Label: Gateway Music
‘Tusmørke’ translates as twilight and I think it’s the perfect word for this mysterious time when the strange things happen. It’s a time of folkore and magic, which is precisely the fit for the music of folk metallers Huldre.
Soundwise the only band I could place them near to is Eluveitie. More heavily on the folk with metal more or less an electrical boost to the impact of the sound, the group has a distinct flavor and unique appeal to them with their Danish folkloristic themes and stories. The vocals really take the center spot for this act, which I always enjoy thorougly. The songs are in Danish and I haven’t found the lyrics yet, that is a shame.
There is a lot to like about the music of Huldre, but for me it mainly is the vocals of Nanna Barslev, which are everything you’d want of a mystical northern lady on vocals. Yodeling away, but also masterfully crafting eerie lines, the vocalist is central to the folky sound of the band and to its mystic aura. That and ofcourse the string instruments that capture your heart and mind instantly.
Those are most prominent on tracks like ‘Jagt’ and ‘Varulv’ in the more melodic parts. Guitars really just serve to buff up the sound when a more powerful passage needs to sweep the listener of their feet. On a rare occasion we even hear Barslev scream her lungs out, for example on ‘Hindeham’. When the band choses for a more metal-like sound, on ‘Underjordisk’ and ‘Skifting’, their sound becomes a very typical expression that I can only compare to the experience of Skyforger, Metsatöll and maybe even some Slavic groups. The hurdy-gurdy and flutes add a distinct spice to the sound, that sets the group apart.
Folk metal is not just drinking horns and shouting. Folk and metal can create a new sound, beautiful and melancholic. Huldre does exactly that on this record, using both in full force. Folk is not a decoration of the metal here, nor is it the other way around. A great record indeed.