Label: Heidens Hart
Origin: The Netherlands
The Netherlands is flat, which is its distinguishing fact and trait. It also means that most of our predecessors were farmers, working the flat, endless fields… That’s what the cover of the new Uuntar album shows, which is aptly titled ‘Voorvaderverering’, which translates roughly as “ancestral worship”.
The record was on the shelf for a while, after being recorded in 2010 by Herjann (Heimdalls Wacht, Cultus, ex-Countess, ex-Mordaehoth) and Nortfalke (Kjeld, ex-Lugubre, Tarnkappe, Standvast). In this project, they focus on a more pagan black metal approach with vast epic movements and a sense of the grand.
The record opens with meandering synths and tribal drums on ‘Intrede’, which translates as intro, so it makes perfect sense. Nature sounds enrich the pasture on which we tread, as the music slowly swells. There’s a sense of the dramatic in the atmospheric black metal tunes that open up ‘Een Germaansche Grafheuvel’. The flowing melody is not even overpowered by the blast beats and grim vocals, sung in old Dutch, and ever streams onward.
The vocals contain a trace of yearning and despair, as they beckon to the olden days of our ancestors. Praising and hailing them as from beyond the grave, which is what the title ‘Ganggraf’ refers to as well as ‘Lof op ‘t Hunebed’. Though the sound rarely shifts from its initial modus, the topic does on ‘Bloed om Bloed’, which is more battle ready and speaks of taking up arms against the enemy. The rhythm does punch harder and more densely, creating a more fierce and heated sound. An urgency takes over as the guttural barks bellow forth. German deities are appraised as we reach these calm, flowing pieces of utter static guitar play. An aural bath almost, with a heavy distorted sound form the strings.
The slow progression of ‘Uittrede’ (you can guess what that means) takes us back from the past to the here and now. With a sense of regret and forlorn emotions, we come to the end of this fantastic record by Uuntar.