Tag Archives: krallice

Underground Sounds: Krallice – Go Be Forgotten

Label: Hathenter/Giliad Media
Band: Krallice
Origin: USA

How do you even get to this level of productivity, without slacking somehow in your quality? I have no idea how they do it, but here’s the new Krallice, titled ‘Go Be Forgotten’. It’s their second full length of 2017 and one hell of a record, mixing jazzy noise with black metal and hardcore-sludge or whatever.

The band has sort of just released ‘Löum’, together with Dave Edwardson from Neurosis. You’d say that we may have slightly recovered from that piece of work. This is the latest and it actually made it to various end of year lists. Good on you guys, I’d say. I was just a bit baffled after listening to it because these New Yorkers rarely make for an easy listen.


It seems like Krallice is moving in the direction of noise or even something akin to industrial, with the gritty beats on ‘This Forest For Which We Have Killed’. A solid layer of bass forms, like a curtain of pulverized glass or construction residue. Beyond that layer is space, for the vocals to bark into the void. Relentless aptly describes the flow of fury that Krallice directs at the listener. Frantically paced and never opening up for a breath, the band sounds more and more like a blend of hardcore, noise and black metal to me.
Remarkably, a grand experience can also be a part of that violent, abrasive sound. The title track embraces big arches and soaring synths. The wide contrast opens up a whole new space for Krallice to play in. The sound explores restlessness, dynamics, and complex structures, sometimes verging on jazz even? The 10-minute onslaught of ‘Ground Prayer’ for example, seems to meander from different pace as much as in intensity, with every new measure, while the vocals keep insistently barking at you.
Krallice may be one of the most intense and surprising bands out there and like every one of their records, this may take you some time to wrap your head around.

Underground Sounds Roundup: Ash Borer, Bölzer, Krallice

Sometimes you simply can’t cover it all, but you still want to. Because of that I’m going to do a round up of some releases, that have gotten plenty of coverage elsewhere. Why do I then still cover them? Well, because I feel it is my duty in a peculiar way to say something about Krallice, Ash Borer and Bölzer.

Krallice – Prelapsarian

source: bandcamp

Label: Gilead Media
Origin: United States

Though Krallice can be a bit too chaotic for me at times, they are one of the most interesting bands out there. They’ve been very productive, releasing an album in 2015 and an EP in 2016 and then suddenly here’s another full lenght with four rabid, mesmerizing tracks. The sheer intensity with which Krallice delivers their songs is uncanny. Shouted vocals, more akin to a Converge  (‘Hate Power’) combined with riffs that at times (‘Transformation Chronicles’) feel more Dragonforce-like at times. The eclectic combinations the band makes is in a way what makes them so interesting, though on this record they are more returning to the frantic black metal sound Krallice originates from. The music constantly shifts pace and surprises you at every turn. The mix is great and the record is great, what more do you want me to say about this?

Ash Borer – The Irrepassable Gate

source: Bandcamp

Label: Profound Lore Records
Origin: United States

Ash Borer is in a league of their own when it comes to creating densely atmospheric black metal with a majestic streak to it. Filled with ambient elements, to create an all overpowering sound, the band is heavier than thou and irredeemably good on this offering. The doomy overtones  with the subterranean drumming are a constant battery for your nerves. The cacophony of noise the band unleashes here and there helps to create the right vibe of a sound that is much more natural and real than that of your average Satan worshipping black metallers. The grandeur and consistency in which Ash Borer weaves their aural patterns is not unlike bands such as Wolves In The Throne Room, Balancing between the ferocity of USBM and the complete sound of Cascadian black metal, Ash Borer shows themselves to be a class apart on the general BM firmament.

Bölzer – HERO

source: bandcamp.com

Label: Iron Bonehead
Origin: Switzerland

I have felt conflicted about the Swiss duo, mainly due to their ridiculous reclamatin of various nazi-symbols. It seemed so boneheaded to me, that I just wasn’t sure what to make of it. Having seen the band perform live twice, I think there’s a good reason to do write about this odd duo. Why then? Because they are incredible! Sure, live their sound gets a bit muddled and loses any sort of semblance of subtlety. Still, the ‘world-eating’ sound (as read in band bio) is a thunderous, unstoppable force. Chosing minimal means, does not mean an artist limits himself. Also adding clean vocals, Bölzer sound like heathen, barbarian kings on ‘HERO’. A display of thunderous rhythms and remarkably noticable  guitar melodies. On a track like ‘Hero’, that makes the men sound like titans. Big muscular riffs and booming vocals. I still don’t understand their strange love for the sun wheel and wolfsangel, but on the other hand I get the stubborn position behind it. The whole record is a bull headed effort to wring out epic sounds of minimal means. They sure do pull that off!


Sounds of the Underground #31

There have been numerous sounds from the underground worthy of capture like Toska, Protean, Der Weg Einer Freiheit and Krallice. This one packs a punch!

Toska – Toska
Self Released

source: bandcamp

The band Toska is inspired by poetry of Tadeusz Micinski, a polish poet, gnostic and playwright who was an early expressionist or even surrealist. That’s about all there is known about the black metal band, which surprisingly is not from Poland or anywhere around, but from Iceland. This is the debut of the band, which only came out very recently this year (2015).  Let’s check it out.

There’s a cold in the sound of the band, like you can feel in the air when frost is approaching. It becomes clear, while the tracks pass by, that there’s a certain amount of electronics involved in the production of this bit of music, which gives it a particular industrial-like cold feeling. The drums therefor lack the organic, furious feel that you’d expect. They feel too tight, to automatic. Some weird samples of keys are played through the music at a very low volume. This is rather peculiar and a bit spooky. Regardles of all that, the music is intense, full and like a blizzard storm in aural form. If you like you black metal cold and technical, this is the record for you.

Protean – The Burning Centuries
Beverina Productions

source: Bandcamp

Protean is a Latvian band with (former) members of various bands from the Baltic state, such as Eschatos, Urskumug, Frailty, Grondh and many others.  Guest contributions were made by no other than the guys from Skyforger, making this a bit of an all-star record for extreme metal LV. Protean is a musical project that takes a journey through the history of warfare, mythology and legends. From the Punic Wars to the Hungarian Black Legions clash with the Ottoman turks, the longboats of the north and ancient Latvian myths. This is very promising material.

What we get is a clean production and sound that is big and mean. Protean embodies the sound of battle, history and a passion for metal in one furious ball of force. From the chanting on ‘Bringer of Fear’ to its thunderous main song, it resembles the more bold and heavy in the blackened genre, like Behemoth (which I find it resembles a lot). The focus is on atmosphere and grandeur, without much regard of genre boundaries, which is something I love in Latvian metal. The clean singing on ‘Swordwraith’ for example, gives a power metal like vibe combined with machine gun drums. It makes it sound big and honest. I particularly like the long track ‘The Longships Are Burning’, which is a bit of a nod to good old Unleashed and their beer guzzling favorite. A long track full of ambiance of Opeth-y guitar play and brutal bursts like a reign of fire. It shows a feeling for the dramatic as well as great musicianship. This whole album is a demonstration of strenght, a tour de force if you will, of a group of musicians that is highly talented. I feel like I’m just the jackass that wants to tell you that… Please listen to this band.

Der Weg Einer Freiheit – Stellar
Season of Mist

source: bandcamp

This German black metal band was one of those that I missed out on on Roadburn. I thought, judging by the name, that this was some sort of post-apocalyptic folk ensemble. Yeah, you know the kind. Nothing of the kind however, but brutal, icy and melodic black metal (yes, all of that). The band from Würzburg is inspired by philosophy, death and life in their music and has 3 records under their belt this far. Yes I know that ‘Stellar’ has been out for almost 9 months, but have you heard this record? How could I not include it in this section of my website.

The sound of this band is like a warm bath with ice storms. The music provides the bath in the sense that its full and soothing with some major elements creating that immersion. Thematically and through the vocals and hard hooks there’s the storm, stirring unease in the general pool of sound. There’s blistering fury in the sound, but also the anticipation in the calm parts of ‘Repulsion’. Then there’s the catharsis and bliss united in ‘Einkehr’, a chastizing pilgrimage into destruction, total annihilation of the self. Closer is one beautiful and harrowing soundscape, under the title ‘Letzte Sonne’.

Krallice – Hyperion

source: bandcamp

I feel like I’ve just finished with the previous full length titled Ygg-Huur, which I discussed in #19 of Sounds of the Underground, and then this band of rascalls from New York suddenly drops another one. Hyperion was recorded back in 2013, but only now is released on bandcamp. An interesting mention on bandcamp was the comparison to Sonic Youth, which is hard to distiniguish, but definitely present in the experimental sound of the group. It’s their way of saying Happy New Year I suppose.

The cover shows what appears to be a mountain range or maybe water? It speaks to the imagination, like the music of Hyperion. Blistering, radical twists open up the grandeur of the title track, with roaring drums and intense blasts. The band is like an uncoming storm, taking the most surprising twists and turns in their sound and obliterating any opposition. I can not understand how someone would not classify this as black metal’s next evolutionairy fase. The inspiration for the almost cacophonic, primordial ceremony that is performed on ‘The Guilt of Time’ makes you think of Lovecraftian sources, with copper beaten, clanging and grinding distortion. Krallice proves that they’re here to stay.


Sounds of the Underground #19

This time I listened to underground sounds by  sound artist Honda, ambient warriors Elador, black metal knight MoonKnight and the mighty Krallice. Plenty of stuff you should check out too.

Honda – Bells Beach

source: Bandcamp

I use a lot of means to find music, but rarely the search option on bandcamp. Today I did and I picked the ‘devotional’ category. I was expecting Jesus stuff. I got this wonderful minimal/ambient recording. It has two sides and is made by an artist named Celer, actual name William Thomas Long, who lives in Japan. It was made with a Roland MC-202 Microcomposer and field recordings. It feels like a travel record, a description of landscapes in an aural way.

Side A feels minimal, just little bells in a wide landscape where the wind is blowing. Playful moments are exchanged with mild ambient noise and gentle wavy sounds. The sound appears to be blowing away a little bit now and then, adding tot he organic feel of the music. Side B has those astral projection like synth rays, remniscent of krautrock and Jean Michel Jarre. Buzzing drones and twinkly keys fill the sound up, on this much more energetic and vibrant track. This record feels special, warm and pleasant. A recommended listen for late night reading or enjoying a drink without the TV on.

Elador – Expanses of Syrim 

source: bandcamp

Well, I’m a fan of Skyrim so I was intrigued if any concept band had been working on that theme this far. Sometimes you find the odd death metal band picking up on a thing like this. I found a load of covers or rip offs (some Vietnamese guy claims to be Lindsey Stirling). This Russian project is from Egor Morozov, who is inspired by epic ambient/medieval projects like Mantle Of Dust, soundtracks like those by Jeremy Soule (yes, Skyrim guy) and other similar projects. The logo’s used do show an influence from the black metal scene. Think Clanned, think Burzum… You’ve got it.

The soothing music feels cold at times, depicting the landscapes of Skyrima nd specific regions. The languid tones are nordic in atmosphere and other sound effects breathe life into the music by Elador. The gloomy ‘Folgunthur’ stands our for me, for its minimal and dark atmosphere, where the other tracks feel mildly playful. The trickling sound of ‘Snowfall in Winterhold’, the wavering of ‘Dawnstar’ and the gentle feel to the track ‘Rivenwood’, it all paints the landscape in aural perceptions. The latter makes you feel the gentle look, the simple habitations and the wind rustling through the trees. Elador captures Skyrims essence beautifully in this tribute.

MoonKnight – Valinor

source: bandcamp

This obscure one-man black metal band provides the listener with a particular dirty and grim type of black metal. MoonKnight is the project of Roach (James L. Brown) from Kentucky. Claiming to be influenced by Akita, Bone Awl and Ildjarn, this is the third full lenght from the project, after a series of splits. The sound is gritty, distorted and hazy. As if hearing music through a hail storm. The vocals therefor come from afar and the listener is challenged to really embrace the sound, entering the storm on opener ‘An Initiation’. It only clears up a bit when the intro notes of ‘Aconitum’ soar in, feeling cold and sharp.

The trebly, high guitar tones on ‘Helplessness’ create a cold atmosphere. The screeched vocals filled with despair, raging against that torrent of grainy sound that feels very lo-fi. The drum is just a rumble under your feet. Then there’s the warm rain of the title track, creating a strange after effect, following the bleak songs like ‘Broken Blade’ and the bludgeoning ‘Pleasure Funeral’. The slow epic final song is a crescendo to this powerful record. No need for tons of extra effects, synths. A one man metal band that knows how to make limitations in strenghts by not overdoing it. Thats why this is such a good record.

Krallice – Ygg Huur

source: bandcamp

Sure, I was going for somet different sounds this time, but then I came across thenew Krallice album. I used to think of Krallice as too fierce for my tastes, but the new Yorkers surprised with this new record. I always have a hard time with the word ‘hipster metal’. I feel it makes no sense when you deal with a band that creates atmosphere like the best of them. The sound is more clean, but just as harrowing. The jagged pace, keeps tensions high and creates a vibe of discomfort.

So, I couldn’t get into what they were doing before. I guess it was too smart, too complex and lacked a certain feel to it. That’s no what you get on Ygg Huur. Razing fast guitars, tremolo picking are enriched by deep emotions of despair and untamed wiredness. Blistering speed and incredible atmospheric wavering tremolo parts, generate an unheared of like vibe. Sudden assaults after seemingly ethearal calm. This is one amazing album. Clocking only 35 mins, nothing is overdone on this release. Everything in balance and fuck that hipster tag. Krallice know how to make a great record and put black metal on the road to recovery.