Label: 20 Buck Spin/Graven Earth Records
Origin: United States
In an earlier write-up, back when I put four reviews in one piece, I embraced Khemmis. Their silk-smooth adaptation of classic doom, inlcuding the ‘Heavy metal’-esque artwork, was completely captivating to me. The female warrior is gone, but the foreboding wizard is still there on the cover, spurring undead hordes on for battle it seems.
Khemmis, as a reminder, hails from Denver, and this is their second full length. I’m completely baffled that they haven’t been getting as big yet as I believe they should be, but the four gents definitely got some boost after their debut ‘Absolution’. The sound of the band hasn’t changed that much in the mean time, though the heavy, dreary sound that reminded me of St. Vitus has switched gears a little.
There is still a mournful tone to the sound of Khemmis (and some deep guttural barking, if we listen to ‘Candlelight’), but the biting twang of the previous record seems to have taken the back seat. ‘Above The Water’ is instantly a more meandering, melodic track. Sure, the band leans heavy on the slow progressions, insepparable from their doomy sound, but they are really telling stories now.
We get even more down and dirty on ‘Three Gates’, where the hoarse roar of the vocalist (I know they have two, just don’t know who the grunter is) opens up the song. Exchanging the grunts with clean, soaring vocals is an emocore trick, but works great on doom as well. Shifting gears and intensity, the band makes great, captivating tracks by not caring for any standards. That makes Khemmis so liberating to listen to. You forget what genre they play or become more aware of the futility of its rules. These guys make an epic bit of music, by not giving a flying fig.
The brutal parts, the catchy passages on ‘Hunted’, it is all part of what Khemmis does. Grand doom with all the tasty sauce to make you absolutely love it and crave more.