Label: Prophecy Productions Band: A Forest of Stars Origin: United Kingdom
A Forest of Stars has been wielding their very own style of black metal for years. Inspired by a mixture of the Victorian age, steampunk-ish aesthetics and the gloom of old spooky tales, they’ve been paving a singular path through the scene. What bands would be on par with them soundwise? Maybe concept-wise Arcturus? Anyways, they have a new record titled ‘Grave Mounds and Grave Mistakes’.
The group, which I’ve seen play the Little Devil in Tilburg with their large numbers, is a grand ensemble of musicians, all working to create a little bit of magic. They’ve been around since 2017 and this record is their fifth. The album tells a story, that is as bleak as the cover would make you expect. It’s mesmerizing, messy and different, but also captivating and creative. So let’s sink our teeth in that one now.
This album takes a moment to get into because it doesn’t really offer you the typical ‘handholds’. The soaring violin and keys are the overly present ‘Precipice Pirouette’, which is the first track of the record. The vocalist shouts and rants like a disgruntled noble, with stature yet fearful poignancy. Perhaps it is interesting to note that members also collaborate in other set-ups, like The Water Witch and Hryre, which probably explains how all comes together so well in the well composed and recorded music.
Yet the record is filled with notable songs that sound more folky, mysterious or even slightly industrial. ‘Premature Invocation’ is one of those, that I can hardly place, except when I compare it to HailSpiritNoir with that woozy sound. My favorite track though is ‘Taken by the Sea’. The ethereal vocals opening the song are ones that cause a shiver to go down your spine. The weariness, the longing, it simply could not get better than this.
As the record comes to a close with ‘Decomposed Deity Dance Hall’, a macabre type of humor and wordplay, it is clear how exceptional A Forest of Stars actually is. Not just in their direction, but also in their wonderful sound as thudding blast beats and gentle whistles wave us away.
Again, some tunes to bop your head to in Sounds of the Underground! This time A Forest Of Stars, Woods Of Desolation, Shylmagoghnar and Promethean Horde.
A Forest Of Stars – A Shadowplay for Yesterdays
Yes, I know this is not the latest album of these Brittish troubadours. I listened to them before, but due to a friends enthousiasm I did so again yesterday. I was amazed. The band brings together sounds of despair, string sections in minor, gritty black metal and the carnavalesque in a blend that is wonderfully powerful. A track like ‘A Prophet For A Pound Of Flesh’ embodies that blend of epic doom, laced with twinkling folk passages and playful prog elements. The wailing ‘The Blight Of God’s Acre’ is another example of organic black metal embracing the play with elements.
Listening to this record brings memories of neofolk groups like Current 03, but also of doomers My Dying Bride. That has a lot to do with the Victorian charm of this league of gentlemen, as they describe themselves on their website. They don’t draw their inspiration from pagan Gods and nature, but from a time where romanticism and beauty was still something of importance. ‘Gatherer of the Pure’ is one of those unrelentingly beautiful tracks that display all elements in a blistering torrent of sound that has a warm, golden gleam to it. ‘Left Behind As Static’ lets you hear polished English and the ghost stories associated with electricity seem to be the inspiration for another magic song with static in the air. The haunting ‘Dead Love’ is the great closer of this magic album.
I can’t wait to check out the new one.
Woods of Desolation – As The Stars
The sound of Woods of Desolation is like the cold autumn sun, that caresses your face while your fingers feel frozen. The pain and beauty intermingle in a warm bath of nostalgia on this fantastic album full of post-blackmetal with static riffs and soaring elements in major, tremolo guitar picking and that unwavering cascade of atmospheric layers… I just want to rant about it, till I run out of breath. The song ‘Unfold’ is one of my favorites on this record.
I guess its the layers of ambient that make this record so alluring and filled with atmosphere that one can relate to. It has a simple beauty that still transcends the regular, the harmonies are just right. ‘An Autumn Light’ is another great track that seems to captivate exactly wht I said before. The vocals blend in with the rest of the music to create a unity. In a way they are the only dissonant sound in the music you can hear. These Australians did a wonderfull job in making this beautiful album, that still captivates the grim and cold of black metal. I could go on and on about it, but I feel that words fail to describe what my gut tells me while listening to this.
Shylmagoghnar – Emergence
I just happened to stumble across these Dutch prog-BM’ers on bandcamp. Clean sounding, technical and catchy are some keywords. Atmosphere does not need to be dense tapestry of tremolo guitar obviously. It can also be the clean, hard walls of riffs that these guys unleash on their 2014 album. The long opener ‘Abyss’ immediately lets you hear some classical influences as well, this is not easy metal. An approach that hits the listener in the gut can also be taken, like on ‘This World Shall Fall’ and ‘Squandered Paradise’.
‘The Cosmic Tide’ is a track that stands out due to its soaring sound, full of aventure and bravery. The music is on that Cosmic level, always maintaining a feeling of tension and intensity. ‘A New Dawn’ delivers another blistering track with classic elements and full of epic grandeur. The band is not afraid of implementing anything in their dense and straight forward sound. The magic is in the exectution this great collection of songs. I’m well impressed with the variation and the openness of their sound. Recommended material!
Promethean Horde – Ashes of the Empyrean
What an awesome find, these blackening death tyrants from the United States. I love the frantic sound of the riffs and dense walls of guitars. The vocals remind me of the cleanish sounding black metal, like that of Keep of Kalessin on this album filled with pagan black metal. I’m not sure how deep that pagan aspect runs, but just bear with me for a bit more, while these boys roll on. The epic riffs are quite impressive, though not too original. This band is definitely energetic and filled with rage, creating an impressive rolling sound.
The vocals are a hoarse bark, a bit like Abbath, but lacking the deep cutting gritty qualities. Many people are fussed about some clean parts on the album, but I find those very easy to ignore and forget. The coiling sound and sheer intensity makes up for whatever flaws it may have, like some out of place tremolo playing on ‘Ördögszereto’. I will admit that during the listening to this album, my enthousiasm startst to go down a bit. It’s not the most original release and might not really have that forwards move in its sound, which is so typical for USBM. Still, I enjoy this record.