All corners of the world in this sounds of the underground with Skáphe from the USA/Iceland, Wildernessking from South Africa, Burial Dust from Bangladesh and Cadaver Eyes from Israel.
Skáphe – Skáphe² Fallen Empire Records
I came across these guys, while doing a SoU about bands from Iceland. They were cool, but not Icelandic, so you get them now. Skáphe is a band from Philadelphia in the United States (partly Iceland too) and this album came out after Trump started rampaging across any sort of decency that you’d find. I guess it is what fuels their anger. The band sounds pretty much like they’re actually part of that Icelandic scene and are indeed part of the Vánagandr group, which in its own peculiar way is embrasing the nidrosian idea of pure, back to basics black metal. I feel that this is in large parts what you get when listening to their relentless record.
Think of early bands like Blasphemy and you get a similar, overwhelming and raw delivery. The sound in general is a roaring and thunderous one, with little subtlety. There is a slight bit of that tremolo guitar sound, you’ll find in the post black-metal bands now usually, but it’s used sparingly. Cacophonous sounds peep through the solid wall of sound now and then, offering you a glimpse into the swirling malestrom of madness behind it all. The whole recording seems to have done in a concrete storage hall or something, because there is no sense of subtlety or grace to the sound of these Americans. Only after the full album I checked its members: D.G. is known from his work with Misþyrming and Naðra (see this SoU#33) and Alex Poole, who did his thing in Krieg, Esoterica and Chaos Moon. Things make more sense to me now.
Wildernessking – Mystical Future Sick Man Getting Sick Records
I had to check it twice myself, black metal from South-Africa? That seemed wild. Not because I don’t think it shouldn’t be played in Africa, but the relationship seems like one that is bound to face with troubles. Wildernessking has been around for a good while though. In 2012 they released their debut, but in 2010 the band formed under the moniker of Heathens. The range of topics is broad and obviously inspired by the countries own nature and sensibilities. The Cape Towners fill their music with progressive elements to create something unique.
Think Winterfylleth, but set in the wide stretches of land of South-Africa and with probably better weather. You can hear that sensation of sunrays in the warm and beaming feel of the riffs. Though intensely played and full of hard work, the sound feels languid, relaxed but also danger lurks. The bestial roar of Keenan Nathan Oakes rips through that languid mood with an urgency, while the riffs smoothly cascade onwards in a dramatic though doomy way. There’s a longing or lamenting in the music and voice that grip you. It’s that amazing sincerity that makes this feel so good.
Burial Dust – OshubhoAhobaan Independent
Bangladesh is starting to develop it’s very own black metal scene, with primitive, furious and quite convincing. The main theme appaers to be the ancient death cult and occult religions, but more than anything the denunciation of the false gods that rule our society. Reminds you of Norway some decades ago? Bands like this show that black metal has matured and found a deep rooting within counter culture and anti-religious thoughts with serious followers. Wether that’s a good thing, is not up to me to decide, but it lends a certain gravity to the expression in the music itself. The title translates as ‘Ominous call’.
Though the sound may come off as pretty lo-fi (necrosound!), it works in the favor of the band in the sense of aura and vibe. Blistering, crackling blasts and deep, unearthly gutteral vocals show the mixed ancestry in both the death and black scene, giving a similar feel to the band as the primitive origins of Mayhem and Darkthrone (maybe even a little of the more death orientated sounds of Von and Morbid). The attentive listener can detect some oriental influences in their sound, where the evocation of ancient Egyptian deities is no strange occurence. From the guitar crescendo’s to the unbidding chasm of the vocals, this is a powerful bit of dark magic.
Cadaver Eyes – Class Mammal HCB Records
Sometimes you get these requests that sound just too intriguing to be ignored. This Israeli band claims to implement elements of doom, noise and experimental sounds into their product and that alone is quite peculiar. The sound that you experience when listening to it is even more weird and unsettling then you’d think. To give a bit of context, the band is a project more than anything, based in Jaffa, Jerusalem and New York. Bandmember Zax indicated in his e-mail that he also plays in Lietterschpich and in Hyperion Ensemble, along with drone deity Stepehen O’Malley’. It should give you some context on what these guys are doing.
The line between fucked up noise and brilliance is a rather thin one, leaving a band to be often misunderstood. As one, I presume Chinese, site described Cadaver Eyes: “in these music there is nothing but amounts of buzzing”. Brilliant quote, but there’s much more to it. The base of the music is a drone that truly unsettles the listener, specially when David Opp (also Lietterschpich, Balata etc.) starts barking at the listener through a fog of distortion and rage. The drum patterns make little sense, giving you hardly any space to breathe and find a calm in the music. Though it lacks a certain sonic intensity, the experimental, fuzzy crackling of electronics gives no quarter. The record also has two cover-like tracks, one being ‘Acetone’ by Mudhoney. You can’t go wrong with Mudhoney, but for some listeners Cadaver Eyes might feel like you’ve really been walking down the wrong kind of alley.
Romuvos is the kind of band you will find only when you start looking for it. Pagan metal, inspired by the ancient Baltic tribes that roamed the lands we now know on our maps as Lithuania and Latvia. One could include the Russian enclave of Kaliningrad, though the Prussian Balts are long extinct.
Behind the band is one person who goes by the name Velnias, which is Lithuanian for Devil. Most pagan entities seem to have been taken over by devils, which is shown in the Žmuidzinavičius museum in Kaunas by a large collection of statues. If we look a bit further the name Velnias is taken from the Baltic god of the dead, similar to Odin in Norse mythology. A trickster of sorts, one could say.
I got in touch with Velnias and he was keen to tell us more about his music. Like the trickster he took his name from, there’s more to him than you would think. He doesn’t actually live in the Baltic region, but lives in Israel. He moved there as a child with his family and once in a while he returns to his beloved Lithuania. Because his father is Latvian, he has decided to represent in his music the Baltic tribes as a whole in their pre-Christian form. It’s only fitting then, that I write down these words in the heart of Samogitia, the last pagans to be conquered in Europe back in 1413.
Though Lithuania seems strongly Christian now, not surprising due to their long lasting union with devout Poland in the Polish-Lithuanian commonwealth, there are still plenty of traditions and customs here that remind you of a pagan past and the deep roots they have in both the people and the land. Velnias longs to move back to his beloved country, but feels like the viking warriors who got stranded in far of lands. But one day perhaps, he will return.
Who is Romuvos and how did you get started with this act?
Romuvos is my one man band, the operation is entirely in my hands. I started playing folk music after being part of various black metal projects. I started digging deeper for my roots and the folklore that I hold so dear and decided to dedicate a musical project to it.
Romuvos is music dedicated to the Baltic pagan traditions and way of life. It has always been in my heart, but only now I’ve come to the point where I express it in song. Thus Romuvos was created, a name that refers to reviving the religious practices and pagan traditions of the Lithuanians and Baltic people before their Christianization.
Did you play in other bands before Romuvos?
Yep, though its nothing worth mentioning. Nothing that got into thte studio or anything. Every band I played in had many rehearsals, worked on songs for a long time until it was time to record and then split up. Most of those were black metal bands with folk influences.
I’m not sure if this is interesting to mention, but I fought in the Israeli army. I fought wars and most of this music I wrote under threat of missiles and bombs. I’m not saying I’m a warrior of old or some brave knight, but I experienced war. Those were not my battles to fight though, not my wars. That however is a different story altogether.
Romuvos is clearly a reference to the pagan religion of Lithuania. Can you tell a bit more about what it entails and also the Durwi spin-off?
Well, Romuva is a way of life, tradition and belief. It’s rooted in every Lithuanian heart and deep in the history of the Lithuanian people. Romuva is the name of the most important sanctuary of the Prussians, which was destroyed by crusaders in the 13th century.
One of the most important aspects in the Romuva faith is respect for nature. There are many gods, rituals and festivals that take place and form a part of the yearly calender in the tradition. Many old folksongs teach us about the ways of the Romuva and pagan people fromt he past. Those are the Dainos (folk songs), which play an important role in the religion. They are ancient songs and hymns. There’s so much to tell you about this, fortunately the internet offers much resources for the audience to find out more about this. Im very proud to let people know about our Romuva traditions in my music.
Durwi in old Prussian means faith, its also a revival of the Baltic ancient religions. You can csee how the Lithauanians and other Baltic tribes are untill this very day connected to their traditions and pagan beliefs from before their christianization. I hope the movement will grow and get stronger.
Can you tell a bit more about these traditions, what would these be like?
The Baltic people have preserved their traditions through the ages and Romuva is a direct expression of these unique traditions. It gives a name to the folklore and beliefs that have existed for a long time in the region. I will give you some examples
This refers to the rituals surrounding birth. Before a child was born, the ancient Lithuanians believed in spirits that would influence the unborn child in a bad way. One never directly referred to someone being pregnant to safeguard the mother and the future child. Expressions are still being used in Lithuania, like “The oven fell apart at Petras” or “It’s joyfull at Antanas”.
Once the child was born, it would be inducted into the community. The christening was bound up with various ancient rituals, which tie the new-born to the world, his family and community. These would be performed either at home or in nature when it is the time of the full moon. The room would be decorated with plants and greenery, birds made of straw would be hung from the ceiling and in the middle of the room the hearth would be lit at all time during the ritual. Other materials were prepaired, a bowl of water, clean cloth and scissors. The room would be well lit with candles. In the ritual the mother, father, child, name-givers, relatives and other childern would be present, together with the priestess – Pribuveja (midwife), who would guide the event and take care of the child
The child is dressed in a festive linen shirt. A sash woven with folk decorations is used as a waist-band.
The feast is a cake, brought by the name-givers. The food upon the table traditionally includes eggs, scrambled eggs, bread, cheese, beer and such. Gifts are brought to the new-born and the mother. It’s all part of this important moment.
Vestuves is the word for a wedding, which was not just the concern for the young lovers. The entire community had an interest in the marriage and joining in the celebration. Weddings are so important in the ancient taditions, that there were over 100.000 dainos (songs) for Lithuanian weddings. There’s an extensive set of dances that represent the wedding – starting with the match maker introducing the young couple to each other, the parents agreeing, the young bride weaving her trousseau, and then the wedding ceremony.
There’s a myth of Perkūnas and the Heavenly Wedding: On his way to the wedding, Perkūnas strikes a gold oak – an exorcism to repel evil spirits (Velnias frequently hides under the roots of an oak). When a young bridal couple comes into their new home, before they enter it, the lintel is struck, leaving a “cross” – to ward off evil.
Funeral/Burial – the traditions surrounding funerals are fairly standard the world over. It is a time of mourning, and of friends gathering in support of the grieving family. But, there are some differences. In villages the coffin would lie in “state” for approximately 6 days, and in cities about 2 days. Every evening there would be the singing of laments, and prayers for the dead members of the family for three generations – each one mentioned by name. Every evening after the prayers a funeral meal is served, prepared by the best cook in the community. If the family has a pig, it is slaughtered for the occasion.
In villages the dead are usually buried in the morning, with final kisses being bestowed upon the loved one.
Velnias has given much more info on the pagan traditions in ancient Lithuania. For the sake of readability, you will find these at the bottom of this article. He mentions the yearly calendar, essential in the pagan rites, and the deities that the ancient Balts worshipped. One deity he goes into very elaborately, which I’m glad he did: Velnias.
In Lithuanian folklore Velnias is the character you will find most often, he originates from the god Velnias or Velinas. He has a relation to the animals, underworld, the dead, economy and magical things. In later Christian times Velnias became the devil.
The folkloric devil in the ethnic legends creates the world together, either alone or with God or only God (there are different versions). God is in some traditions his brother. They both have the same goals in creating the world, but also some opposingones, mainly all the bad things are explained by interference of Velnias. The God creates useful animals and the devil creates ones that harm people and are useless. Velnias is also connected with horses, oxen and cows, of which he would keep herds. In the legends he often harnasses and rides the horses. From the wild life, the wolf, rabbit and bear are closest to him and he assumes their forms.
Velnias is associated with low and wet locations, like moors and lakes, or he may appear in the forest. His dwelling is under the earth, inside the mountain, behind the water. He also may appear in the sky, flying or seen in a storm. The relation between Velnias and treesis also emphasized, he might be found sitting on tree stumps (the reference to the chtonic world, the lower part of the Tree of the World) or hiding in trees (like he hid from Perkunas). The fir tree and birch tree are his trees.
Velnias, also in later times as the devil, would often appears amongst women (at the village parties devils dance with the village girls or the devil would celebrate a wedding with a hanged woman and dances with her) and, in general, he is interested in the weddings and funerals. He often appears when a person dies to take his soul. The devil under the influence of christianity becomes the ruler of the hell (in lith. “pekla”) and there he rules the dead mostly in shape of the animals.
Generally Velnias is close to humans, it is not difficult to find him or call him he also comes without any invitation, let’s say if people decide to play ripka or other games. He often offers his services in farming, to clear the field and such. The manifestations of the devil have a sense of music, often they contract a violinist, play musical instruments themselves and dance. Both life and death are under the jurisdiction of the devil. He is an intermediary or guide for the living, but also was involved with the fertility of people and the land. The harvest was also his. He is inbetween the world of the living and the dead, between earth and the underworld. Therefor he received the patronage of the people who are connected to the both parts of this worlds (i.e. priests, magicians etc). Also, musicians, poets and artists, who are inspired by both worlds fall under this patronage, as they are set in an old Indo-European tradition that associates them with magic and the devil.
What are your personal beliefs when it comes to these traditions?
I can say that my beliefs are very similar to the beliefs of my ancient forefathers. It relies mostly on the pagan past, but I have to say that I walk my own path in this and I walk that alone. I am much influenced by the Romuva. The paganism is a big part of my life, but I follow the path I feel is right to take. I don’t want to impose chains on my life, that are in the hands of another. I will find the truth that is out there for me, which will bring me closer to enlightenment.
I appreciate nature and the pagan religion embraces those elements with deities that are the key to harmony or chaos in what surrounds us as humans. I tyr to represent that in my music, though in a smaller scale. When I use the word pagan in relation to my beliefs, my view is very much connected to those ideas that are part of the pagan traditions. I participated in rituals in the past, spending nights outdoors, camping and having a fire, getting inspired by the sound of the fauna and earth that I feel when I’m out there alone or with my wife. I try to put those experiences in my music, those are they keys or muses for the atmosphere I try to invoke.
I have mentioned my interest in the Baltic history and that is a big part of my music. It’s something I grew up with, the tales told by my grandmother, the sculptures and paintings in my childhoods home. Those inspired me since the day I was born. When I put this to song, the subject is a bit more general and I try to make it larger than life.
Lithuania is now one of the most devout Christian countries in Europe, though the pagan traditions can still be seen in a slightly mutated form. How do you feel about that?
Well, I think we can all agree that Christianity and other missionary religions have utterly destroyed native cultures around the world. I don’t hold any hatred towards them, but I draw strenght from this, deep emotions I can put in my music. Each religion seems to face the same stages and now the Islam has come to a point where people commit atrocities in its name. It led me to believing that one should shy away from crowds and mobs of people. I’m not a misanthrophist, but it gets close to becoming one. I like to be outdoors more nowadays, groups of people make me claustrofobic.
Many bands that pay homage to culture or country get lumped into the NSBM category rather easily. How do you feel about that and is there any political side to Romuvos?
I have no political views, nor do I think people are entitled to express such extreme political ideas as metal heads tend to do these days. Yes, everyone is born and living in a ‘country’, which we consider to be ours. That we think will stand by us and have our back when we need something. That country has been formed by past rulers and is governed by whatever government it currently has. They also have taught us to be proud of it and stand by its laws and order. Well, that is not for me. I can understand and respect other opinions about this topic, to each their own, but that crosses a border when people try to hurt or offend another.
The way I see it, I have no country. I don’t look at it that way atleast, which might be because I left my ‘homeland’ or maybe because I dont hold a vision like the common herd. Therefor I won’t see a country as a value to stand for. Countrys are owned by their governments, which might even be corrupt, and filled with people I can’t call my brothers, yet I would be expected to stand by it in war. The same people that will curse, violate, interfere with and disrespect you while living next to you, while sharing the land you should call ‘ours’ with them.
Yes, I will seek peace in my lasnd and I have the right as a human being to live on such a piece of land that I call home. I will raise a family and will seek friends, but also defend it from foes, but not as an act related to an old ideology and herd mentality that is alient o mine. I would do it as a person who wishes to be left alone by the brainwashing of society that surrounds him. I try to be free in my own space and accept no shackles from others forced on me. So NSBM? No, thats not for me. I would also not like to live in the old days under a man with a crown who can decide my fate, whitout me having any say in it. I dislike the ‘nazi’ ideas and steer clear of them. If others go there, its their choice.
Why did you chose to make music on your own?
I can’t say that I consciously made a choice to make music on my own. Because most bands I was part of ended up splitting up or just fading away, this was the easiest wat to go about things for me. I create music on my own terms, with my visions and no distractions.
Do you plan to play live? How would you go about forming a band?
Yes, I think that in the future I will gather few session musicians that I will play live shows with. Musically I will keep things in my own hands though.
What is the general idea you try to get across to your listeners? What story are you trying to tell?
In some of the songs I tell stories from the Lithuanian folklore, in others I make up a story myself based on my ideas. Sometimes I will use old folk songs from the old days, other times I will write songs that represent Baltic faith and traditions. With Romuvos I wish to represent Baltic history and the pagan beliefs of the people in close relation to the nature.
Your record has a very clear sound that is not typical. What inspired you to make this style of music? To mind comes a band like Glittertind, does that sound like a fair comparison?
Well, Glittertind is a great band and thanks for the comparison though they are not my main inspiration. I can say that Falkenbach is a big influence and one of my favorite artists for sure, Summoning, early Vintersorg, Storm, Hades, viking era of Bathory and few more…
Even today I mainly listen to black metal, it still is my favorite style of music. Obviously, it is not the sound I create in Romuvos, but that was never my goal.
How did you go about recording this record? How did your writing proces go? All in all, how did you make ‘Romuvan Dainas’?
I have my own studio at home, so I just go and write the music first. Then I take a classic guitar and start playing, sometimes it can start with keboards or electric guitar as well as for the harmonica. Either way, after writing the main theme, i start working around it and build up the entire song. The next step is writing the lyrics and few more adjustments for the song. Ivecord all on my own and when the recording part is done, I mix it and finally do the mastering as well.
What is the general idea behind the record, its story and message?
The idea behind Romuvan Dainas is to make a Baltic folk metal album. In some of the songs you can find old stories from the Baltic folklore and on others tales of heroic battles and myth that I mostly invented. I dont get to see these days many folk bands representing this great area that surrounds the baltic sea and I am happy to take that subject into my music.
You say you invented some stories. Do you feel you put a lot into this record emotionally?
I think I put a lot of emotion and care into my music, it’s as if it erupts out of me and when it does I cannot stop it. I invest a lot of time and effort in it, because I have no other way of doing it. I enjoy every moment of making music, it is a very fulfilling thing to do. When I finish one thing, my mind is already on the next creation.
You released the record through No Colours Records. What kind of label are they and how did you get in touch?
No Colours Records are a label that mainly releases underground Black Metal music, They have some releases that made it to the big pantheon. I just sent a youtube link with a song to Steffen, the AR of the label, and after few weeks he came back to me, expressing a great desire to put out my album.
What are, in your opinion, the best metal bands from Lithuania and are you in any way in touch with either the scene in Lithuania or Israel?
There’s a few great bands from Lithuania, like Obtest, Ha Lela, Peorth and Žalvarinis (though they are not that metal). There are also some great folk bands, like Rasa Serra, Gyvata and Ugniavijas. I’m not connected to any scene at the moment though.
A few people from the Baltics did buy the album and asked me some questions about it. It’s important to me that they feel connected to my music, but that goes for anyone who listens to my songs. I’m not trying to reach a specific audience or region with my music, but it is a confirmation for me when people from the region and cultural background appreciate the music though. It shows that my message of longing for the Baltic area and its nature and history is clear.
What future plans do you have?
I am planning to get session musicians for recording in a a big and high quality studio for my upcoming albums and live shows. Hope mainly to just make great albums!
Disclaimer: I share no views with No Colours Records or any of the artists. Pictures (except header) by Justina Lukosiute
A long time ago I did an interview with the band Melechesh. The group was originally from Israel, moved to Amsterdam in the Netherlands later for its political freedom, a bit like the golden age of philosophy. The band deals thematically with Assyrian and Armenian mythology. Add to that some Mizrahi rock and there you go: unique metal. This is the interview I did with Ashmedi, main man of the band, in 2010.
Could you kindly tell us who you are and where you come from (musicwise as well as lifewise)?
I come from Jerusalem my family are Armenian/Assyrian. Musically I come from the rock and metal background but I listen to any and every type of music as long as it is well done . Life wise I am a cosmopolitan who lived around the world and now settled in this nice , tidy and quiet corner.
You’ve moved the band from Israel to Amsterdam/France, how was that decision made and what were the reasons you had to move?
Well the reasons were several, many demographical and socio political reaons. Also we wanted to progress our music. The member who was in France is now doing his PHD in USA so he flies often here to writing sessions and rehearsals. Coming to Amsterdam was a coincidence actually , I was on my way to USA when my x bassplayer who was living here said Amsterdam got English language Universities, I thought ok its closer to Jerusalem .
Theres a mix of nationalities in the band, how does this influence your writing and creating process?
Well and it does not change our writing process. Though we got to learn that you should not make music at any cost like we used to believe in and was the way we work, but rather pay attention to personal convenience which comes first here. In Jerusalem there are many different people from all over the word , same as with Los Angeles where I lived as well so always managed well in cosmopolitan places.
Is there a political element to your music, and if so what is it? What were the comments when you released the ‘As Jerusalem Burns… Al’Intisar’?
NO , the middle east is much more than politics, it is a place were civilizations were born. We focus on this beyond the mundane but tragic drama . Politics are merely the art of lying and rationalizing human deaths. We don’t play that game, and we say our politics are simple we count the dead and we think everyone deserves to live in dignity. Can you imagine an entire region with many countries billions of people thousands of years of continuous civilizations is categorized by one cliché. We are critical and know what is going on there but we do not drag the mystical and spiritual artistic creation known as Melechesh in this.
When As Jerusalem Burns …Al Intisiar (by the way the title is meant metaphorically, as we love our home town ) was released well hell broke loose J we survived it. There many critical of us but in the end we make music with spiritual and mystical context so we did not hurt anyone. ( maybe the righteous can learn for this ). But such things made us appreciate making music and we are grateful to where we have reached today
Could you tell us what Mesopotamian Metal is, what it envelops and what it is you tell about? Obviously for us it’s a very strange and unknown world.
The style of music is already popular in the metal underground and there are several young bands adapting to it which is really cool. But for the readers Roarezine of let me elaborate more on this. When I started Melechesh the philosophy behind the music was to create not re-create. So we tried inventing the Middle eastern sound of Black/thrash metal. Which encompass hard rock and heavy metal as well but with an ethnic twist when it comes to guitar riffs and picking as well as at time, Middle eastern drum patterns. Lyrically we deal with Mesopotamian mythology near eastern mysticism .
Musically who are your influences, metalwise as well as traditional music wise?
I grew up on rock music at home with time I was drown into heavy metal and punk and got into various types of bands. As a musicians we are shaped by diverse music intentionally or unintentionally. From Metal music , I like the classics black sabbath, led zeppelin, rainbow also Mercyful fate some Metallica , Slayer , Bathory it is hard you know ! traditional musicians I am very much into Persian Indian cross over like Ghazal, Indian ragas , sufi music .
Your new album, The Epigenesis, is almost out. Can you tell us about the process and the record?
The album took a long time to write , almost three times to record. Its is a long album with diverse moods , from a 3 minute song to a 12 minute song. We decided to break the mold and we flew to Istanbul to record the album. Many here were surprised but the outcome spoke for itself . Istanbul was a unique experience and very inspiring one. The city is very inspiring for musicians, it is great for night life and culture, and very Metal. So many metal bars out there its crazy.
Everything worked out perfectly it was almost uncanny like how come every step every decision was fitting in like a piece of puzzle , it was quite mystical . It was also very practical to be there, as people were helpful no 9-5 mentality we did put in 16 hrs a day . Also the little things you know you want to order a meal at 3 AM while still recording , its possible. You can even order you wine and whisky at those hours. The little things helped keep the vibe positive. The weather was good too.
How has your work been received in Europe this far?
Well previous works always well received, we got fans across the globe, positive record sales and the fact most labels offered us a record deal was very humbling and a good sign. As for the new album the general press media is good. Topped various critics lists, several cover stories I cant ask for more and we are grateful for this.
Did starting a black metal band in Israel spawn a lot of followers? Are there other metal bands from the Middle-East that you would recommend?
You need to be able to differentiate the various parts of Israel. The fact that it was in Jerusalem was the issue. AT first people wanted black metal bands from Scandinavia , if the band was from there the fans show the horse teeth with unconditional smiles and frown on bands that had to fight to make music. But this changed. A lot of hard work development of a type of music eventually paid off. We had followers there, but our larger fan base is in USA and Europe. There are several talented bands in the middle east they work hard some even were jailed for doing the music they are passionate about. For sheer brutality check out Keaton, for Melodic doom check out Bilocate. There is a cool rock band called Khalas and so on.
Are there any bands that you would compare yourself to?
Blof (a rather cliché Dutch rockband, GS)
What influence does living in Israel have on your music and on your life and views?
Some people fight to have a decent life and when they get it they appreciate every second. Some have it all served on a silver platter and deep inside they are very unhappy. This is one thing I learned. I also learned how racist humans are. I personally believe in one race. Human race. And thankfully I am very color blind.
Where do you see Melechesh going in the future?
I don’t know really, just challenge ourselves and make credible music.
Are there anything you’d like to tell our readers, that they should know about your band?
Doe het normal is a bad thing for music and art but a good thing for accounting.
What Album should we start with?
The Epigenisis for sure not because it is the new one but because it represent us now and it has several moods.
If Melechesh would be some kind of food, what food would it be?
A healthy salad which has flavor ! and considered as soul and brain food.