Tag Archives: Metal

Sounds of the Underground #6

In this little segment I review sounds of the underground, music you might not find unless you really go dig for it. From Nerdcore hiphop to depressive black metal, I love music. So check it out and maybe check the albums I checked out for you.

HOD – Book of the Worm 

source: Hod bandcamp

Violent, intense riffs open up the new album by black death band HOD on ‘When The Ghouls Feed’. The daring sound of the Texas is definitely not for the feeble listeners and gnaws away at your eardrums. Unrelenting the band slashes and burns through their songs like ‘I Am Destroyer’ and ‘Death Whores’. Musically this is the black coffee I need around 11.30 in the morning when the lunch break begins to sound very attractive and motivation is low.

There’s a specific raucous and energetic feeling to the combination of Death and black metal that comes close to a clean sounding grindcore record, without the attempt to mask bad instrumental prowess by layers and layers of distortion. Not that these guys need that, they sound tight as a chokehold on ‘Beneath the Mountains Of The Scorpion’. What their whole message is eludes me, the titles seem to be pissed off and angry, but also a bit weird. No matter, the record is awesome.

Home is Gone – Triptych

Source: Home Is Gone bandcamp

Nothing like some bleak, minimalist black metal to shake up your day. I’ve enjoyed my listening experiment around 11.30, so I continue by checking out Home Is Gone from New York. The cover alone is amazingly minimalist. Like the three panel painting the title refers to, it has 3 songs of uncompromising metal. Windy distortion and almost blown away screams make up an almost comforting melody. That is however hidden in the mist.

The end result feels very minimal, very little is actually happening apart from the careful weaving of a tapestry of sonic force, that makes up something totally different. I feel it’s as those huge parades where everyone holds up a coloured square to form an image. That’s how the seperate sonic endeavours compile the warm sound that is the end result of this beautiful, but brief record.

MC Frontalot – Question Bedtime

Source: wikipedia

What? No Metal? Yes, it’s time for some nerdcore hiphop with the new release from my favorite MC. Rocking some highly intelligent lyrics, complex rhymes and corky homebrew beats, MC Frontalot has invented the genre and put himself at the forefront of it for years. So we have a quirky list of songs that critisize a lot of things, like disagreeing with your bedtime as an expression of the democratic concept of disagreeing with authority and justice. It’s funny, but there’s always a validity, relating to the real world.

There’s a bit more soul to this record, compared to previous straight up flows it seems. Frontalot always focusses on great rhymes and very, very catchy chorusses. I mean, they are sometimes so wrong that they’re awesome. Some skits are in between, to raise the fun level even further. MC Frontalot makes a lot of fun about himself too. So why would you check out this CD? Well, I love hiphop, I’ve said so before and written about it. I do however, not have a gun or deal drugs, nor do I have a lot of  bitches hanging around. I do play WoW, love Star Trek, enjoy watching hockey, reading books and feeling Irish in the Irish pub. Most importantly, I’m a full on geek who reads science for fun. So I love hiphop that speaks to that. This is just the latest album, where the Front reaches a whole new level of weird.

The Scintilla Project – The Hybrid
I’ve always had a weakness for Saxon and their vocalist Biff Byford. His epic style was always quite an attraction to me. The band he started on the side, inspired by a sci-fi flick titled Scintilla, was interesting to me for that reason. However, it is not really something I’ll advise you to check out. It really was not a good idea.

The old voice of Biff gives everything an epic edge, but the cheesy piano’s and extra singers just make this a drowsy Disney soundtrack with very little balls and power. Let me put it to understandable words. Why did no one like the albums Maiden did with Blaze? Well, this is it. The overproduced sound makes the riffs into ready made candy bars of artificially flavoured goods. Nothing good comes of this record, trust me.

If you don’t like metal, then probably this is your album though. I’m sorry, perhaps for those who really dig the most mellow songs of Therion?

Sounds of the Underground #4

I listen to music, so you don’t have to. You can decide if you want to check out what I’ve been checking out by reading what I thought about these sounds. All taken from the underground, these are the sounds for this edition. I will write a new intro text next time.

Saor – Aura

source: metal-archives.com

Scotland offers us some great music now and then. It normally does require you to accept the peculiar accent and rugged elements in it. On the front of black metal, I didn’t hear much about the North. If the first connection you make to their black metal sound is Saor, you’re in for a good one, like your first fried candybar. The music feels like the landscape of Scotland, with the subtle folk melodische woven into the fabric of the land as well. Powerful and subtle at the same time, the music offers a timeless journey.

The band describes their music as Celtic metal, which I think does justice to its organic, natural sound. The songs feel like  a storybook, the album is like a unity. Focus seems to be a ful immersing in the atmosphere Saor has in mind for their listeners, which works out great in my humble opinion. The departure from the sound they embraced under their previous moniker Àrsaidh  seems to have been left behind partly, continuing the whole postrock vibe, but making things more intense and rougher. I’m totally impressed by this, by the way One Man, project. It will blow you away. Andy Marshall, also known from Falloch, did a great job.

Jungle Rot – Terror Regime

Source: Metal-archives.com

So today I learned that the band who’s name I’ve seen around a lot of times is a death metal band. I also learned that Jungle Rot is a nasty disease that yields a lot of gruesome imagery, which I’ve never been too crazy about. Sorry, I’m not into gore and I really can’t help it. This band is frigging brilliant though.

Though called a death metal band, there’s something different going on here. It’s been called death rock in some spots and I guess some comparisons to that rock’n’rolling style of Entombed cannot be discarded. There’s a fun factor to their sound, the band also happens to have been around forever (well since 1994). The clean producation makes this a perfect album to drum along to, slap your air-guitar like it’s ‘yo bitch’ and just bang your head to.  It just sounds tight and in my opinion very accesible. I wrote before that I’m reluctant to listen to death metal and I haven’t really found my hook on the style yet. This band is not on Victory Records without reason. Their sound is almost poppy to me, like many of the hip metalcore/deathcore stuff, but simply more real and pure. Enjoyable record taht I would recommend to most metal fans who also need to find a gateway record for DM.

Source: Metal-Archives.com

Tryptikon – Melana Chasmata

I love Celtic Frost. I don’t know if it was the amazing titles of their albums (not the stage names, Tom G. Warrior still sounds like it was made for gay porn), or their distinctly oldschool sound with touches of genius distinctive experiment or perhaps just their aura of grandeur. I didn’t like Tryptikon much at first though, but it grows on you and so does Melana Chasmata.  I’d love to somehow bash the establishment a little, which is perfectly possible with this record since it somehow doesn’t pack the punch it was intended to have. That doesn’t make it less awesome.

Let’s call it a doom record, translating sludge to the Swiss bands flavour with the old gothic demeanor.  Tryptikon never sounds dirty like a damp, grim black metal band. Nor does it feel like the abandoned graveyard where doom bands lurk. It dwells in castles and cathedrals, in grandeur and might with a touch of despair and decay. There is a nobility to the sound of this band that has a lot to to with its frontman. I think that Fischer doesn’t want to shock, but just show the stories he wishes to tell to the fulles. Leaving nothing out, holding nothing back. That is the raw core of the record that delivers its powerful message. So yeah, everything stays a bit mid-pace. Heavy metal is not reshaped, but there’s refinement here.

Source: Wikipedia

Summoning – Old Mornings Dawn

I’ve enjoyed listening to Summoning for years, but it has always been on and off. I was amazed to discover bands playing music inspired by Tolkien and making it seem dangerous, exciting and totally new. I reckon I wasn’t ready for the atmospheric black metal at first from these Austrians. Now perhaps I am, but maybe their 2013 album just leaves behind a lot of the danger. It almost seems like a soundtrack when listening to it. Less raw, more atmosphere and synthesizers.

The songs are filled up with the mysterie from Tolkiens ‘Silmarillion’, inspired by the daring of the Mariner Earendil who sailed into the unknown. Some moments its foreboding, others gnashing and grim but always captivating and beautiful. I guess it might sound pretentious to those who are a bit purist about their black metal, but as far as I’m concerned, this album is a masterpiece that combines the best of ambient, atmosphere and black into one mesmerizing whole.

That was all for this time, lets see what else we can pick from the underground next time.

Sounds of the Underground #3

I listen to music, so you don’t have to. You can decide if you want to check out what I’ve been checking out by reading what I thought about these sounds.  I’m usually pretty honest. I do tend to listen to what I like though.

Source: Somic002.ucoz.ru

Mondvolland – D’Olde Roop

When metal becomes too folky, it becomes Paganfest material and that is something to avoid. I never felt a band like Heidevolk should fit in at Paganfest, though their sound was accesible. There’s something authentic and sincere about bands like that, which distinguishes them from the Alestorms and Ensiferums of this world (even Finntroll lost the plot with their weird steampunk gimmick). Mondvolland does everything right, occultish, melodic folk elements combined with atmospheric and dark black metal. It’s truly an experience.

So yes, this is not their latest album, but its the one I got to listen to so deal with it. Mondvolland hails from the Arnhem region and apparently started out as a folk band. Their sound is a bit out there, blending black, avantgarde and some post elements in what seems to be a potent cocktail. Ofcourse, you can hear something silly if you want to with the clean vocals that sing of a legendary past. It would be a shame, because you mock the brilliance of music that feels both new as well as authentic and rooted in the culture its born in.

Source: Metal Archives

Master’s Hammer – Vagus Vetus

Czech black metallers Master’s Hammer have been around forever, they were already mocking up demo’s back when Euronymous was alive and that means a lot in BM-history. Their album ‘Jilemnický Okultista’ was a fundamental album for the development of the genre, as well as their record ‘Ritual’ being dubbed the first Norwegian Black Metal album by Fenriz (though made in Czechoslovakia).

This is what Master’s Hammer has to say about the record: “An imaginary old wanderer (vagus vetus) journeys through an unfamiliar labyrinth and there’s nothing good waiting for him. Disgusted with progress and modernity of all kinds, he enjoys listening to aeolian harps and sounds of postmortal flatulence. He finds his consolation in hedonic experiences of natural origin. ” I just leave out the bit where they say extreme metal is hopeless, because if that was their opinion really, they should go play aeolian harps instead.

I have a love for brooding black metal full of atmosphere and folk references.  I also have a love for bands from Eastern Europe, like Skyforger, Arkona or Metsatöll for putting something unique in their music. Something undefinable that is rooted in the land the music is made in, it’s that one factor that makes the music this little bit different and more amazing. This goes for Master’s Hammer, who have formed their sound in an age of hiding and secrecy and now never sounded quite like anyone else. Great record.

Source: Metal archives

Forgotten Tomb – …And Don’t Deliver Us From Evil

I literally just decided to look for a random BM band and stumbled upon Forgotten Tomb. Their sound is utterly depressing,  bleak and devoid of hope.  What is interesting is that this band seems to have taken an approach to their music, which heavily relies on rock music and not just the black metal roots. There’s something accesible to the sound of these Italians, that can be rarely found in BM these days. The first song ‘Deprived’ already displays that under layers of icy guitar waves.

Apart from that the music is depressing, dealing with things the light does not bear to be witness to. Not everyone may enjoy the clean feeling of this band and comparisons with The Shining are way to easy to make. I think it is beautifull in it’s ‘everything dies’ way and would definitely recommend this record.

Source: Mxdwn.com

The Hell – Groovehammer

I have not been as excited about a hardcore record for a long time. I guess since Ignite released ‘Darkest Days’. Oh, wait there was H2O with ‘Nothing To Prove’. The point is that it has taken quite some time for an awesome record to come out. The twelve headed English group is in their own way absurdist, violent and out there. They might go over the top on virtually every song this record offers, but that ballzy brawn gives them a lot of charm.

“You have to bring a swarm of killer bees, a sea of white sharks!” roars one of their vocalists on opening track ‘Take Me Out’. The lyrics are just awesome, add to that the full groove of heavy, hard hitting hardcore music. The band likes to keep up an air of mystery on their identity, which is a bit over the top again. It’s  cool though, I i’m fairly sure the purists won’t like this band, because they might not be that real to you. That’s bullshit ofcourse, unless you say the same about Madball, Hoods, One Life Crew or Pitboss 2000. Dig in and enjoy The Hell!

By Guido Segers