Tag Archives: south-america

Interview: Indoraza from Peru

Metal is a global phenomenon that takes all forms and shapes. When it connects to indigenous cultures, beautiful things can happen, but it can also inspire refreshing things elsewhere. One of those intriguing bands is Indoraza from Huancayo, Peru. This interview appeared originally on Echoes & Dust.

Bandleader Luis Pariona Avila was kind enough to answer some questions about their music and projects, vision and background. The band has been around since 1998 and released mostly demos and ep’s, but now is working on a bigger project.

Normally you’d associate Peru with the pan flute tunes and the colourful robes, but there is room within that culture to combine those indigenous elements with furious metal that tells the story of the darker days the country has faced, but also connects to the present.

Read about inspiration from Norway, Andean history and tradition and making metal in a place like Peru.

Can you introduce yourselves and tell us how you got into metal music? Do you have any other bands / projects you are working on?

Thanks for the interview, hello from Luis Pariona “Pishtaco” leader, guitarist and founder of the band. I was involved in other bands like Yana Raymi, which plays death folk metal and Ancestral, which makes pagan black metal … but now we’re doing hard work with Indoraza.

How did Indoraza get started as a band? What does the name mean?

Indoraza was born in 1998 with the sole intention of paying tribute to our ancestors, our culture and Andean worldview. Indoraza comes from two voices “indigenous and race”. Those voices refer to the blood lineage we trace to the ancient inhabitants of our American ancestors. Race we define as identity, not a term that can be mistaken as racism.

indoraza2

What is the history and the concept that you are telling us as a band? What inspires you?

Indoraza (indigenous race) traces back to early 1998 taking from other projects such as As Ayllu, Danger, Psycho. Back to the year ‘99 with a stable group and under leadership of Luis Pariona “Pishtaco” we started writing songs with Andean lyrics that speak about situations, that we witness and experience in various regions of countryside Peru. We also focus on customs, myths and stories of the land. The musical orientation is hard rock on a basis of rock’n’roll, blues and heavy metal.

 After a while the group split and there was a break in the months following that. Luis Pariona (guitar, vocals) recruited Abel Fares (drums) and Jim Castro (bass), who were later joined by Jhon Castro as a second guitar. Indoraza kept this lineup for some time and recorded demos like:

‘The Inca and Ñusta’ on tape (2003)
‘Coro de leyenda’ on CD (2004)
‘Ayllu Sañachkan’ on CD (2005)
‘Ethnic death metal’ CD (2006)

 The band also toured across Peru and Bolivia in 2007 with a tour titled ‘Ethnic Holocaust’. In 2008 Boris Camayo (drums) and Carlos Miranda (bass) were recruited, with the goal to record those themes that were in the air and for the fans that were waiting for that moment. On the 1st of june 2009 our CD ‘Yarawi’ went on sale, which is the first opus of a hardrock Indian trilogy made in Ayllu Sañachkan (Saño) – Huancayo-Peru.

In 2010, the following two discs ‘Miski Simi’ and ‘Chosheck’ were released. Our first album came out in 201, titled ‘Todas Las Sangres’, which is part of a new trilogy: “Los Andes No Creen En Dios” (“The Andes don’t believe in God “).

In 2015 the next opus ‘Ayahuasca’ will be released in honour of the ancestral people!

Don’t the Andes believe in God? Why did you pick that title for the new trilogy?

During the time since the European conquest and invasion they brought religion which was forced upon our land with violence and lies. Many communities and ethnic groups today have ceased to believe in the mercy of that European god and that omission of it remained deep in their heart.

The trilogy the band is producing now speaks about all that feeling covered in the harsh reality matched with the customs and traditions in danger of extinction. In the Andes it is not enough to believe in a single god but it still remains more ancestral gods’ beliefs because there is a need and faith in them. Ayahuasca is the title of our new album the second instalment of the trilogy “the Andes do not believe in God”.

Especially in this production we are including numerous Amazonian themes and atmospheres. We implement instrumental and lyrical stories that deal with the ritual of Ayahuasca, which is a drink that transports you to other dimensions to proper focus and balance your body, mind and spirit.

You describe your music as Andean metal, ethnic pagan metal and hard rock indigena. Can you describe or explain what you do musically?

Technically, the instrumental structure of our music includes many styles, such as thrash, death, heavy, power, etc. but the main theme and ideology of the band is based on our ancestral culture and Andean worldview. Our fans classified us as indigenous hard rock, folk metal or pagan metal etc. We prefer to call ourselves, following what we do, as Andean metal.

You’ve mentioned the Andean man a few times. Can you describe what the Andean man is like and where he comes from?

The Andean man is a human being who was born, inherited from the nature and remains alongside the rivers, niches, and homes that make up the Andes Mountains which extend throughout South America.

What are the bands that inspired you to get into metal and inspires Indoraza as a band musically?

We admire the greats as Manowar, Iron Maiden, Black Sabbath, Deep Purple, AC / DC, Dio, Death, Slayer, Judas Priest, Bathory, Immortal … etc. and they inspire our band.

 Can you explain a bit what the traditions and history are that inspire you for people unfamiliar with them?

We start with the history of the Inca Empire, its science, agriculture, astronomy, medicine and religion. These things we inherited from other nations such as Wankas, Chankas, Tiahuanaco, Nazca, Chachapoyas and many more cultures. Each of them contributed much to the development of a people with great goals. At some point, these  cultures were cut short by the European conquest but they still achieved a balance and their legacies remained.

What do you think of metal as a global thing? Do you feel it is global or very local? Can you relate to a band from Norway or Russia?

The metal is a global overall musical structure that is shaped emotionally, ideologically and spiritually with local features that every artist wants to capture and honestly, it fits properly.Possibly by merging our national folklore and metal like the Norwegian or Russian bands do. We admire bands like Arkona, Turisas, Moonsorrow, Korpiklaani…

 What sources inspire thematically (not musical)?

The sources are the traditions, our history and worldview of the environment where we live and what we witness every day. The Andean history was always a source of inspiration for the man of the Andes, Andean music is magic and fits perfectly to the heavy metal.

 Can you tell me how metal music started out in Peru and how it developed? What bands were more influential and important to the national scene?

I’ll explain in a very broad sense about metal in Peru. It has its traces back to the late 70’s and early 80’s with a great wave of bands that appeared nationwide, but mostly in the Peruvian capital of Lima. Obviously, before that, there was hardrock, blues and punk music, which has its own history. Bands that came up then were Mortem and Kranium for example, who are still going strong and considered national metal icons. You would also start seeing bands in the provinces, like Hadez, Inri, Armagedon and Masacre.

What is the scene like these days? Are there important clubs, labels or venues that are worth mentioning? It is bigger in certain cities?

The scene is growing. In the last few years the country had the opportunity to bring great icons of the metal genre over and organise some festivals with a good reputation. It’s still all about maintaining clubs and labels and make the profitable. Maybe there are some doing that successfully in the capital, but it’s difficult to maintain this in the provinces. On the other hand, there is a lot of considerable talent, creativity and musical skill in Peru. This country is rich in music and art, there are bands that keep up the fight, regardless the limitations.

Does metal culture face any form of censorship or repression in Peru? From either the church, the state or society itself?

Not really, maybe because the metal scene is still growing and there are other major issues for the churches and the government to deal with. There is no tangible repression or censorship at the moment, but it might be worth mentioning that metal is not very much distributed by the media. Probably because it’s not as marketable in comparison to other countries. That might look like repression in Peru, but it’s just a disinterest of the media in this music. Another reason for its lack of visibility is a lack of proper instruments and affordable recording studios.

Though I can’t make out everything on your page on Facebook, it seems you are a band socially aware and active. Can you comment on that?

Well, we aim to pay homage and tribute to our culture and our ancestors, making and perfecting our art spreading it in the most honest way we know doing this kind of music. Our country had to go through many stages: one was civil war or revolution but it brought great harm from the government and it still subsists political elites who are even now trying to rule unfairly at the mercy of peasants and poors, thing that we do not tolerate and that we raise in our songs.

Can you name some bands that are now active in Peru, which you think everyone should listen to? And why?

The bands that I am listing should be mentioned because they have displayed great talent and originality.

Traker (Huancayo -Peru- Heavy Metal).
Chakruna (Tarapoto – Peru – Amazon Metal Fusion).
Rockpata (Puno -Peru – Hard Rock Altiplanico).
Ayahuaira (Huancayo – Peru – Pagan Black Metal).
Anal Vomit (Lima – Peru – Death Metal).

Do you think there is something typical about metal from Peru? That makes it different from the main stuff from the USA and Europe. Could you describe it?

Indeed, the history and culture that originates and comes out the veins of every Peruvian and the heritage which they carry in them are reflected in the “riffs” and songs. It contains a unique essence in its music that makes it fully different compared to other bands from other places in the world.

What does the future hold for you guys?

We do not know exactly, but we are dreaming about playing with great artists in great metal festivals all over the world.

indoraza

Please use the space here to share anything you want to add. Also type where people can find your music.

I’d like to thank you for the interview. We hope it will be well spread. You can contact us directly and easily on our Facebook page.
www.facebook.com/indoraza

Indoraza Folk band Metal / Hard Rock indigenous Peru
Original members: Pishtaco (voice guitar), Chosheck (drums), Illapa (guitar), Ccarccar (bass).

Pictures with kind permission from Indoraza

Odosha, Venezuela, Metalband

I’m truly excited to bring you an interview with a pagan-metal band from far-off Venezuela, namely Odosha or Odo’sha as it is originally written. The interview was kindly published by Echoes & Dust.

Metal is a global phenomenon, and I cannot stress enough how significant that becomes when you start looking into the more extreme genres in places that are less likely. South-America has in general a violent and intense extreme metal scene, of which most of us only see the tip with bands like Sepultura, Soulfly and maybe some Krisiun and Sacrofago.

In Venezuela the metal scene is much localized, but very aware of the outside world it appears. I found, in talking to the black metal band Odo’sha, that there are remarkable things that a band from a Latin America can derive from the Nordic fury that is the second wave of black metal. If any part of the world can boast of repression and washing away their history, it must be there.

And that is the surprising link and why it completely makes sense that black metal can be so much more than a European thing. Second guitarist Marco Leon was keen to answer some questions and was fortunately quite elaborate in providing information about extreme metal in Venezuela.

https://www.youtube.com/watch?v=vIHuPshh1q0

Can you introduce yourselves and maybe say a bit how you each got into metal music, if you played in other bands and such?
First of all, thank you for the interest and support for our musical work. Odo’sha currently consists of Irwin Hernandez on bass, Yonht Figueroa on lead guitar, Marco Leon on second guitar and vocals and Juan Delgado on drums. We all come from bands with different styles. Irwin Hernandez and I (Marco Leon) are founding members of the band, Yonht Figueroa is also playing guitar in a thrash metal band named NWD. Juan Delgado, the newest member of our band, is involved in a death metal project, named Initium Vortex.

How did Odo’sha get started as a band? (is it Odosha or Odo’sha) What does the name mean, both literal and symbolical? It has a double meaning, has it not?
Odosha was created as a band in 2005, with Irwin Hernandez and Marco Leon as founding members The initial idea was to create a band with influences like Bathory, Burzum, Necromantia, Dissection, Emperor and such. These were the black metal bands we listened to in those days. We also were inclined to bands like Moonsorrow and Windir, who had a more melodic sound to them, but from the start we wanted to make our identity about our geographical area. Away from the European styles and copying those, we wanted a sound that was from South-America. This is how we started out and adapted our musical influences and lyrics to the context of our indigenous cultures of our region.

We’ve taken all those beliefs and stories our ancestors held before the Spanish arrived. The band name is taken from the mythology of the indigenous ethnicity of our region. ‘Odosha’ according to its mythology is the protector of the great mountains of the south of our country, but also the god who thought man the art of war and hunting. It’s an evil deity, but not a necessary one. Originally it is Odo’sha, as it appears in our logo, but for easy writing Odosha can be used.

What is the theme or story you are telling as a band? According to Metal Archives your themes are South American primitive cultures and Paganism. I’m very curious what that actually contains for a band from Venezuela and how you bring it into you work?
Well, when we started with Odosha there was nothing like what we wanted to do in Venezuela. Extreme metal bands with indigenous themed lyrics or who represented an ancestral heritage of our part of the world was pretty much unknown. Obviously as musicians we were influenced by the big bands in the scene, which were mostly European bands, but we always kept in mind that their lyrics are from their history and based on their roots.

For us it felt unnatural and even disrespectful to simply copy their styles and pretend we came from the same geographical or historical reality. Our approach has been from the beginning to take all that magnificent musical influence of all those bands and adapt it to our reality and context. This is how we became the first black metal band from Venezuela, who based all their lyrics on ancient cultures of our continent.

Here, as elsewhere and everywhere in the world, is an incredible cultural heritage full of stories of warriors, struggles and ancestral beliefs, mythology and paganism. That is the basis for our lyrics and the essence of Odosha and we are proud to open that way for many more bands with this idea. Many bands in Venezuela now reflect their regional identity in their lyrics,

Can you take us a bit more in debt on those themes?
Well, all of our lyrics focus on aspects of the South American pre-Hispanic cultures, before the arrival of the Conquistadores. There were so many peoples living here before they came, who lived a total pagan way of life in communion and harmony with the elements. They worshipped the sun, moon, rain and thunder. Nature as a whole was very significant in their lives, it was full of superior beings to whom they paid tribute in ceremonies that were transmitted from generation to generation. They built miraculous monuments to those Gods in the forests in honour of them.

They were not benevolent or specifically kind, but they deserved respect and took their places in the balance of the universe. With the arrival of the Spanish a series of massacres started, the colonization was a process which enforced the Catholic Church with blood and death to worship one God that no one knew. The indigenous people fought fiercely, fighting big battles through obvious disadvantages across the continent. It is told in one of our songs, ‘Cultura pagana(Pagan culture)’ says:

The blood of our ancestors was cruelly shed
Our gods were humiliated and defiled our land
The strength of the cross was imposed, and temples to an unknown god rose

The brutal colonization deleted a cultural legacy and we walked away from our roots. We are not Catholic by choice, but by submission. So our lyrics are imbued with these stories, battles and rituals, with beliefs and paganism and the worship of the elements and the natural world. We take this cultural legacy and put it in our songs, which is the basis for our lyrical ideology.

Many black metal bands are trying to convey a vision of sorts, a view on the world or lesson. What is that for Odo’sha?
Everyone should take their own position and accept the consequences of their words and deeds. We are not false prophets or preachers trying to impose our vision of what the world should be like. We are metalheads and musicians and that is our philosophy of life. Odosha is an extreme metal band and our purpose as a band is to transmit through a strong and aggressive sound our cultural heritage, which we believe has been underestimated and neglected.

Are you currently working on something and can you tell a bit about it?
Sure, we are currently working on what will be our next studio album, which will hopefully contain 8 to 9 tracks. It should be out before the end of this year. A couple of months ago we released two songs a s a preview: ‘Solstice Ritual’ and ‘El Dorado’, both can be checked out on YouTube, to get an idea of what’s coming.

source: Courtesy of the bands facebook.
source: Courtesy of the bands facebook.

What are your main influences, both musical as non-musical, to make the music you make?
It’s a bit difficult to define our musical influences, every band member has their own tastes. Those range from the black metal of the 90s to thrash and death from that period. Even folk and viking metal are a part of that influence. Beyond our music, the identity as South-American metal heads, with all the complications and difficulties of doing this kind of music in our part of the world.      

What is a live performance by Odo’sha like?
In the early days of the band we used war paint, but now it’s more focussed on the music. That what is heard live has to be as close as possible to the studio sound for us. So what you can expect is a presentation of Odo’Sha as an extreme, strong sounding metal band with energy discharging with every song. We are a metal band and as such we want to transmit the aggression of the genre in our presentation. We also often play covers of bands that have been very influential for us as Bathory, Emperor, Dissection or the old Samael.

Do you consider the metal scene in Venezuela locally orientated or more outwards? Do you get many bands playing in your country from abroad?
Venezuela is currently going through a very difficult political and economic situation, the “bolivar” our national currency is in constant devaluation and free fall against the dollar, for that reason

Performances of foreign bands in our country have disappeared almost completely. There were better times, in which Venezuela would be a spot for touring bands to play, but this no longer happens. The situation for national bands and the projection to other countries is similar because of the unstable economic situation. Local bands are not able to open doors to other countries, there are virtually no labels or producers specialized in metal music in our country so everything is pretty much do-it-yourself. Some bands have managed to get their music to other places, but the presence of Venezuelan bands abroad is unfortunately something far removed from reality these days. Beyond the bordering countries like Colombia, it is almost impossible to play abroad.

When speaking of metal from South-America, it often focusses on Brazil. Can you say a bit about how the metal scene in Venezuela started, developed and grew into what it is now and what bands were major influencers?
Certainly Brazil is the home of great bands in our part of the world, like Sacrofago, Sepultura and others. The history of metal in Venezuela is very diverse in terms of bands and periods. In the 80’s it was mostly heavy rock with bands like Resistencia, GrandBie and Arkangel. Thrash started as well with a band called SS. It was a period that paved the way for the metal scene that would harden with the passing of years and had this higher moment with extreme music in the 90s with bands like Bahometh, NoxiusNatastor, Krueger and many others. There is now a big and varied movement in Venezuela with great bands in many different styles like thrash, death, black, heavy or any other. 

What is the current scene like in your country? Are there record stores, venues, clubs and such?
The local scenes are quite underground, there’s no big stores, only small distributors in different parts of the country. There are not many places that are dedicated exclusively to metal. Concerts usually take place by renting places that have nothing to do with metal music. In the main cities of the country, you’ll find one or two pubs, but metal head pubs are very scarce. Play or listen to this music in these regions is always tricky, it has not reached the point where it’s respected and supported as an art form. These are lands with tropical rhythms and also with a very outdated mentality, where metal does not own any space.

As a metal head do you face forms of censorship or not being accepted in Venezuela society? As far as I gathered your country has a strong religious practise going on and some strong set values. Does that show in the metal scene?
Yes, that is correct. Venezuela is a predominantly Catholic country and extremely conservative. Metal is seen as an aggressor that violates the values and traditions of the region. The scene is growing though and getting stronger in a significant way. Those who listen to or played metal in this country for real are willing to go against the outdated and obsolete system in which we live.

Fortunately there are a lot of young people that are breaking taboos and opening their minds to a globalized and intelligent world, who start regarding Catholicism as a major obstacle to free thought and integral human development. We hope that at some point these walls of ignorance will be torn down.

https://www.youtube.com/watch?v=kpRnjPImImQ

What current bands do you recommend for people to check out?There are a lot of bands here, I personally prefer to let everyone judge for themselves. Pick one and listen, I assure you that you will get very good stuff.

To mention some, Funebria is an excellent band that plays blackened death. Noctis Imperium is another black metal band that has been around for years. Natastor is a thrash band with many years in the scene behind them and Hereja plays a brutal form of dark black metal.

That’s jus to name a few. If you ask others, I’m sure you’ll get some different replies.

Do you think there is something typical about metal from Venezuela? Could you describe it?
Well, I am not sure. Maybe someone from outside the scene could spot something like that from an objective opinion. I think metal is a language that knows no boundaries. You can have a playlist with German, Dutch, Greek and even Venezuelan bands and all of them make you bang your head without even speaking their language, that’s the essence of metal.

Please use the space here to share anything you’d like to add.
First of all, thank you for the opportunity to present our work. We hope this will be a door for many maniac metal heads to meet Odosha! We invite you all to check our stuff out on Youtube or on the Facebook page of the band.

You can also check out our page on Metal Archives. We’ll keep in touch, soon there will be new material from the band. Greetings and raise your horns up!