Tag Archives: 195bands

Interview with Harmasar, Moldavian warriors

This interview with Harmasar was originally published on Echoes and Dust.

In the furthest, forgotten corner of Europe, in between Romania and Ukraine, you can find the country Moldavia. You might know the country, because in some strange twist of faith, your local football team ended playing a team from there or even your national football team. It’s there where most people’s knowledge of Moldavia ends.

Moldavia became a country on its own in 1991, but historically it’s been a turbulent region. Inhabited by the Dacians in the ancient past, it is said the region gets its name from a combination of the words ‘many’ and ‘fortress’, which would be along the river. Part of the historical, often overrun Moldavia is now part of Romania, the other part being the independent Republic of Moldova.

Moldavia is historically intertwined with Wallachia, Transylvania and Bucovina, all parts of Romania. The historical connection runs deep, even to this very day. The flags are not very different even and there’s talk of unity. On the other hand there’s a pull of Russia on certain autonomous regions. In between, Moldavians find out that they also have their own identity. Harmasar is a band that expresses that nationality and identity through their music and art.

I got to have a chat about this with the band.

Hey, could you kindly introduce yourselves to the readers?

Ladies and Gentlemen, boys and girls, greetings! We are HARMASAR and we’re a Folk/Pagan Metal band from the Republic of Moldova.

How did you get together as a band and started out making music? Have you guys played in any metal bands before Harmasar?

The legend says that as a band HARMASAR was born in September 2013 (the day of our first concert), the founding member being Mircea (the drummer). Most of us had some experience of playing in a band before Harmasar, but the majority of these bands were popular and known only among its members.

Tell me about Harmasar? What does the name mean and what is the concept or story you are telling with this band?

Harmasar in Romanian stands for stallion (you know, the one with balls, with testicular integrity). The main message we are trying to present is the one of ‘knowing your roots’, remembering the great and heroic deeds of your ancestors, as well as the idea of conservation of the traditional values.

Our inspiration comes from ancient Moldovan/Romanian folk tunes and music, like doina’s and hora’s. As for bands, we find inspiration in the like of Eluveitie, Arkona, Korpiklaani, Bucovina.

You’ve recently released your debut album ‘Din pământ’. A thunderous folk metal album, that seems to lean close to the more folkish expressions with peculiar traditional instruments and elements. What is the story you are telling on this album?

The closest translation of the title ‘Din pământ’, we guess will be ‘From dirt’ or ‘From dust’, with the meaning of roots, origins. This is also what the album is about.

For people, like me, who know little about the past history of Moldova, can you introduce us into the material. What are the elements you are singing about?

Well, in this album we mostly sing about great battles, fought by our ancestors, so the songs ‘Daoi’ , ‘Tapae’ and ‘Moesia’ are about the war between Dacians and The Roman Empire. ‘Vaslui 1475’ tells us the story of the war between The State of Moldova ( Tara Moldovei ) and the Ottoman Empire and particularly The battle of Vaslui. On the other hand there are also songs that criticize human vices and corruption such as ‘Națiunea’ and ‘Porcu’.

Well, the main messages in ‘Natiunea’ is to stand for the ideas you believe in. People should always remember who they are and where they are from: standing for the ideas that you believe in and always remembering who you are and where you do come from. In ‘Porcu’ the idea is to not let yourself be manipulated by anyone, especially by political forces and other empowered entities. Literally, it tells about not becoming a pig, a creature that is raised without values to be killed and eaten at a whim.

Harmasar, source Facebook band

Can you tell us more about the writing and recording process of your album? Is everyone equally involved or is there a clear division of tasks?

Yes, we find it more productive to have a good division of labour and tasks in the band. So the song writing process is performed by Max (the vocalist) mostly, band promotion and graphic design by Ștefan (the bass player) and the events, concerts organisation by Mircea (the drummer).

What sort of traditional elements do you put in your music and which instruments do you use for this?

Well for the rhythmic part we used such elements as Sârba and Hostropăț wich was also used as a traditional tune for panflute as well as ”Ciuleandra”. In addition to the panflute (Nai) we recorded also some flutes (fluier, caval), violins and an accordion.

Let’s discuss the art work, can you say a bit about the artwork you use and the visual aspects of the band? I understand you guys perform also in a traditional outfit?

The artwork was made by our friend Octavian Curoșu with our suggestions, it’s our vision on the album name “Din Pământ”. As our songs are about our ancestors we have decided to wear similar outfit inspired from them with some elements created by us.
The artwork of the album is open for interpretation, we like to see that people find different things in it. In our vision it is a conglomerate, a synthesis of ideas. In Moldova we have a natural reservation called ‘One hundred Hills’ or ‘Suta de Movile’, which consists of a large group of hills of different sizes. According to the legends these are considered to be ancient warrior’s tombs. So basically the hill on the picture has the signification of an ancestral grave, a tomb representing at the same time: the end, the past, our history and roots. On the other hand this hill is also a mother’s womb, with a child to be born, the foetus representing the future, the birth of a new generation. So essentially it is like a synergy between these two ideas, past and future, like the Phoenix rises from its ashes, the child is waiting to be born from the grave of his ancestors.

Can you tell me a bit about metal in Moldova? How did it get started in your country and which bands pioneered the genre?

As we know, till this time there were and are a lot of metal bands here in Moldova, but the most remarkable one was Accident (Death/Thrash Metal) that was formed in 1988.

 What is the scene like now? Where is it centred and do you guys have relations with bands from neighbouring countries?

​The scene is centred mostly in Chisinau, the capital of RM, where you can find several places for bands to play live, and also some open air festivals during the summer. We have some good friends in Romania and Bulgaria playing in a well-known bands there with witch is always a pleasure to hang out and play some shows together.

Which bands from Moldova do you think people should check out and why these ones?

You can check out ABNORMYNDEFFECT – this is a Polyrhythmic Grindcore/ Death Metal band that is one of the most appreciated of its style in Europe. Their songs are about our social and political problems.

What future plans does Harmasar have?

The most primary for us now is to have a tour for supporting our debut album in Romania, Bulgaria, Ukraine and other countries. To meet with our great fans from there and to reach a new audience.

About other plans we cannot tell, yet…

If you had to compare your music to a dish (food), what would it be and why?

I don’t know any dish that I can compare to our music, but probably it would be a Grilled Ottoman with some bloody sauce, but we haven’t tasted it yet. (joking, referring to the bloody history in wars with the Ottoman empire)

The first dish that came up in my mind is Ciorbă de Văcuță (beef broth), it helped us a lot to survive tough mornings during the past tours.

Vaalghul Interview (Macedonia)

This is an interview conducted with Malthus from Vaalghul, originally published here on Echoes And Dust.

Metal is a many headed beast and mostly we hear about the bands that roam the western part of Europe or North-America. In the quest to find out what else is out there I stumbled onto the band Vaalghul from Macedonia. Now, just saying Macedonia causes bad blood, so usually the country is known as the Former Yugoslavic Republic Of Macedonia (FYROM). That depends on where you come from though.

I find that many people in my country don’t even know this place exists, which is quite interesting. It borders on Kosovo, which is another great unknown together with Albania. The main conflict concerning the countries name is with the southern neighbours, which is Greece. The country has bene heavily investing in its identity, even following a policy of antiquisation. Macedonian identity is a part of the music, Malthus readily admits, it seeps into things.

Vaalghul is a black metal band, which is currently unsigned. In 2014 the first EP was released and work is underway to fix the second release. Malthus answered them on e-mail and through the chat, because he’s currently residing in Australia.

Can you start with where the name comes from and how you started out with the band?
Vaal is the name of a demon, ghul is just an addition to give it a better sound. Vaalghul is the ‘Tyrant Overlord’ (God of Terror). The vocalist got that name when we were wondering about a band name a couple of years ago. There were some other options but we felt this fits pretty well. Back in those days we weren’t entirely sure if we would be doing something serious. Not that it was a joke of course. We came with some good ideas and then recorded the first demo. The production was very raw and almost impossible, but some people liked it.

We recorded the demo in the classic way with one guitar amp, a shit soundcard and then this is the result you get. There are many ideas behind this project, but one of them was making something different in our country. We wanted to be unique in our country with some extreme music.

The lyrics were satanic initially, but the point of them was to provoke people. Shake them up from their regular ways of drinking coffee on Main Street and gossiping. They enter the church when they have to and that’s that. We did enjoy writing the lyrics. I guess the Satanism is mainly provocative, but it also is a tribute to those who want to live free and do what feels good.

You’re using the name Malthus, can you tell me why you chose that name?

Source: Metal archives


In demonology Malthus is a prince of Hell and I liked the name. That’s why I took it.

Which are the bands that inspired you to get into heavy metal?
I’m not sure I remember what I was listening to, but I’m sure I listened a lot of Death, King Diamond,Psychotic Waltz, Iced Earth, Iron Maiden, Judas Priest, Dio and Slayer.

I read that you used to have some band members, what made you continue on your own? Which bands inspired you?
Yeah, I used to have some band members. We were three people in the band, but one of the members never had time to record, another had no time at all… It wouldn’t work out that way.

What made me continue was my passion for the music. I also had the time to write and record music. It’s not that I had big hopes, but I wanted to make everything more extreme and more provocative. I guess the biggest inspirations were Mayhem, 1349, Dark Fortress, Isegrim, Leviathan and Setherial for me.

How did you, living in Macedonia, get into metal music? Where there any local bands inspiring you?
I happened to have really good friends who were listening to all kind of metal music, when I was in my youth. My best regards to them! Actualy local bands were my inspiration and drive to record something new and more serious. There are lot of good bands though, but most are not my style but still unique in their own way.

Are you playing live shows?
Back in the early days we never had plans to play live. We did want to at some point, but we didn’t had a drummer who was up to the challenge. There are quite good shows in Macedonia though, even though most are hardcore shows. At least they’re very energetic.

I don’t think the hardcore scene is much bigger, but it’s just more acceptable to people. It’s hard to find a true black and death metal music fan…

I read you’re working on a new album. Can you tell a bit about the record, the artwork and the message you’re trying to convey?
It will take some time before I actually finish this album, it was supposed to be out a few months ago. It’ll be out sooner or later though. The vocalist of Septuagint (kick-ass band from Greece) will perform the vocals on the album as a guest musician. The artwork is going to be done by Gediminas Kiaunė (Manum Diaboli Art) from Lithuania. He is a really passionate artist, who makes the perfect artwork. If you need some artwork, he is your man. He just popped up on Facebook, which got my interest. I checked his work out and was amazed, so I got in touch and we struck a deal. I check his work again for new stuff every week.

source: band facebook

On the new release the lyrics will be more spiritual satanic, the message itself I’ll leave in the middle. Each can figure out their own from it.

What to you makes a band a black metal band?
It’s hard to give an answer to this that feels right. It depends, it can be thrashy, mixed with doom or anything these days. Many bands have been taking black metal to whole different levels. Look at bands like Dark Fortress mixing music but still good kick ass and still black metal maybe not pure like raw one line but still black metal. If you listen to the records ‘De Mysteriis Dom Sathanas’ and then to ‘Ordo Ad Chao’, you hear two different worlds, but still both black metal. Both completely Mayhem. Uniqueness? I took these because of the good vocal range of the vocalists, Good “scream” “grim” cold evil vocals, good atmosphere in the music.

Can you tell a bit about the scene in Macedonia, its history and what bands are standing out according to you?
Sure, back in the 80’s it got serious here with bands like Orion and in the early 90’s. They played thrash/death metal with some excellent riffs and solo’s. On their tail followed bands like Dismay and Sanatorium. Later band like Arhont and Hall Of Sins rose up in the 00’s. Those are the most important names I think.

I also think they represent the spirit of metal in Macedonia. There’re only a few extreme metal bands, but they have a good history behind them. The same goes for most of these bands. When you have the time, take a listen to each one carefully.

I noticed there are more bands than I thought in Macedonia, but I hadn’t found them due to the Cyrillic writing. What makes bands chose either?
The Macedonian alphabet is in Cyrillic, so many bands just want to represent themselves in their own language, which is their choice. Personally, I prefer the English, because this way everyone can grasp your message, whatever the lyrics are. If you write in your mother tongue, it’s pretty hard for foreign listeners to get your lyrics and translating them is not really it I think. But what do I know, there are people who care nothing for the lyrics, so it doesn’t matter whatever language it is.

If I visit your country, what spots should I as a metal head definitely visit?
There are many great locations in Macedonia to visit, especially in Bitola. The city has a history behind it, but as a metal head I think only summer is a good period to visit. Usually people (metal heads) are gathering in the park, drinking a beer. A lot of people do that anyways.

There used to be some good places to hang out, but not anymore. The new generation of metal heads is trying to change that and I think they are getting there. There are no real record stores you could go to, the only choice is to buy music online or go to Thessaloniki in Greece. That’s an option since my city is close to it. There are gigs though.

I understood there’s quite a rivalry between Greece and Macedonia, based on a name and cultural dispute. Is that in any way tangible in the metal scene?
Yeah, a lot of people are curious and asking about that. For me, I have a lot of good friends in Greece here and there, these days not many people think the way about this as they did in the 90’s (when this was an actual political issue red.). Especially people involved in the metal scene and who don’t care or are against politics from both countries don’t care much for these issues. Governments are the problem I think, not the people.

Do you think anything of the Macedonian identity seeps into the music?
Yes definitely.

What future plans do you have with the band?
For now, it will be the new single that is going to be released. The album will be out later some time. Who know, for now when I think about the album release, I have no clue what’ll happen after.