Tag Archives: Van Records

Underground Sounds: Our Survival Depends On Us – Melting the Ice in the Hearts of Men

Label: Ván Records
Band: Our Survival Depends On Us
Origin: Austria

Honestly, one of the most bewildering live acts I’ve seen in recent years must have been Our Survival Depends On Us. It’s a concept, an art, and the simplistic name barely makes you suspect what awaits you on stage in a pandemonium of taxidermy blood and pagan mystery. Though that last is maybe perspective from my end, or simply allegorical as it is on their latest record ‘Melting the Ice in the Hearts of Men’.

The group from Salzburg has released 4 full lengths, all with titles that undermine the hit potential due to their length and complexity. There is a light connection to Austrian black metal heroes Belphegor and many members played in Soulsearch before, which had a penchant for the medieval stories. The sound of Our Survival Depends On Us is unlike any other and well worth listening to.
‘Galahad’ sets the tone with a sonorous lament, that slowly opens up with somber tones and acoustic guitars. The band leans heavily on the folkloristic vibe of classic doom metal here, also in the vocals style, yet the music is much more atmospheric with keys and strings meandering in and out. It makes for a wonderful opener that needs a long time to get to some distorted riffing. You don’t miss that. But when it comes in, it is strong and forceful.
There’s always an apocalyptic edge to the music of Our Survival Depends On Us, something threatening. Yet even though the complexities in the lyrics, the band remains accessible, also on ‘Gold and Silver’ with its catchy guitar solos of ripping guitars. The low levels of distortion in the music really make every little bit count and that’s brilliantly employed.
We move forward with ‘Song of the Lower Classes’, which starts with samples, field sounds, and ambient tunes. The song has a hypnotic vibe with the clangy guitar sounds, that simply bewitch you. Mournfully, the words come to you as if they are a drag, carrying the world’s weariness along. “Down, down we go, we are so very very low…”. It is so powerful, it almost hurts. ‘Sky Burial’ meditates upon the topic of its title in a sonic journey that feels completely psychedelic and harrowing. It feels like a shoegaze-like track until it unleashes itself in a transcendental journey to the skies as the body dissolves. The summit of a sublime album.

Heretic Interview

“We might be the most sympathetic black metal band from the Netherlands”

It’s a chilly autumn evening and we are sitting down in Café het Rozenknopje in Eindhoven with half of satanic sleaze rockers Heretic. The band has had a busy year behind them and its time to talk to the gents about their new records, shows, Ván Records and what it is like to be the most sympathetic black metal band of the Netherlands.

Heretic playing the mighty Hellfest
Heretic playing the mighty Hellfest

Slight shocker, Heretic has been around for 18 years already. Sure, there have been some breaks, but Thomas Goat has been playing dirty black metal under this name for 18 years. Fun fact also, is that this band only played their home town only once. That was in a support of the mighty Danzig in 2011 (in the Effenaar). That is one of the future goals for the band, according to drummer Tom Auf Der Axe: play an awesome show in Eindhoven. The drummer is keen to talk about the turbulent year Heretic experienced in 2014.
For Tom, it’s all still very new, even with all the events of last year: “I really was lucky to join Heretic at this time. I got talking to Thomas at a metal record fair. He needed a drummer for Heretic and asked if I was interested. I decided to say yes and three weeks later we did our first show together. Not a show in some bar, it was immediately a show on Roadburn!”. Tom learned enough songs for the show in a couple of weeks, where the band with a full line up had their big test. It turned out to be just the start.

“And then there was Hellfest on the agenda in France, which was another incredible experience. We went into the studio to record or new album and we have an agenda that is filled with cool stuff. As if that was not enough, we signed with Ván Records and booking agency District 19 (known as the organizers of the Eindhoven Metal Meeting). It’s been a great year this far!” tells Tom full of energy and enthusiasm. Its just as if everything the band touches turns to gold this year. Singer Thomas adds to Toms story, that is is definitely not just their drummer that was lucky, but the whole band. He chooses his words carefully, as if he only just started realizing that it all really happened: “Things started rolling for real this year for Heretic. We have a band, where all members want to go in the same direction. Adding Jimmy Blitzer (bass, also known from Urfaust) completed the picture. He thought it was cool to play second bass, which sounds odd, but really creates the sound we want. He also happens to be an excellent showman.”

Before we start looking at the successes from 2014, we should have a look at the past of Heretic. Founder Thomas always had an artistic drive with the band to express himself: “I wanted to satisfy an inner urge to create something, something new. The black metal scene was doing something that I wanted to go against, which is how Heretic started out, playing a different form of black metal.” That is the way the proces goes for Heretic, rebel against the image people create of them, but also against themselves according to Thomas: “Every record is a response to its predecessor for me. Everyone thinks they can label you and say what you are as a band based on your record, so the next one has to be completely different. Apart from that, I’m the biggest fan of Heretic and listen to the records time and time again. I then hear what I would like to have changed, what could be better. It’s a drive to develop. Every record is just a moment from what you do as a band, when one is released I’m already working on the next one. ‘Alive Under Satan’ is almost out now and I know how I want the next record to sound.”

The result of all those years of development yields its very own sound. “The black metal of Venom, sex drive like the Dwarves, punk vibe of Zeke and the sleaze of Mötley Crüe, that is the Heretic sound!” says Tom. “Thomas writes the songs, sings and plays guitar. Tony Hellfire does the bass loops over that, like our very own Steve Harris. Jimmy does another layer of dough on top of that and I can fill the gaps with my drums and make it into a whole. Because of the success and energy this year we’re all facing the same direction. Everyone has ideas, which keep on rolling and make nice things happening. It’s almost going automatically.”

Heretic playing a Devilish party.
Heretic playing a Devilish party.

A good example of these amazing things that happened to Heretic is their signing with German Ván Records, a label that also released music by The Devil’s Blood, Urfaust and Dread Soverign. The label is known for beautiful releases and special attention for the fans. “I knew Sven (owner Ván Records red.) from shows and of course Jimmy has been working with him through Urfaust for longer.”, Thomas chips in. “Sven thinks about releasing records, like a fan and an enthusiast, who wants to make it into something special. If we would want to release our record in a leather sleeve, he would basically be open to it. As soon as we would make a record that sounded like we do live, he would be interested. With ‘Alive Under Satan’, we have that record so the deal was soon made. Selim (Lemouchi, THe Devils Blood red.) told me a lot of good things about the label.” Live is of course still where it really happens for Heretic. This is obviously the place where Heretic is at its best, when the fans are right opposite the band.

The big similarity between Ván Records and Heretic is the love and respect for the fans. “We may be the most sympathetic black metal band from the Netherlands. We get so much respons from our fans, so we love giving them something in return.” Specially at the shows the band plays in Germany, the band has amazing experiences according to Thomas: “It’s amazing to play a show and see that the first rows of people sing along with every song, but it does happen to us. On the stage it’s all a big show, but after the show we are at the merch stand as soon as we can for a chat a beer or anything with the fans. I’m still a huge fanboy about the bands I love, so I know how important it is.” Tom agrees fully on that: “I’ve been touring with many bands, where I stood next to the stage, like Peter Pan Speedrock and Reverend Horton Heat. We get those same kind of responses, which is an amazing feeling. Sometimes its almost real!”

“Metal fans are, in my opinion, enormously dedicated. When I was nine years old I heard Iron Maiden for the first time. I still get chills when I hear that music. It sticks with you, that is what makes metal fans different, “ concludes TOm. “We played a show in Montbéliard in France a while ago. The support act was a band named Spermafrost. Before the show they came to see us, shake hands and tell us how cool it was for them to play with us. If you receive such dedication and responses, you have to give that back and we do that with all love.” This is part of the reason for the first uncommon release on Ván Records: a red flexi-disc with the song ‘It’s On!’. “That was one of those things, we made that single as a nice object. Then the Deaf Forever Magazine wanted a couple of thousand copies to send to their subscribers. A month later the release was totally sold out!”

The new album by Heretic, ‘Alive Under Satan’, is now out on Ván Records. The recordings were done in Eindhoven in three days and Thomas is looking forward to the next session: “It was a lot of fun in the studio and it turns out we have a great team with this little gang. I’m looking forward to making a full-length. Our previous record, ‘Angelcunts & Devilcocks’, was recorded at home with a drum computer. That is hard to compare with the raw, energetic sound that can be heard on the new record. You can hear that these are real, organic recordings. “Without changing the songs too much, there is much more dynamic in this new Heretic,’ says Tom. “We find a balance between the elements, which makes this a representation of the Heretic you can hear play live. If you manage to pull that off in the studio, then you’re doing the right thing.”

So the gang looks forward to the next record, for which Thomas has plenty of ideas already. The attention of all band members is with Heretic, playing live and enjoying the chemistry within the band. The new video is also out for you to enjoy.

The year 2015 might be the year of Heretic, including that long awaited show in Eindhoven.

Pictures; Eveline Vertommen

Originally published here and here