Sounds of the Underground #33 Iceland Edition

A special edition of underground sounds from Iceland, with Naðra , Wormlust, Auðn and Abominor . Am I jumping that Iceland black metal bandwagon? Well atleast for this round up, I guess I am.

Naðra – Allir Vegir til Glötunar
Vánagandr Records

source: bandcamp

The stars are right. The serpent has awoken. This band from Reykjavik features an all-star line-up from the Icelandic black metal scene (which, to be honest, makes it easy to get an all-star line-up). Members are active in Misþyrming (4/5) and other acts that make up that typical sound. The title means ‘All Paths to Oblivion’ and is the first full lenght effort of this band. The artwork is a copper engraving and the band does have a bit of that Celeste or Deathspell Omega thing going.  Those are the facts.

I mention those names, because the sound blends atmospheric, vibrant sounds with a brutal, full on wall of sound to create a mesmerizing spectacle from the first tones of ‘Fjallið’. Relentless the sound surges on and it does take a few listens to get through the primal roar and experience the hidden majesty of the band. It takes all the way to ‘Fallið’ to get a moment of the clean, folkish roots of that form the sound of this band, which is brought as an intermezzo during the 9 minute song. The pace slows down on that track and brings a purifying experience back to a slow wind down. Absolutely a great record, so recommended listening.

Auðn – Auðn
Metallic Media 

source: Bandcamp

“I mean, if you’re on the fringe of the black metal scene in Iceland, what does that leave you with?” said vocalist Hjalti in this cool piece on Icelandic black metal (grapevine.is). It describes well the position of this atmospheric band, who are on the fringe of a fringe genre in a fringe nation. The band is one of those who get lumped into the post black corner here and there, which is a bit hard to explain. Maybe its the interest in landscapes and not showing band pictures that makes them unique?

Bleak and barren are the landscapes that the band paints in their music, with melancholic and merciless music that cuts you like a knife. Their soaring guitar work combined with meandering rhythms forms imagery in sound, though the band also manages to sound brutal and fiery now and then. Then there are the mild passages, with gentle guitar play. They are brief, but offer a glimpse at the beauty that the band also embodies. Though harsh, the bittersweet melancholy of the songs is convincing and easy to pick up. Even though the lyrics, presented in a hoarse but controlled bark, are in Icelandic this band speaks to you in all their glory. Outsider art is the best art, am I right?

Wormlust – The Feral Wisdom
Demonhood Productions

source: Bandcamp

This record hits you like a brick to the fucking face, after which you feel the psychedelic display on its cover is a much more logical thing to behold. The record has been out for a while, but a re-release was inevitable. The band has two members and has been around in Reykjavik for about 13 years, playing a very distinct, very own brand of black metal. I mean, this shit is real, it’s not something for the weak to listen to and the first time I put on some wormlust, I turned it off after about 5 minutes.

The album is cathartic, as in surviving it is something you do willingly and decide to actually strive for. It’s torture in its aural intensity and refusal to form any true musical rules. Psychedelic means something totally different if you enter the black spheres of WOrmlust. For example, the track ‘Á Altari Meistarans’ is filled with woozy effects, surrounding a blastbeat fueled orgy of screams and riffs that feel like a black hole sucking out all life from the universe. It’s intense listening, dear readers. This is hefty material. Despair, mortals, this is the soundtrack of your darkest dreams.

Abominor – Opus:Decay
Vánagandr Records

source: Bandcamp

Abominor is anoter group, hailing from the city of Reykjavik. Not much has been released this far by the group, apart from a demo in 2010 and this ep in 2015. A meagre harvest, but not a disaster if the quality is right. The main tipic is death and all its futility for the band, which explains the swirling cover, depicting a sort of emptiness after all. Noticable about this band, is the fact the band moves into post-black metal and black/death crossover with their sound. An intriguing listen.

After a brief intro, all gates are open and thick, layered slabs of sound are delivered over doomy rhythms. The fat, textured feel of this sound is clearly different from the other bands I’ve been checking out, offering more of a chunky, heavy handed approach by creating dark and overwhelming soundscapes. This sound envelops the core of the black metal assault as a misty blanket when the torrent unleashes. This full and grand approach is probably how the end-times will sound. Turbulent and wild, this is some heavy stuff.

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