Tag Archives: Marijannah

Marijannah: heavy and far-out tunes from Singapore

The band Marijannah hails from Singapore and plays a very fresh and catchy style of stoner/doom. Inspired by films, their music is captivating, playful and a bit unnerving at times. Havint checked out their recent release, I needed to know more about them.

Signed to Pink Tank Records, their ‘Till Marijannah’ is well worth a spin if you haven’t heard it yet. To get you started, first learn something more about the band and where they come from.

Marijannah takes you to Paradise

Hey Marijannah, how’s everything going?

Everything’s great.

How did your band get started and where does the name come from?

We all individually wanted to try something different outside the usual styles of music we’ve been playing for years in each of our respective bands and this is something we’ve never created before.

The name is sort of an accidental double entendre initially. It loosely translates to “come to paradise” in Malay, which is a native language where we’re from and it’s also bluntly a pun to you-know-what.

 

What inspired you to make this particular sound your own? To me ,it feels very much like a mixture of classic psychedelic rock with a hint of occult rock on a thick slab of stoner, which together gives off this timeless sound. What do you think?

I don’t know if we do but if anybody thinks we sound any different from the usual stoner/doom, it’s really just because half of us never regularly listened to this style of music up until like a year ago. We all have roots in different genres. Some of us come from a punk/emo/hardcore background and some of us almost strictly listen to extreme metal so it’s truly a mash of clashing influences.

Can you tell me how you wrote and recorded the album ‘Till Marijannah’? How did the process go and what sort of working method do you have?

Rasyid writes most of the music and I write the lyrics. We record riffs on our shitty phones and send them to each other on a daily basis and dig em out when we need to. There was quite a bit of spontaneity in the studio as well, using weird, new pedals and ancient gongs lying around the room.

I’m interested to learn what inspired the four separate songs. They all have a distinct quality and theme but differ a lot. So what stories and inspiration did you use for each? I’m particularly interested in All Hallow’s Eve.

Lyrically, they’re all tributes to films. I’m a big “film buff” and they go hand in hand with heavy music aesthetically. All Hallow’s Eve is of course about John Carpenter’s “Halloween” and the “Laurie” mentioned is Laurie Strode, portrayed by Jamie Lee Curtis in the series.

Tell me more about the artwork. Who did it and what inspired it? I originally thought I was going to listen to something more like Yes!

Again, it was a mash of very different ideas we all had individually backed and executed by a very talented artist in mr. Riandy Karuniawan. Like most metal musicians, we like sci-fi imagery and mystical shit so there’s that.

What sort of response did you get this far to the record and what future plans do you currently have?

They’ve been almost all positive from what I’m aware of. I don’t really pay much attention to reviews, I think the record is dope and so does most of my friends who have a good taste. We’re working on new material right now and have been jamming about 5-6 new tunes, probably aiming to enter the studio by August. We’ll be announcing a short tour really soon, maybe it’ll be announced by the time this interview is out and we have another planned for the year’s end.

Is having a Rasyid in Wormrot in any way limiting for what you can do with Marijannah? Do you feel that your other bands in general have an influence on your output?

Not at all. Neither band is looking to be super busy or touring full-time and I think the rotation works well for Rasyid and the rest of us. I think its inevitable that we will share certain influences amongst our bands, we’re the same people as we are in other projects, just expressed differently through multiple entities.

What is currently happening in the heavy scene of Singapore that the world really should not miss out on? Like exciting bands etc?

Radiant Archery, Bethari, Hollowthreat, HRVST, Yumi, Zodd. None of them are similar to us but all worth checking out.

If you had to compare Marijannah to a dish, what would it be and why?

Bolognese. Rustic, traditional, timeless, best served hot and consumed wearing dark-coloured clothing.

Underground Sounds: Marijannah – Till Marijannah

Label: Pink Tank Records
Band: Marijannah

Origin: Singapore

Marijannah is a project that features members from Wormrot and The Caulfield Cult. As their bio says, two of the hardest touring bands from the island nation Singapore. As it often is, these gents had an itch to do something different. That is, to play stoner/doom, which they do surprisingly well and now on their first record ‘Till Marijannah’.

The band started out in 2016 and it being a side-project, took its time to really get going with their heavy, psychedelic sound and release a record. Sounding rather classical and hazy, this band definitely harks back to the retro-doom sound you hear coming up on and off. Think of bands like The Sword and maybe even a bit of that St. Vitus or Goatsnake vibe. It’s helluvalot catchy.

The foundation of the sound Marijannah offers is a rock-melting buzz of bass and drums, that never lets up. A solid stoner bass on which to build the tunes so to say, like the classics. The lyrics are steeped in horror influences with an occult flavor on opener ‘1974’ and the following ‘Snakecharmer’. It’s really comfortable music to sink into and just ride its waves as you listen to their spaced out sounds. I have to point out the cover, with an interesting color pattern. Definitely does its job too.

Powerful repetition shapes the track ‘Bride of Mine’, which even harks a bit to the sound of Uncle Acid & the Deadbeats with its snarling, whiny sound that just clings to you. The snide sound of the track is pretty catchy. ‘All Hallows End’ is the strange big rock anthem on this record. It stands out like a sore thumb, which is exactly what makes it so interesting. The emotional vocals and the ooh and aah backing makes for a pleasant outro, with creepy lyrics of course.

The charm of Marijannah is that they don’t do anything overly complex. It’s pretty straight forward stuff, but with a tinge of their very own mystery. Looking forward to seeing this live.