The rockers Tempel from Norway are a band of brothers, literally. Espen Gjermundrød (guitarist), Inge Gjermundrød (bassist/vocalist), Kjetil Gjermundrød (drummer), along with their best friend Andreas Espolin Johnson (guitarist), create an eclectic mix of rock music from up north.
Their heritage is clear in the artwork, showing a wooden stave church as we know them well from Norway. This record is their debut and the identity and image the group brings across are immediately clear and tangible with this exceptional musical effort. All the way from Oslo, with their chest-thumping, t-shirt toting, balls to the wall heavy sounds! It appears no one has signed these guys yet, which is beyond me really.
Tempel instantly releases a barrage of rock’n’roll on ‘Vendetta’, with screaming, hardcore vocals. In the best tradition of Norwegian rock music, it kicks off with vitality and vigorous rhythms. At times their sound has a bit of that thick, black metal layeredness. but overall it’s big, Kvelertak and Skambankt-like waves of powerful rock music. The vocals are definitely the rougher edge this music needs to stand out from the masses, but the frantic drumming has a hand in that too (two hands, obviously).
Dense and fierce, the music never really lets down, but when you get that clear, all-piercing riff like on ‘Fortress’, it is as if the clouds are pierced. The phenomenal sound of Tempel is one I absolutely love. Ranging from bluesy riffs to rigid powerplay, Tempel blasts their way onto the scene with this excellent debut. It has all the catchiness of classic hardrock, but also the Norwegian ruggedness bands from their neck of the woods often produce. Surprising is therefor the emotional ‘Farewell, featuring Benedicte Edvardsen from Mowlith as guest vocalist. It only enhances the versatility this band has to offer on their debut record.