Tag Archives: industrial

Underground Sounds: Forest of Trys – Frostburn

Label: –
Band: Forest of Trys
Origin: Lithuania

There’s  a joke in the name, because Trys just sounds like trees. The profile picture on bandcamp is a fat cat and you might start having doubts about the seriousness of Forest of Trys . Still the sound of the band is not one for light jokes and fun, but a grim affair indeed.

Forest of Trys only has one member listed on Metal Archives, namely Šmėkla. Another fact is that the band hails from Kaunas and did release a full lenght earlier in 2016, titled ‘Architect’.

‘Stars I’ is the opener, which starts with hazy, distorted noisy black metal. It feels like an industrial haze with the lecherous sound of Fat White Family somewhere hidden in the sonic fog (no clue how I take that from it). Then suddenly it merges into an old carnival tune, not dissimilar to the Eraserhead soundtrack by David Lynch. It all sounds just a bit of and wrong, which makes the vibe more slightly unnerving. Guided by martial drumming, the song moves back to the noisey dissonance. Shattering sampling and icy beats follow for the next part of the track, creating a noisy template of assault.

A more gritty sound can be heard on ‘Stars II’, where we seem to move away even further from the noisy black metal sound. Groaning noise pulsates in the air, while string elements create a semblance of style and class in sharp contrast to the colossal noise. Again, such a peculiar sound, but the final song, surprisingly titled ‘Starts III’ really takes the cake. Grim, desolate and full of industrial elements, it consists of more effects and samples of people speaking in an order that feels completely random. Pulsating, humming, squeeking the sont thunders on, with a seemingly random drum pattern offering a semblance of steadiness in the sound.

The record is an almost nightmarish trip. This is a peculiar album, with only black metal as a spirit present. Lithuania seems to have some interesting musicians out there. This record would go down well with noiseheads and experimental listeners too. Nice stuff!

Sounds of the Underground #17

I’m revamping and reinvigorating my sounds of the underground with cool releases in different genres. This time I’m presenting you Oake, Robyn Cage, L’Enfant De La Forêt and Nordic Giants

Oake – Auferstehung

source: deejay.de

I’ve been reading a new magazine and it is exposing me to a lot of new music, that I wasn’t familiar with before. I’ve started listening to Oake, a duo that just happened to stumble upon cold electronics and industrial through a shared passion for the sound. Clinging to their hardcore and metal roots, they created a sound that has an uncanny resemblance to early industrial bands, adding a clear cut clean sound to that vibe.

The result is bleak and atmospheric industrial, leaning towards the experimental with scraping, slow elements but also the vocals of Bathseba Zippora adding an eerie vibe to the songs. The music is made by Eric Goldstein, who’s been around the scene for years. The music is repetitive, but always foreboding, creating a tension that feels like the climax is never far away. Pounding and splashing beats give that cold industrial feel to it that reminds you of  Cocteau Twins and Coil, though the band claims to not have known about these groups. They evoka a mythic feel and organic vibe with their industrial sound, which is helped by the mysterious titles and vocals. A pleasure to listen to.

Robyn Cage – Tales of a Thief

source: robyncage.com

Robyn Cage is a singer-songwriter from Utah, with a  pleasant sound and nice voice. This EP has a thin layer of fantasy weaved in the lyrics, Generally the feeling of the music is mellow and folky. Then again carnavalesque and slightly haunting. This is not an album for singer-songwriter fans, but lovers of stories in song, because that is what Cage is doing on this record. Telling small stories in a theatric manner, showing of her voice at times.

Personally, songs like ‘Theatre Noire’ don’t appeal to me in that. For me ‘The Arsonist & The Thief’ is the nicest song, due to its wordplay. It’s very enjoyable. Somewhere this nice lady reminds me of the stuff I used to listen to, with the playful vibe of Regina Spektor and a dab of Florence and the Machine. Quirky yet never a joke, this is definitely a nice record to listen on your own when you need to relax to some Vaudevillean tunes.

L’enfant De La Forêt – Abraxas

Source: Bancamp

Dark ambient filled with plenty of other influence, Abraxas is a dark entity. I picked this up as a random bandcamp I hit on the search field and this new release seemed to embody a bit of the black metal exterior that I enjoy. Found at the crossroads between industrial, trip hop and noise, this is an interesting find indeed.  The man behind L’enfant Du Forêt is James Kent making this a one man project, which in a way even  surprised me regarding the variety on the record.

I feel the vibe of some old, darker dubstep stuff and mayb a bit of that first the xx record in the laid back, throbbing vibe of the tracks. Ok, I did expect for a moment during the song ‘Pessimist’ to hear Falco start his ‘Jeannie’. The play with the quality is quit interesting in that track, taking it back to a bare sound, before launching into a fuller atmospheric sound with. The atmosphere at time is like that on the Burzum prison albums. That sound of desolation and mystery is quite amazing and captivating. Surprising finisher is ‘The Rope’, a bleak, soundscape twisting doom track with a blackened taste to it.

Nordic Giants – A Séance Of Dark Delusions

Source: bandcamp

When a band can make you taste the Nordic wastelands, they are surely doing something right. It’s  a part of their total art product, combining, film, performance, sound, costumes and vibe to a complete experience and I had never heard of them before. The duo hails from England and has been slowly conquering souls and minds with their amazing postrock albums since 2010. This is the most recent accomplishment, to be streamed on the more popular stations.

Orchestral and big, illed with detail, atmosphere and rising patterns, the vocals are samples that usually convey messages. It adds a layer of intensity, due to the nature of these samples. If they wouldn’t be there, the music still would be beautiful though. When the band does use vocals, they offer a whole new spectrum to the organic sound. Like on ‘Rapture’, which can be considered the peak of the mountain that is this record. Think Sigur Rós, think Explosions in the Sky and add a bit of Sólstafir to that mix and you have this excellent band. So when are they playing nearby? The album is one long journey through wide and spacious lands, haunting, impressive and beautiful. Don’t miss out on it.