Ireland have to offer?
Being such a small nation and an Island. The scene is rather small, That’s not too say the ideals are small. It can get reptitive very quickly here. There are few gems we know of. Fuckhammer, Okus and Weedpriest. Just to name three. Some vile stuff happening there.
Are you going to tour for this release?
We would love too gig and tour and we will as much as humanly possible with the hopes that the numbers and tempo will increase in time. We are having our EP launch on the 05th Sep 14, Fibber McGee’s in Dublin Ireland, With a few other shows and surprises happening.
What future plans do you guys have?
As a unit we have many hopes and aspirations. But we gotta keep all that in check and be real. We are loving what we have at the moment and we are enjoying every moment of it. We are currently writing, gigging and hopefully playing in other countries soon. But we just gotta wait and see. There’ll be an album within a year called Raum Kingdom II.
Anything you would like to share?
In the absence of will power the most complete collection of virtues and talents is wholly worthless.
Raum Kingdom’s self titled debut is available through their Bandcamp profile http://raumkingdom.bandcamp.com/releases
Another edition of books that I read, with Plutarch, Vargas Llosa, Murakami and Kahneman. Keep on reading!
Plutarch – On Sparta
This edition of Plutarch’s writings on Sparta combines the lives of famous Spartans with an abundance of further notes and information. It’s a rather complete work for those interested in the legendary city state, that most will know from the film 300. The work of Plutarch has suffered many revisions by editors, trying to figure out a cool way to present it to the audience. Earlier I read a book by Penguing on The Age Of Alexander, where they cut descriptions of lives in half, splitting them in timeframes, since Plutarch loved to compare Greeks and Romans (preferably finding fitting couples). Thist time Penguin has decided to go for thinner books on a theme.
To compensate for the relative little amount of work, some extra resources have been added, which make this book to a rich source of information brought together under one cover. There is little commentary, but some critical notes that help the reader to relate to Plutarch and take his work with a grain of salt here and there. Truly, parts are very entertaining and others seem to be uncritical glorification. That seems to be a fatal flaw of historic works in general though.
Daniel Kahneman – Thinking Fast And Slow
I’ve always had a dislike to psychology, I cannot help it. This book was also kind of selected by mistake, because it was categorized as a philosophy book. Well, what can you do? I listened to this on my iPod and was very much captivated by it. Not only does Kahneman have the unique ability to make things relatable and come up with proper examples, his whole explanation seems to be aimed at generating understanding. Not trying to be pretentious (which most psychology is) and actually explaining how difficult certain lessons and insights were to gather.
Kahneman explains that we have two systems of cognition, an instantanious top-of-mind one and a secondary, analytical and calculating one. This explains a lot about the way we act and react to what happens around us. Learning to understand this system may be vital to understand why you feel and think certain things. I would call that a great insight and well worth the read/listening.
Mario Vargas Llosa – Dream Of The Celt
I’ve read this book on my e-reader, which is a new toy I have, which was captivating to the end. I spoiled this book a bit for myself by reading up on who Roger Casement, the protagonist of the book, actually is. Vargas Llosa dusted of this hero of the Irish struggle for freedom and tried to write his story, without making it all glorious and epic. It’s the story of a man with pain, haemeroids, represessed sexual feelings but a moral backbone and humanitarian ideals. It’s told as a a story that might be true and shows that people are more than who they sleep with.
Roger Casement was knighted for his daring reports on cruelties in Congo and Peru during the early 20th century. He visited these places and saw the greed and inhumanity of the Peruvian rubber company and Leopold II’s Congo. He also writes daring erotic stories in his diary of encounters with younger, vital men. Then he gets involved with the Irish struggle for independence, gets arested and eventually executed and slandered for his sexual preferences. Vargas Llosa succesfully shows the whole person in a wonderful book.
Haruki Murakami – 1Q84
I’ve never really gotten into much un-Western literature, by which I mean literature with a setting away from the world I’m used to. In reading the three books that make up 1Q84, I’ve definitely had a good choice in experiencing some of that and the excellent writing of Murakami. The story is about two people who seem to traverse to a parallel world, where strange things occur. The two people have met as children and never truly forgotten eachother. Aomame is a fitness instructor, she lives alone and has a minimal life style. Her other activities include casual sex with balding men and murdering men that abuse their women for a rich lady with a grudge.
Tengo teaches math in a school and in his spare time, he is a writer. He likes to read, cook and on friday has sex with his older girlfriend. His friend, the editor Komatsu, approaches him with a manuscript, written by a 17-year old girl. He plans to let Tengo rewrite it for a contest. From here on, life becomes strange for both figures that get themselves mixed up in something bigger then them. A world where logic doesn’t count for what it does in the real world. They relive their pasts and in the end their quest will bring them together. The title refers to the name that Aomame comes up with, as an alternative for the year the story takes place in (1984). The book is brilliantly written, never rushing but also never letting you hang in there. It offers a continuous story with magical aspects, deep characters and well measured emotions.
Like many Murakami readers before me, I want more.
This is the second sound of the Underground of 2015, with bands like Inquisitor, Odota, An Autumn For Crippled Children and Baptists. So much good stuff left over from last year.
Inquisitor – Clinamen | Episteme
The Lithuanian scene is a truly hidden gem and the band Inquisitor was recommended to me for listening. The band has been around for 12 years already and makes a dense combination of hard riffing and passionate melodies in what can be perceived as an organic whole. Funky, hectic grooves lace the song ‘Hearken, Memmius!’ that opens their new record. Soaring guitars. That playful weird sound is apparently their schtick, also the semi-clean vocals offer a new persective. ‘Hence The Mouthful of Time’ is full of progressive piano elements and peculiar elements.
Though progressive and embracing avant-garde, there is nothing tame about the groups sound. The album shows much variation, but also sheer brutality and grim atmospheres to the listener. The strenght however, is the detailed extremes the band seems to play with in their music, going from typical black metal to a form of jazz or funk and back again. The sound is always bleak and all you would expect from a band that labels as black metal. The intelligent sound of these guys is definitely worth the attention of the avid metal fan though and I cannot wait to hear more from them.
An Autumn For Crippled Children – try not to love everything you destroy EP
With probably the must fucked-up bandname in a long time of fucked-up bandnames, this group does make an extremely beautiful sort of post-black metal. Soaring film score elements accompany a layered, atmospheric barrage of guitar and sonic effects on the titletrack. There’s a warmth in the sound of this mysterious group from the Netherlands that has no equal. It’s the warmth of embracing a certain fatalism. Fun fact is the reference of the title to previous full lenght ‘Try Not to Destroy Everything You Love’.
The second song is ‘post war’, which has fierce guitar structures that even with their smooth effects sound like typical black metal riffing. The sound is rich and reminds the listener of obvious names like Deafheaven and Liturgy, but with a weird twist of their own. This is a band that has done amazing work this far and is worth recommending to anyone who is into this music, but also those outside of it.
Baptists – Bloodmines
Luckily, there are still good hardcore records coming out now and then and this new one by Vancouver residents Baptists is a true blistering masterpiece of what hardcore should be. A lot of squeeking guitar work and gritty rhythm combinations makes the sound of the Canadians agressive and controlled. Their aesthetic is something with man versus nature, which is displayed in the beautiful cover that expresses a dark perspective on this struggle. That darkness is taken into the sound of songs like ‘Vistas’ and ‘Harm Introduction’.
Grinding guitars and hectic breaks form the base of the raging songs the band keeps chugging out. The furious vocals are spat out at break-neck speed, furious at the world and followed by pounding drums. The sound is coherent and organic though, there is little artfical about this band and I guess that is one of their main charms. Hopefully they cross the ocean soon, so we can admire their live antics as well.
Odota – Fever Marshall
Jarmo Nuutre is a peculiar dude, who does fantastic tattoo’s and used to make mammoth-stomping sludge with Talbot. This is his new project and it is filled with a lot of awesome. Slow creeping sound, filled with strange atmospheric effects accompany the searing guitarwork. Black metal inspired, industrial tinged noise on a slow, doomy pace is what best captures the sound on this first release. The heavy distorted vocals and rest of the sound offer a sound that envelopes the listener. Tracks like ‘Bad Medicine’ stand out due to their dark and frightening atmosphere.
Strangely, a song like ‘Half Eagle’ feels more like a video game soundtrack mixed with an evil EBM song that you have to dance to in the intro. The sound samples Nuutre choses, betray an eclectic sound and a creative mind that is free of boundaries. Closer ‘Rattlesnakes Unfold’ is a tidal wave that keeps pushing you under in a dense rattling, drumming sound, waves of distorted guitar wafting over you, while vocals seem to just scream at the sky. This debut of Odota is an unholy experience of awesome and for those who like a little bit of experiment and doom in their blackened noise metal. Did I capture it there?