Once more I delve into the fantasy music I’ve come across and that helps me divert my thoughts and dream away. This time I listened to the dreamy medieval ambient of Fief, the …
So grab an ale, stoke the fire, as darkness is clouding the world around us. Be at ease and grab a book with these tunes and simply zone out.
Fief – IV
Where Fief on the first three releases, which I much loved, was still very much a dungeon synth act, I’m not so sure about ‘IV’. The cover itself is the setting, we’re in the head of a watchman, dreaming away on ‘A Daydreaming Sentry’. Every title evokes a vista that this sentry may behold, or imagine as he stands there on dreary watch duty. But what I mostly like to say is that Fief has moved on to medieval ambient. The music holds little of the droning, synthy vibes, but feels absolutely tranquil and appeasing in its simple beauty. Sure, it’s probably synth-craftsmanship, but it feels like my old video games, where I could get lost for hours in a fantasy. I envision ‘Medieval Skies’ or gaze upon the ‘Evening Market’, all is well. Fief is one of a kind and this album only underlines the singular path the mysterious artist is trodding. I will follow.
Zāle – Vina
This Latvian group started as a duo but developed in a full band with a wide range of sound, yet all of it connects to something ethnic and pure. From the opening track ‘Smilšu Laiva’ on, we start with ritualistic singing in mild, droning voices. It’s something that instantly grips you with an innate magic and wonder, and I keep thinking of a Latvian Clanned perhaps. The vocals are soothing and timeless, while the instruments only emphasize the gentle nature of the music throughout the album. But part of that charm comes from the interaction between the male and female vocals, both focussing on that particular timbre and repetitive vibe, so much a part of the ritualistic side of traditional folk music. Zāle however, keeps heaping layer upon layer in a complex and beautiful piece of music, that works as a pleasant blanket after a long day.
Bellkeeper – The First Flame of Lordran
Rolant the Recluse is the man behind Bellkeeper (I hope I’m not presumptuous, but I assume Rolant is a man). A dungeon synth project with the classical dusky and dusty nature that evokes images of ancient tombs and dungeons. Though there’s an instant intensity to the track ‘Rekindled’, with a vitality unlike your run of the mill DS sounds. It’s slightly more what you’d expect from a high-end game soundtrack of now… or maybe a few years back. I’m not super up-to-date. Though as we progress to songs like ‘A Sanctum of Ash and Ember’ I’m getting those eerie dungeon vibes, thanks to the languid tones and slow, meandering sound. But what Bellkeeper adds is some ambiance with dripping sounds and pebbles rolling over the floor. It boosts the mystique and immersive quality of the song. On ‘Uchigatana’ we even have a little eastern vibe going, which also sounds mildy unorthodox, but captivating. Though after its energetic start, Bellkeeper sticks to traditional DS, it is an album that carries a promise of something new and exciting. Looking forward to more!
Jozef Van Wissem & Jim Jarmusch – An Attempt to Draw Aside the Veil
It’s a peculiar combo of musicians. One is a weaver of mysteries in tone, the other in film. Yet together, they create magic with droning guitar tones and a slowly emerging theme through the heavy and sparse drums accompanying the sound. On this record, the duo explores the theology of William Blake and Emanuel Swedenborg, this time including Blavatsky in the mix. The music sort of merges slowly into this wall of sound, slowly blocking out everything as it gradually unfolds. It’s almost a sound of mystique unfolding, with the gentle lute and movie-soundtrack like ambiance. Half way between folky melodies, religious music and sturdy experimental doom music, it’s a record that drags you under its spell.