Tag Archives: death metal

Bolt Thrower, Morgoth, Vallenfyre @Muziekodroom, Hasselt

Source: Metalblade

It is a dreary sunday evening when we get in the car to drive down to Hasselt for an evening of old school death metal with Bolt Thrower. One long, straight road from Eindoven and then we cross a bridge, end up right next to a channel and there is the Muziekodroom. An awesome venue with the old feeling of excitement and danger attached to the experience for us as first time visitors. We get in and start enjoying the noise.

Vallenfyre
Having ex-members in their ranks from bands like At The Gates, Paradise Lost, The Haunted and what not, it must be clear that this band definitely has plenty of experience under their belts. The set is filled with quick jokes by vocalist Greg Mackintosh, about his ex-wife and other silly topics like religion. The death metal of them has an old school quality to it, but feels sludgy as if infused with the gothic and doom inflluences the bandmembers draw from their other groups.

Its interesting how they also pull of a grindcore track in the same vein as Napalm Death in the time of scum. The set is strong and convincing, but with a band fully aware of the sonic violence that is still to come. Taking it easy on the crowd seems to have been the mission, but that doesn’t mean not having fun.

Morgoth
The German band Morgoth has had many names, split up a bit and got together again because they just can not give it up. Well, why should they? The Tolkien inspired group is clearly in the mood to get the audience pumped with their bulky no nonsense sound, pounding and spitting out song after song, giving of a slight punkrock/oi! vibe while at it. Playing songs from over two decades of metal, the band surely has not lost its energy.

Funny element is the well ment enthousiasm of vocalist Marc Grewe, who is obviously of the generation that didn’t fully master the English language, which leads to some funny moments. He never stops firing up the stage with songs dedicated to the other bands, to oppose racism and such and just by jumping up and down and shouting. The music sounds less complex and dense, but is entertaining for sure.

source: Muziekodroom

Bolt Thrower
With an epic melody playing, the band enters the stage. The Warhammer 40k inspired banner decorates the back of the stage, where the band members position themselves, all smiles and cheerfull. Though the band hasn’t released an album in almost ten years, the name remains one of the house hold names for the death metal genre. Starting the set quickly, mainly frontman Karl Willets stands out for his endless smiles and joy. Pictures with fans, hugs and all, everyone is having a ball.

The real kick-off for the set is the obvious ‘World Eater’, pounding ever onwards like a huge all-crushing siege tank. The wide choice of songs from their back catalogue gives the band plenty of liberty to bring a bit from everything. The steady rhythmic guitar play brings a tranquil vibe over the stage, even when heavy songs like ‘Anti-Tank’ make the Muziekodroom shake on its foundations. The steady rumble of the drums makes heads bop and fists rise.

From the epic ‘The IVth Crusade’, to the brawling ‘No Guts, No Glory’, Bolt Thrower could just do whatever they’d do in the rehearsal space and still conquer the venue with their war inspired songs. The tight playing and energetic performance make fan favorites like ‘Warmaster’ (another Warhammer song!) and ‘The Killchain’ to a great experience. This batallion still conquers, wherever they go.

This review was published on Inlog.org

Sounds of the Underground #4

I listen to music, so you don’t have to. You can decide if you want to check out what I’ve been checking out by reading what I thought about these sounds. All taken from the underground, these are the sounds for this edition. I will write a new intro text next time.

Saor – Aura

source: metal-archives.com

Scotland offers us some great music now and then. It normally does require you to accept the peculiar accent and rugged elements in it. On the front of black metal, I didn’t hear much about the North. If the first connection you make to their black metal sound is Saor, you’re in for a good one, like your first fried candybar. The music feels like the landscape of Scotland, with the subtle folk melodische woven into the fabric of the land as well. Powerful and subtle at the same time, the music offers a timeless journey.

The band describes their music as Celtic metal, which I think does justice to its organic, natural sound. The songs feel like  a storybook, the album is like a unity. Focus seems to be a ful immersing in the atmosphere Saor has in mind for their listeners, which works out great in my humble opinion. The departure from the sound they embraced under their previous moniker Àrsaidh  seems to have been left behind partly, continuing the whole postrock vibe, but making things more intense and rougher. I’m totally impressed by this, by the way One Man, project. It will blow you away. Andy Marshall, also known from Falloch, did a great job.

Jungle Rot – Terror Regime

Source: Metal-archives.com

So today I learned that the band who’s name I’ve seen around a lot of times is a death metal band. I also learned that Jungle Rot is a nasty disease that yields a lot of gruesome imagery, which I’ve never been too crazy about. Sorry, I’m not into gore and I really can’t help it. This band is frigging brilliant though.

Though called a death metal band, there’s something different going on here. It’s been called death rock in some spots and I guess some comparisons to that rock’n’rolling style of Entombed cannot be discarded. There’s a fun factor to their sound, the band also happens to have been around forever (well since 1994). The clean producation makes this a perfect album to drum along to, slap your air-guitar like it’s ‘yo bitch’ and just bang your head to.  It just sounds tight and in my opinion very accesible. I wrote before that I’m reluctant to listen to death metal and I haven’t really found my hook on the style yet. This band is not on Victory Records without reason. Their sound is almost poppy to me, like many of the hip metalcore/deathcore stuff, but simply more real and pure. Enjoyable record taht I would recommend to most metal fans who also need to find a gateway record for DM.

Source: Metal-Archives.com

Tryptikon – Melana Chasmata

I love Celtic Frost. I don’t know if it was the amazing titles of their albums (not the stage names, Tom G. Warrior still sounds like it was made for gay porn), or their distinctly oldschool sound with touches of genius distinctive experiment or perhaps just their aura of grandeur. I didn’t like Tryptikon much at first though, but it grows on you and so does Melana Chasmata.  I’d love to somehow bash the establishment a little, which is perfectly possible with this record since it somehow doesn’t pack the punch it was intended to have. That doesn’t make it less awesome.

Let’s call it a doom record, translating sludge to the Swiss bands flavour with the old gothic demeanor.  Tryptikon never sounds dirty like a damp, grim black metal band. Nor does it feel like the abandoned graveyard where doom bands lurk. It dwells in castles and cathedrals, in grandeur and might with a touch of despair and decay. There is a nobility to the sound of this band that has a lot to to with its frontman. I think that Fischer doesn’t want to shock, but just show the stories he wishes to tell to the fulles. Leaving nothing out, holding nothing back. That is the raw core of the record that delivers its powerful message. So yeah, everything stays a bit mid-pace. Heavy metal is not reshaped, but there’s refinement here.

Source: Wikipedia

Summoning – Old Mornings Dawn

I’ve enjoyed listening to Summoning for years, but it has always been on and off. I was amazed to discover bands playing music inspired by Tolkien and making it seem dangerous, exciting and totally new. I reckon I wasn’t ready for the atmospheric black metal at first from these Austrians. Now perhaps I am, but maybe their 2013 album just leaves behind a lot of the danger. It almost seems like a soundtrack when listening to it. Less raw, more atmosphere and synthesizers.

The songs are filled up with the mysterie from Tolkiens ‘Silmarillion’, inspired by the daring of the Mariner Earendil who sailed into the unknown. Some moments its foreboding, others gnashing and grim but always captivating and beautiful. I guess it might sound pretentious to those who are a bit purist about their black metal, but as far as I’m concerned, this album is a masterpiece that combines the best of ambient, atmosphere and black into one mesmerizing whole.

That was all for this time, lets see what else we can pick from the underground next time.