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Rimruna

Underground Sounds: Rimruna – Der Hatz Entronnen

Label: Naturmacht Productions
Band: Rimruna
Origin: Germany

Rimruna hails from Berlin and its two members are also active under the name Drangskapur. Rimruna has been active as a project since 2011 and this album is the second full length for the duo. The last one came out back in 2014. The title ‘Der Hatz Entronnen’ translates as ‘Escaped from hate’.

The music of Rimruna fits well into the German tradition of folk-flavored, atmospheric black metal. Thematically the band appears to have a particular fascination for the winter season. Much effort goes into the lyrics for this band it would seem. They are written in German, which might be a bit of work for you, but totally worth it. Being part of the Naturmacht stable, this group fits right in with their sound.

The dark folkloric sound is as dark cloud gathering and following you. Strong, galloping rhythms and drum rolls hit home, while the guitars seem to produce a thin but compelling sound of swooping dissonance. The gnarly vocals are as bent and twisted as old tree trunks sticking out from the snow, with the particular bite the language allows for.

The sound holds a clarity, which gives it a direct and melodic feel. On the other hand, it also makes particularly the rhythm section sound pretty raw and aggressive on a track like ‘Tor der Zeit’, where the melodies meander past, while the drums assault the hearing. That contradiction in sound is one of the great alluring powers of Rimruna, who truly drag the listener in all directions and often sound close to some of the blackgaze bands of these days. The sound is harrowing, but filled with melancholic melodies that take the listener along.

Still, the sound is rooted in raw black metal and that is what you get mostly. The tremolo guitar play on a song like ‘In Ewigkeit Versunken’ takes nothing away from that, but just makes the story and flow of the album so much more captivating and pleasant. This certainly is a good bit of music!

Underground Sounds: Grima – Tales of the Enchanted Woods

Label: Naturmacht Productions
Band: Grima
Origin: Russia

With their debut album ‘Devotion To Lord’ the band Grima definitely left an impression. Lord was not anything Christian though, it was nature in its full glory that this atmospheric black metal band worships. Now they return with their second full length ‘Tales of the Enchanted Woods’. I’d like to point out that I recommended their record as the best of the year this far for 2016 in the Weirdo Canyon Dispatch, the daily Roadburn zine.

The studio project by Morbius and Vilhelm hails from Krasnoyarsk, which is in the heart of Siberia. Krasnoyarsk is not a hovel in the snow, but a city with almost a million inhabitants. The city was a  center for the gulags and even in Tsarist times was a place where dissenters were sent to. It says a lot about the sort of place this must be, though there’s little to go on regarding Grima.

To start with this album, maybe start with the cover that immediately offers  a particularly fairy tale like design and folkloristic vibe. The album kicks of with the grand ‘The Sentry Peak’, which really works as a brief intro to the album, lining up the second song ‘The Moon and its Shadows’, which is a pleasure to behold. Atmospheric and powerful, this record fits right into the Norse nature-loving movement of the black metal genre.

The sound is tempered, let go only in minimal waves when most effective. The build-up reminds me a bit of Downfall of Nur, one of my favorite bands. It sounds like there’s even an accordeon present, but it’s probably the synths. Those help with the fairy-tale/eastern vibe of the record, giving a moment of respite and evoking images of strange towns with hospitable folk playing music around the fire.

The band really knows how to be theatrical, without sounding cheesy. The synths are everywhere to add to the overal experience, to paint the sound in many colors. The vocals are varied two, which gives you the feeling that this band is much bigger than just the two members. Noteworthy is the track ‘Never Get Off The Trail’, where we hear a deep shoegaze influence and even some postrocky soundscaping on the following ‘The Grief’. As a listener, it is as if the song bares its essence to you. It shows it’s inner magical stream of music. Excellent black metal enriched with a sense of the magical and unknown of the forest.

Grima succeeds in probably making one of the most amazing black metal albums of the year, but also a journey into nature where the true beauty of an untamed land shines through. The balanced production and the rich sonic textures offer a much bigger production than you’d imagine. I sincerely hope this album gets the recognition it deserves. It shouldn’t be lumped into the ‘archaic folk’ metal  category, much like other great music from Russia. This seems to receive little interest from the western press. This album embodies the magic that black metal music always has had for me. It embraces nature in the way only a specific branch of the genre does. A joy to listen to, while true to the genre.