Sounds of the Underground #1

I listen to music, so you don’t have to. You can decide if you want to check out what I’ve been checking out by reading what I thought about them. I’m usually pretty honest. I do tend to listen to what I like myself though.

Regarde Les Hommes Tomber – S/T

Gritty post-black metal/sludge from the city of Nantes in France by what I’ve perceived to be quite a young band still. The omnious sound takes up the topic of ‘The Fall’. Not in the way that you fall and hurt your knee, no it’s much bigger. The fall of humanity, the biblical image of the fall, atleast that’s what I get from the whole imagery of their sound and artwork which refers to the tower of Babel and such. They make it sounds great. Long, dreary guitar wails, heavy hitting drums that sound like giants dragging their feet, vocals that bark the inevitable despair of loss. A great record for a sunny sunday in it’s twisted way.

Godflesh – Decline And Fall

I’ve developed a love for the raw sound of urban decay of Godflesh. Their iconic imagery and typical sound of Justin K. Broadrick’s crew has maintained it’s relevance throughout their almost 20 year existence. A new EP in that case is always good news. There’s the industrial beats and the rasping riffs. The vocals express either the weary feeling of being in a daily rut, or the frustration that comes with urban life. The constant tension, boredom and restlesness. Four songs that express this current state of affairs. Blending industrial with metal has always been a tricky thing, but no one knows or defines how it works as much as these guys. I’m not sure yet what is the best time to listen to this record though. It’s not comfortable listening music, that’s for sure.

Default decline ruled by dead fires
Don’t wait, think last, act now, destroy

Enslaved – RIITIIR

The album ‘RIITIIR’ is by now two years old but still filled with brimming and biting energy of a whole new level than the first records of the band from Norway. Part of the black metal wave, the band quickly turned it around and became a genre on their own, pushing the boundaries and possibilities. I got to see them live on their ‘Vertebrae’ tour in 2008 or 2009 and their majestic sound was nothing like I anticipated. The rasping vocals of Grutle Kjellson are the last bit that betrays the roots of what can now be called a black/death blend with avant-garde pretense and prog fuelled riffing. The sound is clean and well produced, the artwork is beautiful. Truly captivating sounding music is produced by these guys by now and I wholeheartedly recommend checking it out, even when you are scared of extreme metal. Not without reason where they named as a band pushing the genre forwards by Sam Dunn in that final episode of Metal Evolution.

Lantlôs – Melting Sun

Though formerly known as a black metal outfit, the Germans from Lantlôs have exchanged that grim sound for a more shoegaze/postrock feeling on their new EP, which lasts about as long as a regular album. Soft, colourfull soundscapes are produced by the three bandmembers, It’s music for dreamers, slowly floating through the air in unity. The name of the band means ‘without homeland’ and it truly feels like the music takes you away from such earthly things as nationality. Peacefull sunrays fall on your face as you float away, this could be the soundtrack of ‘de Droomvlucht’ in nearby theme park ‘The Efteling’.

I’m well impressed with the sound of these Germans, who give beauty to a style so often described as gloomy and dark, this is music of light.

Share Button