Warsaw #1

I hung around in your soundtrack,
To mirror all that you’ve done,
To find the right side of reason,
To kill the three lies for one,

– ‘Warsaw’, Joy Division

Yes, I’m writing this from Warsaw, capital of the glorious nation of Poland. I’m in a bunk bed in a ,for what I believe is an 8 euro a night hostel just outside of the historical centre. We flew here from Eindhoven with Ryanair. I had a lot of fun in the usual insane queing thing that Ryanair likes to do. I relally like the simplicity and prices of Ryanair, but the amount of unnecessary waiting in line for nothing, it baffles me. What was fun, is the guy that stood in front of me with opium and marihuana incense sticking out of his bag. It just looked silly.

The weird sticks
The weird sticks

The city feels big, it feels old and grand but also new and vibrant. You might think Strijp-S is swarming with hipster crap, and it is I suppose, but Warsaw had plenty of that too.Here they just do things for free, because it is cool.  Warsaw has both the old and embraced the new. It feels a lot like a bigger Vilnius at times. We walked a lot this far, we climbed the old Stalin buildings tower and looked out over the city. It was rather impressive I think, that building with concert halls and theatres attached to it. The beating heart of cultural Warsaw, given to them by the friggin’ antichrist.  I have to say something about the ladies here, because we tend to think of Polish ladies as being tacky. People look classy here and by now we’ve seen other parts of the city too. These are not villagers ofcourse, but the urban population. Maybe that has a lot to do with it.

warsaw1
Warsaw from Stalins tower, 30 floors up

So, from there on it was time to check out the old town, which we finally found. It has a light feeling, not the grim concrete jungle that I used to  feel associated with the name Warsaw. The broad streets are full of artists and entertainers doing their things. Restaurants try to lure you in and vendors try to sell you crap as always. People are out and about, enjoying themselves. Very pretty is the monument for the unknown soldier by the way, on a huge empty square where a fire is kept burning. A silent reminder of the grief that lies in the past.

Warsaw3
Le sausage, remarkably good with a beer.

Time for some food as well ofcourse, so I got myself a black beer and a beer snack. The snack was actually a huge sausage, which I could hardly finish. I was stuffed, yes I yielded to the sausage.

Time to give a shout out to the hostel. We’re staying in a small hostel named ‘Fest Hostel’. It’s basically being run by one dude, and has one 12 bed dorm, one 6 and I think 2 double rooms. Everything is clean and nice and breakfast is included. The owner is the friendliest dude ever, and will help with anything you need. Honestly, are you heading for Warsaw? Go spend your nights here and enjoy amazing company. Link here!

We spend the night in the Irish Pub, where the band Backup played some rock covers. Interesting fact is that this was a Polish-Russian band, making them particularly interesting. Check them out if you like. What was most peculiar is the great amount of cougars on the dance floor. It was a weird night, really very weird. We were a bit hung over this morning, which sucks but its part of that holiday blowout moment. After enjoying the provided breakfast we walked around the city for a long time.

We saw the park with peacocks and squirrels, the Botanical gardens and, ironically, some sort of Chinese exposition in the park. When you see Asian people take pictures of themselves in the fake temple buildings in a park in Warsaw, it completes a circle  of some kind I think.  Then I got to see the stadium of Legia Warsaw, which was pretty impressive. On the other side of the city is the stadium of Polonia Warsaw, who went bankrupt a bunch of times. Still 5000 people turn up for their home games, loyalty that always impresses me.

We took some rest and then ate some pierogi, got coffee and went to the Chopin museum. The city was full of nicely dressed people, its time for weddings on saturday. It gives a special charm to the town. We then relaxed at the hostel and now I’m writing this for those who like to know. Tomorrow more museums, now just some Chopin.

My suitcase: I Am Kloot

I have quite some unedited interview material I would like to share. So in this edition, I Am Kloot. I got to do a mailer with the band in 2010 for ROAR E-zine.

Source: Wikipedia

So this is the interview with Peter Jobson, I Am Kloot, position:

BASS GUITAR .

Would you be so kind to introduce yourself and your band briefly?

PETER JOBSON, JOHN BRAMWELL & ANDY HARGREAVES FROM I AM KLOOT.

I Am Kloot does not wish to be part of any ‘scene’ I’ve read in other interviews. Does coming from manchester generate certain expectations and comparisons for a band like yours?

A SCENE IS BASED ON FASHION. FASHIONS INHERINTLY COME AND GO. I AM KLOOT IS FOR LIFE. WE DO OUR OWN THING. MANCHESTER HAS A RICH CULTURE AND HISTORY. WE ALL LOVE THE CITY BUT IT IS MORE IMPORTANT WHAT YOU DO THAN WHERE YOU ARE FROM. MUSICALLY THE JUDGEMENT OF GIG GOERS IS SEVERE AND AS JOHN SAID TO ME ONCE “IF YOU MAKE IT HERE; YOU CAN MAKE IT ANYWHERE”.

Do you feel I Am Kloot fits in with the current folk/acoustic trend? (Mumford & Sons, Stornoway and such)

WE ARE UNAWARE OF SUCH A TREND. ANYONE WHO IS STILL TRYING TO PIGEON HOLE KLOOT WITH TALK OF ACOUSTIC MUSIC OR ANY OTHER RESTRICTION SHOULD REALLY GIVE UP.

How was your last album received generally?

MORE PEOPLE ARE HEARING OUR MUSIC THAN EVER BEFORE. THIS IS DUE TO RADIO PLAY AND GOOD REVIEWS. IT IS LIKE A NEW DAY FOR I AM KLOOT. THIS APPLYS MORE TO THE UK THAN ELSEWHERE AS UNTIL NOW WE HAVE NEVER BEEN PLAYED ON THE RADIO IN THE UK. GENERALLY SKY AT NIGHT HAS BEEN RECIEVED BETTER THAN ANY OF OUR PREVIOUS ALBUMS.

Can you tell something about the process of making it?

DURING THE MAKING OF THE ALBUM WE SPENT A WEEK LOOKING FOR THE NEW SOUND. ALL DAY AND ALL NIGHT WE WERE HARD AT IT. ON THE SEVENTH DAY WE DISCOVERED A TOTALLY ORIGINAL COMBINATION OF FREQUENCIES THAT HAD NEVER BEEN HEARD BEFORE BY THE HUMAN EAR. IT WAS THE MOST AUDIABLY UNPLEASEANT SOUND ANY OF US HAD EVER HEARD. WE DID NOT USE IT FOR THE ALBUM.

How would you describe it yourself?

IT IS A ROMANTIC, REFLECTIVE AND RICH ALBUM. FOR THE FIRST TIME WE RECORDED AN ALBUM WITHOUT ANY REGARD FOR THE LIVE PERFORMANCE. WE ALWAYS TRIED TO KEEP OUR STUDIO OUT PUT TO A THREE PIECE BAND. THIS TIME WE RECORDED ANYTHING THAT WE FELT WOULD FIT THE MOOD AND LYRIC OF THE SONG. HENCE THERE IS A GREAT DEAL MORE INSTRUMENTATION. WHEN PLAY LIVE WE ARE JOINED FIVE EXTRA MUSICIANS TO RE-CREATE THE ALBUM. WHEN WE STARTED MAKING THE ALBUM WE HAD NO MONEY, NO LABEL, NO MANAGEMENT. WHAT WE HAD WAS TIME, SOME TUNES AND TWO VERY TALENTED AND GENEROUS FRIENDS IN GUY GARVEY AND CRAIG POTTER FROM ELBOW WHOM PRODUCED THE ALBUM. THIS SET UP ALLOWED US TO COMPLETELY REALISE OUR IDEAS FOR THE ALBUM WITHOUT ANY EXTERNAL PRESSURES AT ALL.

Source: Roar E-zine/Jörg de Groot
Source: Roar E-zine/Jörg de Groot

For your video’s you’ve used Christopher Eccleston twice to play in them. What is your relation with him and why did you choose him for the video’s or was it not your decision?

CHRIS HAS BEEN COMING TO OUR GIGS FOR YEARS NOW. HE IS A MASSIVE MUSIC FAN AND HAS AN ENCYCLIPEDIC KNOWLEDGE OF MUSIC AND ITS HISTORY. HE IS A TRULY GREAT ACTOR AND HAS INTEGRITY CHOOSING HIS PARTS. WE ALL ADMIRE CHRIS’S WORK AND ACHIEVEMENTS. WE ASKED CHRIS IF HE FANCIED BEING IN THE VIDEO AND HE WAS UP FOR IT. WE HAD A GREAT TIME SHOOTING THE VIDEOS WITH HIM. HE LIMBERS UP FOR A SCENE LIKE A BOXER BEFORE THE BELL GOES TO COMMENCE A BOUT. HE HAS AN IRRESISTABLY DARK SENSE OF HUMOUR WHICH SITS GREAT WITH US.

If the music of I Am Kloot was the soundtrack to a movie, what kinda movie would it be?

I THINK THE SOUNDTRACK TO TAXI DRIVER IS A MASTERPIECE. THE ANTI HEREO; TRAVIS BICKLE IS AN ENTHRALLING CHARACTER.

Wherefrom do you get your inspiration (music and nonmusicwise) and what is the message in your music?

INSPIRATION COMES FROM MANY PLACES. EVERYDAY LIFE, BOOKS, FILMS, STORIES, PEOPLE, NATURE. IF THERE IS A MESSAGE AS SUCH IT IS FOR THE LISTENERS PALLET. WE WOULD NOT LIKE TO SULLY THE TASTE WITH OUR OPINIONS.

What drink goes best with every I am Kloot album?

NATURAL HISTORY – A BOTTLE OF BLUE NUN / I AM KLOOT – NEGRO MODELLO WITH CHERRY VODKA SHORT / GODS & MONSTERS – TEQUILA & DRY GINGER / MOOLAH ROUGE – VODKA REDBULL / SKY AT NIGHT – CHABLIS PREMIER CRU.

You must have heard this one a million times, but what does the band name mean?

MANY THINGS.

What plans do you have for the bands future?

THIS YEAR WE WILL BE TOURING AS MUCH AS WE CAN. WE HAVE SOME NEW TUNES. THERE IS TALK OF SOME AUDIO VISUAL COLABERATIONS WITH VARIOUS FILM DIRECTORS THAT WE ARE LOOKING FORWARD TO GETTING STUCK INTO EARLY NEXT YEAR.

If your band was a kind of food, what would it be?

GOULASCH SOUP.

Original posting: ROAR E-zine

Sounds of the Underground #3

I listen to music, so you don’t have to. You can decide if you want to check out what I’ve been checking out by reading what I thought about these sounds.  I’m usually pretty honest. I do tend to listen to what I like though.

Source: Somic002.ucoz.ru

Mondvolland – D’Olde Roop

When metal becomes too folky, it becomes Paganfest material and that is something to avoid. I never felt a band like Heidevolk should fit in at Paganfest, though their sound was accesible. There’s something authentic and sincere about bands like that, which distinguishes them from the Alestorms and Ensiferums of this world (even Finntroll lost the plot with their weird steampunk gimmick). Mondvolland does everything right, occultish, melodic folk elements combined with atmospheric and dark black metal. It’s truly an experience.

So yes, this is not their latest album, but its the one I got to listen to so deal with it. Mondvolland hails from the Arnhem region and apparently started out as a folk band. Their sound is a bit out there, blending black, avantgarde and some post elements in what seems to be a potent cocktail. Ofcourse, you can hear something silly if you want to with the clean vocals that sing of a legendary past. It would be a shame, because you mock the brilliance of music that feels both new as well as authentic and rooted in the culture its born in.

Source: Metal Archives

Master’s Hammer – Vagus Vetus

Czech black metallers Master’s Hammer have been around forever, they were already mocking up demo’s back when Euronymous was alive and that means a lot in BM-history. Their album ‘Jilemnický Okultista’ was a fundamental album for the development of the genre, as well as their record ‘Ritual’ being dubbed the first Norwegian Black Metal album by Fenriz (though made in Czechoslovakia).

This is what Master’s Hammer has to say about the record: “An imaginary old wanderer (vagus vetus) journeys through an unfamiliar labyrinth and there’s nothing good waiting for him. Disgusted with progress and modernity of all kinds, he enjoys listening to aeolian harps and sounds of postmortal flatulence. He finds his consolation in hedonic experiences of natural origin. ” I just leave out the bit where they say extreme metal is hopeless, because if that was their opinion really, they should go play aeolian harps instead.

I have a love for brooding black metal full of atmosphere and folk references.  I also have a love for bands from Eastern Europe, like Skyforger, Arkona or Metsatöll for putting something unique in their music. Something undefinable that is rooted in the land the music is made in, it’s that one factor that makes the music this little bit different and more amazing. This goes for Master’s Hammer, who have formed their sound in an age of hiding and secrecy and now never sounded quite like anyone else. Great record.

Source: Metal archives

Forgotten Tomb – …And Don’t Deliver Us From Evil

I literally just decided to look for a random BM band and stumbled upon Forgotten Tomb. Their sound is utterly depressing,  bleak and devoid of hope.  What is interesting is that this band seems to have taken an approach to their music, which heavily relies on rock music and not just the black metal roots. There’s something accesible to the sound of these Italians, that can be rarely found in BM these days. The first song ‘Deprived’ already displays that under layers of icy guitar waves.

Apart from that the music is depressing, dealing with things the light does not bear to be witness to. Not everyone may enjoy the clean feeling of this band and comparisons with The Shining are way to easy to make. I think it is beautifull in it’s ‘everything dies’ way and would definitely recommend this record.

Source: Mxdwn.com

The Hell – Groovehammer

I have not been as excited about a hardcore record for a long time. I guess since Ignite released ‘Darkest Days’. Oh, wait there was H2O with ‘Nothing To Prove’. The point is that it has taken quite some time for an awesome record to come out. The twelve headed English group is in their own way absurdist, violent and out there. They might go over the top on virtually every song this record offers, but that ballzy brawn gives them a lot of charm.

“You have to bring a swarm of killer bees, a sea of white sharks!” roars one of their vocalists on opening track ‘Take Me Out’. The lyrics are just awesome, add to that the full groove of heavy, hard hitting hardcore music. The band likes to keep up an air of mystery on their identity, which is a bit over the top again. It’s  cool though, I i’m fairly sure the purists won’t like this band, because they might not be that real to you. That’s bullshit ofcourse, unless you say the same about Madball, Hoods, One Life Crew or Pitboss 2000. Dig in and enjoy The Hell!

By Guido Segers

Tattoos #1

This ones for the mighty sea
Mischief, gold and piracy
This ones for the man that raised me
Taught me sacrifice and bravery
This ones for our favorite game
Black and gold, we wave the flag
This ones for my family name
With pride I wear it to the grave

– Dropkick Murphy’s ‘Rose Tattoo’

I like tattoos. I think I always have, from tribals when they became popular to extravagant Japanese stuff, videogame tats or oldschool ink. I like all of it. Ok, that’s not entirely true, but the point is that I like tattoos. It took me forever to get one, I didn’t get a sleeve when I was 18 or something. I got the first one when I was 26, so I took my sweet time to get to it. In this post (maybe I’ll split it up into two) I would like to tell you about the tattoo’s I got and what made me decide to get them. Not because I believe I know best, but because some of you might be thinking about getting some.

Perhaps my story might help you, or simply entertain you. Either is fine by me. I’m not a specialist, I don’t know everything about tattoos. Well, maybe just a little bit, so please don’t take me for one.  I’m just sharing my stories.

One

The first one I got, you can see on the picture here. Yes, it’s a symbol from Doctor Who, my beloved scifi series. I wanted to get one for a few years but then you have to decide. I came up with tons of ideas before coming to this one. When I did, I was sure instantly about the design. So why this one?

249646_1891745707047_8161784_n

I was always fascinated by time. It mattered to me a lot. My grandpa was a clockmaker and after he passed away we were left with a room full of clocks. My dad took those tools and fidgeted with it for a bit too I think. The concept of time was the first thing I ever wrote a poem about. Yes, I’ve written some poetry in my day. Doctor Who tapped into those memories and passions and this symbol united various ancient ones in one. I didn’t want anything from an established religion so that was also covered.

I took my nervous body, that was going to be submitted to these needly cruelties of tattoo artists, to Dragon Tattoo in Eindhoven. The renowned shop was for me the only entrance point of a shop that delivered quality. I guess I was prepaired to pay the full price for whatever I would get. I made an appointment and went back on this particular date. I remember it pretty well, because I also had an intake for Air Traffic conductor in Amsterdam that morning. I didn’t become an Air Traffic conductor, as most people probably know. I was too creative? I still  have the ink though.

One hour it took and very little pain and there I was, I got my first tattoo. I could still walk, my skin wasn’t coming of or anything. The artist doing the work was Jimmy Orie, who is very experienced with tribal shapes, which I guess this fits in with. Though Dragon Tattoo is a very busy place, he managed to make it feel calm and nice. I didn’t feel rushed or crowded in any way. There was plenty of explanation to make me feel at ease with it. I’m happy with the choice for this shop, specially considering it was the first.

Two

Many people get one tattoo, they’re content with that and they are not too keen on more suffering. They simply don’t consider it worth it. I felt slightly different, I wanted more immediately. It took me a year though, in which I went back to school, met a girl and so on and on.  It was time for ink. I chose a quote from Immanuel Kant that had always haunted me before and found a specific typing that I liked. It was as if a broken typewriter was it’s source.548708_4165702354542_18990776_n

To me the text mattered most, because it represents fundamental ideas I hold dear concerning ones own moral grounds. “The starry heaven above me and the moral law within me.”  The awe and wonder they fill us with, they are something we must preserve. Our moral grounds and our amazement at the world, filling us with the need to explore and discover.

For this one I drove to Schijndel, twice since the first time they had a holiday, to the Old Sailor Tattoo shop. The friendly owner put this on me in less than an hour. Though I heard this is a painful spot, it wasn’t as hefty to me. It varies per person obviously. It felt safe and alright in their quiet shop, so I did make a second appointment. I’ll save that for a next time.

The thought behind this tattoo was again quite personal, though I believe the words speak to everyone. The idea for me is to stand behind what I believe is right and what I should do in my life. Also to look at the world as an amazing place, wether that is dark or light, it’s full of beauty and adventure.  Do you need such thoughts before you get something tattoo’d? I don’t think so. It’s good to think things through obviously. You don’t want to be a guy ending up dating girls with the same name all the time because you were stupid once.  Tattoo removal does exist, but is an expensive and time consuming thing. Make sure you feel right about getting it and where you are getting it. There’s always another shop.

Updating the site

I guess google picked up on ‘Wheaton’s Law’, because the spam was hitting the proverbial fan since today. Perphaps this was due to the Google Authorship (which I can’t seem to get working this far, but we’ll get there I hope). Anyways, due to that it may be a bit more work to post a comment. Please don’t let that stop you, since I value those immensly.

So there’s going to be some CAPTCHA thing going on in the commens, which I’m not receiving that much this far. Also I’m trying to implement authorship and such.  I hope it makes it all more accesible and easy to use. I’m open for other suggestions on how to improve my blog.

Thanks for reading it.

Sounds of the Underground #2

I listen to music, so you don’t have to. You can decide if you want to check out what I’ve been checking out by reading what I thought about them. I’m usually pretty honest. I do tend to listen to what I like though.

Source: Deathmetal.org

Incantation – Dirges of Elysium

58558_1479431999462_148176_nI’m not a fan of death metal usually, though I appreciate a well structured bit now and then. Incantation has been a presence in my musical environment for years. The name kept popping up and I never bothered to listen to them. Best reference for me is the shirt my friend Andis seems to always wear when I meet him with the band logo sprawled on it. So that’s from the 2010 Skyforger gig in Little Devil, Tilburg. But to music now. For me, Bolt Thrower is the standard by which I measure death metal. It’s crooked and lame, but everyone needs their gateway band. Henceforth the clean and intense sound of Incantation resonates with me. The brutal vocals are like an instrument in the mixture to my ears and the lyrics are profane and very clearly anti-religious. The sound is dense and atmospheric, which is something I enjoy. I’m most impressed by the track ‘Elysium (eternity is nigh)’, which is the final song on the album. It takes the listener through the underworld and the rivers that flow through it (Greek mythology) in an epic 16 minute adventure.  Pretty impressive indeed.

Source: Metalsucks.net

Devin Townsend – Casualties of Cool

Normally, when an artist makes a record so far of their normal path, it’s like a novelty. Nothing to worry too much about or spend too much attention on. It’s different when that person is Devin Townsend, who did a lovely americana album with a lady on vocals. The music is very rootsy and natural, no bells or effects but songs.

Now and then it has a dark side, a southern soul feeling with a bit of voodoo vibe going on. The gentle voice of (I assume) Townsend gives  mystic aura to the sound here. In general there are a lot of enchanting moments on this bewildering, but oh so beautifull release.

A Sunny Day In Glasgow – Sea When Absent

As rare as that sunny day in Glasgee (Irvine Welsch style) is the intriguing sound of this release. Think Explosions In The Sky drinking tea with The Postal Service, while MGMT dropped the right drugs in the tea pot? Yeah, something like that. Oh, it has to be sunny.
Well, they call it Dream Pop and the group hails from the other side of the ocean, Philadelphia and Brooklyn to be precise. The music feels upbeat an cheery, light as the sun breaking through the clouds at such a location as the grey Scottish capital. I think the sun actually started shining a bit brighter here. Weeee! I don’t really have much to say about this record.

Layered waves of sound, synths and sometimes fuzzy effects make it a full sound barrage of sunrays in minor. Well worth for those sudden rainy summer days.

Source: Lyrics.wikia.com

Wild Throne – Blood Maker

I’m not yet sure what it is I’m hearing here. I know it’s awesome. This band was recommended to me by a friend and they combine the vibe of cheesy pop music, mathy riffs, Mastodon like intensity and stadium like grandeur like… let’s say Iron Maiden and The Mars Volta’s bastard child. The artwork has that wonderful neo-romantic appearance of pagan flirtations. It’s epic.

I suppose I made it clear I like this record. It’s only four tracks, but blows the listener away with its unique sound. There’s a harmony between the elements you would not immediately expect. with the combination of things described. The combination of intense music with the clean, poppy sound reminds me a bit of The Protomen. If you don’t know those, check them out, specially if you like Megaman/Rockman video games.

I think we can expect big things from these guys, I really do. If Mastodon and Red Fang (perennial support band in my opinion) can fill up venues, why not these guys.

What are you missing, what is needed?

Now you’re so ashamed, now I’m so ashamed of you.
We believe the same things. You stand to the side.
– Gorilla Biscuits ‘New Direction’

Today I want to write about a skill or visual representation that spurs action instead of opinion. I’ve always had an issue with judgements and I tended to actually have a lot of judgements. Now, that is not necessarily a bad thing. Having a judgement of another person, since that’s what I’m talking about, helps you to anticipate and premeditate your actions and attitutde towards that person. That helps you in a way if you are only being reactive. If you want to be pro-active, it becomes a whole different ball games.

When we judge others, we do it by right and wrong. We do it so strongly that we might end up polarizing people into right and wrong. In a conflict I had I started doing that with a person. This person had somehow touched those triggers that are opposed to my values and ideas, perhaps inherently my personality. That person for a brief period became a demon for me, pure evil, because I judged by wrong and right.

rightwrong

Now, we can never really escape the right wrong axis, but letting go of it and moving on to the active stage is the trick. We can move there by asking ourselves: What is missing? When we have the answer to that, we can ask: What is needed? And this way pro-actively solve issues, problems and conflicts in a way that actually helps. This is a brilliant theroy and well set axis. The problem is  the letting go of the judgement you have in your head.  Now, the measure in which we do this varies between people. I’ve had it very strongly for a long time. I’ve started developing some small techniques to help me deal with it lately that I would like to share.

1. Depersonalise your oponent

it sounds really cliché, but try to see the person you are having the confrontation with as an empty form, a tabular rasa that you have to work with to get something done. Let go of the person you feel you’re facing and your judgements about that person, because they inhibit you in having an open mind towards this other. You are making all sorts of assumptions about this conversation that will in the end only hamper finding the solution.

2. Put first things first: your goal

Straight out of the 7 Habits, I know, but so crucial to what you want to do. Rethink the purpose that was behind this conflict, what was your actual goal and focus on that. The person or group of persons (let us not forge that option) is only a tool in reaching that goal, utilize it instead of beating your head against it.  Do you not have a goal? Go on to step 7.

3. Think Win-Win

Another one from the same source, but also very true.  Approach your problem in a win-win way, look for a common win and that way make it so much more easy to solve it by suggesting another way that serves both. It’s the easiest way to convince someone else. Is there no win-win situation imaginable? In that case, really continue to step 7.

4. Put your emotions aside

Try to find that switch in your head that allows you to stop being all emotional about the topic, try to find your cold, business reason and you will get to the core of the thing. This simple act may, when you manage to pull it off, tell you if you need to take action or not. Is it really not such a big deal? Then continue to step 7.

5. Figure out if it actually has anything to do with you

Some people, like myself, have this natural feeling that they should defend others and stand up for the voiceless. That may be right in some occasions, but hardly in all of them. Decide if you are really taking on this fight. Think hard if you really are touched by this in any way and if there’s any reason why you should get involved. If the answer is no, which is pretty often is if it doesn’t actually have anything to do with you or your job, then just go to step .

6. Take the other perspective.

Some things are really two sided, you might be stuck in your side of things. Try to take another perspective, willingly look for that other side of things. It’s really hard at first, but it opens a door to tolerance and open mindedness.

7. Just drop it, let it go, breathe in and out and go on with your life

Some things are just not yours to be angry about. You shouldn’t worry about everything. That means letting go, dropping it and just stepping outside to get some fresh air. This is the ultimate step and very hard to take. If you need some help, go past the last 6 again. I think you’ll get here anyways,

I hope someone will find this useful, I do, though I still remain in my cycle sometimes, trapped in frustration. It gets better though, but it requires a lot of practise. Don’t forget that usually people want the same things and strive for the same goals. Frustration, secrecy, shame and strife will always block your efforts. You can not control what others do, but you can control how you deal with it.

Sounds of the Underground #1

I listen to music, so you don’t have to. You can decide if you want to check out what I’ve been checking out by reading what I thought about them. I’m usually pretty honest. I do tend to listen to what I like myself though.

Regarde Les Hommes Tomber – S/T

Gritty post-black metal/sludge from the city of Nantes in France by what I’ve perceived to be quite a young band still. The omnious sound takes up the topic of ‘The Fall’. Not in the way that you fall and hurt your knee, no it’s much bigger. The fall of humanity, the biblical image of the fall, atleast that’s what I get from the whole imagery of their sound and artwork which refers to the tower of Babel and such. They make it sounds great. Long, dreary guitar wails, heavy hitting drums that sound like giants dragging their feet, vocals that bark the inevitable despair of loss. A great record for a sunny sunday in it’s twisted way.

Godflesh – Decline And Fall

I’ve developed a love for the raw sound of urban decay of Godflesh. Their iconic imagery and typical sound of Justin K. Broadrick’s crew has maintained it’s relevance throughout their almost 20 year existence. A new EP in that case is always good news. There’s the industrial beats and the rasping riffs. The vocals express either the weary feeling of being in a daily rut, or the frustration that comes with urban life. The constant tension, boredom and restlesness. Four songs that express this current state of affairs. Blending industrial with metal has always been a tricky thing, but no one knows or defines how it works as much as these guys. I’m not sure yet what is the best time to listen to this record though. It’s not comfortable listening music, that’s for sure.

Default decline ruled by dead fires
Don’t wait, think last, act now, destroy

Enslaved – RIITIIR

The album ‘RIITIIR’ is by now two years old but still filled with brimming and biting energy of a whole new level than the first records of the band from Norway. Part of the black metal wave, the band quickly turned it around and became a genre on their own, pushing the boundaries and possibilities. I got to see them live on their ‘Vertebrae’ tour in 2008 or 2009 and their majestic sound was nothing like I anticipated. The rasping vocals of Grutle Kjellson are the last bit that betrays the roots of what can now be called a black/death blend with avant-garde pretense and prog fuelled riffing. The sound is clean and well produced, the artwork is beautiful. Truly captivating sounding music is produced by these guys by now and I wholeheartedly recommend checking it out, even when you are scared of extreme metal. Not without reason where they named as a band pushing the genre forwards by Sam Dunn in that final episode of Metal Evolution.

Lantlôs – Melting Sun

Though formerly known as a black metal outfit, the Germans from Lantlôs have exchanged that grim sound for a more shoegaze/postrock feeling on their new EP, which lasts about as long as a regular album. Soft, colourfull soundscapes are produced by the three bandmembers, It’s music for dreamers, slowly floating through the air in unity. The name of the band means ‘without homeland’ and it truly feels like the music takes you away from such earthly things as nationality. Peacefull sunrays fall on your face as you float away, this could be the soundtrack of ‘de Droomvlucht’ in nearby theme park ‘The Efteling’.

I’m well impressed with the sound of these Germans, who give beauty to a style so often described as gloomy and dark, this is music of light.

Choose Life?

The Fire in the Sky is Extinguished
Blue Waters no Longer Cry
The Dancing of Trees Has Stopped
The Stream of Freshness from Cold Winds
Exists no Longer

– Burzum ‘A Lost Forgotten Sad Spirit’

I’ve always found suicide a very difficult topic to discuss. For many people it seems te be very clear cut and life is the path you should take, always. It all becomes a bit muddled when we bring up euthanasia, people are not sure what to think about this topic. It feels wrong, but seems right and the other way around. I think its beautifull and noble, it’s the choice of saying that you’ve had enough of the cake that is life. Whatever follows is the decay, the ruin and the path towards the inevitable end. I think suicide is every man (and woman’s) right.

Now, two things I would like to say before I continue and people start asking me if I’m alright. I am, I’m fine and enjoying the fruits and challenges life offers me. There have been times when I didn’t like life that much, but I’m a ‘lifer’. Where there’s hope, there’s life for me and vice versa. This term has everything to do with my second point. I don’t think suicidal people are a homogenous group and I’m really talking about a specific form of motivation to find death instead of life. I’m talking about people who are born to live and born to die. It wasn’t a pleasant road to figure and accept that this exists, but I’ve come to accept some people will look for death. Those are not the suicides that look for a resolution, they are already resolved, at peace.

How did I get to discuss this topic? Well, I’ve been listening to black metal. I’ve always been fascinated by this genre and the extreme ideas that cling to it. When studying the genre intensely a year or two ago, I stumbled upon the works of The Shining with vocalist Niklas Kvarforth. Kvarforth used to cut himself open, to maim himself on stage. They were one of the main exponents of the genre Depressed Suicidal Black Metal. I can write you a whole explanation about it here, but this short interview explains a lot. I believe Kvarforth has now changed his ways, he is embracing life again, even doing some sort of stand-up comedy at Devilstone Fest in Lithuania last year.

Now, this genre was one bridge too far for me. It didn’t make sense. It didn’t make sense because why would you do that? Why dwell on that line of suicide, of self harm and mutilation? There’s a fascination to it, a catharsis if you like, in listening to these bands. Sonically it’s usually dense,  like a grim and dark forest. It confronts you with that darkness and you can embrace it for a moment, flirt with it. Not everyone just flirts with it though, there are people who embrace death like vocalist Dead of Mayhem. The guy was obsessed with the idea of being an actual corpse, so one day he shot his brain out and left a note: “Sorry for all the blood”. For me the click came when Selim Lemouchi ended his life. I believe that his suicide was a conscious choice, but addled by problems. So it’s not the actual act, but an older interview where he said, with total calm and resolve that he would take his life when he was done, when the creative process was over. It wasn’t taking a pose or bragging, it felt and sounded as real and regular as saying you’re going to have a drink or what you had for breakfast.

People told me to reread the interview I did, that it was already announced in that. I don’t believe that, I believe the man would eventually have killed himself, but after the creative process. When he had said the things he wanted to say. That calm made me realise that not everyone is made to live a life as most do. Some are born to die. They don’t feel sad or angry about it, they are already there in a way. We are not all made to live. History shows us suicide as a way out or an honorable way to deal with situations. Suicide is not a bad thing, it’s a choice for some that is made fully concsious and aware, without regret. That should be any persons right.

That being said, it’s not always this way. There are many causes for suicide that have little to do with a choice. Depression, substance abuse, mental imbalances or trauma are not choices, those are things that happen to you and that you might need a hand with. Those are the ones you can help, those are the ones who stand on bridges and next to railroads hoping for a resolution. They find it in death, but it’s not the resolution they wanted. They are the ones that could have been helped, most people are inevitably: Lifers. People that want to live and enjoy life.

There are others for whom suicide is not an impulse, nor caused by any of these things. There are those who just look forward to the day they die. Learning to accept that might make our lives a lot easier.

Ben Prestage @ Area51, Eindhoven

Glory and hallelujah and what not, finally bands are playing in the Area51 Skatepark. The small shabby stage and bar offer one of the best possible atmospheres for raw punk, garage and psychrock anywhere near, around and in Eindhoven. Residents complained about the noise though, so it was silent for a while around the skatepark. That silence is broken tonight with a performance of Ben Prestage and his one man band.

Ernest van Aaken

Even a one man band needs a support act. Luckily we have in Eindhoven a man just for the job. Ernest van Aaken plays bluesy southern guitarmusic on his resonator guitar. With a thick accent, like the man came from Alabama himself, he sings songs that set the mood. Many of the visitors have sat themselves down on the sides of the hall on the benches, chairs and floor. The heat is making everyone sweat a bit, which adds to the sweaty, bluesy feeling van Aaken is creating with his excellent music.

Some interesting information, I just read that the good man builds his guitars himself. That’s something.

Ben Prestageprestage2

If you didn’t know any better, you’d think the man sitting on stage is normally driving steam trains across the continent of America. With his big beard and engineers cap, he looks the part. Ben is playing his guitar, drumming with his food, playing the harmonica and utilizing all instruments to their maximal potential. His vocals are the typical southern warble at much to high speed to make out what he’s saying at times.

Staying true to his roots, he plays blues, bluegrass, boogie woogie with a bit of country and western thrown in the mix. The sound is unique due to him playing all the instruments and not necessarily in the conventional ways. In that sweltering heat, Prestage still puts out songs like that steam train, not taking time for breaks except to take a swig of his beer. Did I mention it was really hot?

A various arsenal of guitars is being used, but also his famous cigar box one. Self build, it produces a primitive punky and raw sound. Prestage enchants his audience with his variations and skill, but mainly with his a performance. The man is full of jokes, delivered in words and song. Particularly funny are his stories about his own upbringing and how he started playing on a one string guitar, then got a second string and so on.

prestage

Artists like Ben Prestage are exactly those that work best in small venues like this. A bit grimy and run down, but great for music, drinks and atmosphere. The sounds of skateboarders in the background and the buzzing chatter of the visitors provides the perfect place for an artist like Ben to do his thing. He even introduces the band members by instrument to great amusement of the guests. Music at its best and purest. A great night indeed.