And we’re up to number 26 of Sounds of the Underground with Regarde Les Hommes Tomber, Draugurinn, Misþyrming and Gurthang. Check them out!
Regarde Les Hommes Tomber – EXILE
Les Acteurs de l’ombre Productions
You only need to start listening to opener ‘L’Exil’ to get captivated by the soaring tremolo guitars and thundering rhythms, that crash like waves unto your eardrums. The Frenchies are back with a fenomenal record, casting a shadow over their self-titled debut, which I discussed in my very first review block. From the sludge/post-hardcore front the band was residing in before, there’s a definite movement here towards the black metal sound. Well, post-blackmetal is what we need to say I suppose.
The clanging cymbals in dischord with the blastbeat and crackling feedback offers a wealthy wall of sound. Connect that to the imposing vocals and sound and the record becomes an intense and bombastic experience. ‘Embrace the Flames’ is for example a full on black assault, with a harrowing guitar riff spiralling through it. There’s so much power to the music of this Nantes band, it’s a shame everyone keeps talking about the new deafheaven.
Misþyrming – Söngvar elds og óreiðu
Fallen Empire Records & Terratur Possessions
Icelandic black metal, that surely has something special about it they must feel at the Roadburn office. So these guys are an integral part of the next edition of the festival. This album came out earlier in 2015 and only now I’ve discovered the intense, excruciating sound of a band whose name means something like maltreatment. Neck breaking ferocious guitar riffs are unrelenting in their sonic assault from the first moments of the album onwards.
It’s a tortured affair of eerie feedback, blustering music and howled vocals. There are no breaks on the wheels of Misþyrming when the y star turning. There’s a certain unique sound to the band that is intriguing. An industrial, desolate atmosphere maybe, but also a Darkthrone like punk vibe that brings a rawness to the band. The sound is explosive, erupting from the deeps and therefor truly overwhelming at times. This is always accompanied by a clear link to the oldschool sound.
Draugurinn – Ísavetur
‘The Ghost’ in Icelandic, this project is the solo effort of Swedish artist Dísa, previously active in black metal bands Murmurs and Korpblod and currently also working on Turdus Merula. This lady has been making some really amazing stuff and Draugurinn takes it a bit more into the mystical region of aetherial ambient with a shamanistic feeling to it. The story is that of a world covered and obscured by volcanic ash and a drumming that melds together with your heartbeat, captivating the listener completely.
There is something intensely pagan and foreign to the music, it draws you into a natural and soothing environment of ritual and dreams. Soundscapes or eerie howls clash with the rhythmic drums that bring a trance with them. The cover appears like a drawing of Theodor Kittelsen, as popularized by early black metal acts like Burzum, but somehow fits better here. For me, this album awakens a thirst for that spiritual connection to nature, for the harmony I find in the work of Dísa, whose other bands I’ll definitely keep my eye on. PS, for Skyrim fans, now you now where the word Draugr comes from.
Gurthang – I will not serve
Immortal Frost Productions
The Polish band has derived their name from Tolkien novels, where the sword Gurthang is wielded by hero Túrin Túrumbar. It’s name means ‘Steel of death’. The band has been around forever and their sound fits in with the Polish style of blackened death you can hear with Behemoth. Cold, stiff tones, majestic sounding and sharp thudding rhythms. The band has been around for a couple of years, but has a prolific catalogue of music already. This may be their best addition as yet.
There’s a cold fury to the sound of Gurthang, a controlled distribution of rage with a sound that in general leans more towards the melodic death metal, but with a much grimmer atmosphere. The Frosty guitar riffs soar over the rumbling drums, which demonstrates how the studio can really affect the sound of an album in this corner of the extreme metal genre. There is a certain lack of dynamics to the record, but it’s in a way like a piece of old fashioned armor: it is sturdy, frightning and cold. Good record, that is exciting enough to give a spin.