Artist: Vėlių Namai
I’ve shared music by Vėlių Namai before, for the reason that it is exceptionally beautiful, harrowing and evocative at the same time. This time Julius Mité is delving in a different piece of earth, namely that of Kurland or Kurzeme. Though parts of this are lost in history, this is believed to be the realm in the west of modern-day Latvia, currently also called by the same name, and western Lithuania.
With ‘Kúrir’, a sound is being delved into. Moving away from the ambient vibes of previous records, this feels much more like entering the catacombs of history with more synth-based sounds, stronger beats and a different level of intensity and forcefulness, but that’s never a bad thing, is it?
Instantly, you recognize the almost dungeon synth-y vibe to the sound. Though not falling into the dusty tomb cliché, we do experience that claustrophobic experience on ‘Sussrúmnir’. It swells up at some point with a clearly traditional element, which is a persistent thing in the music of Vėlių Namai. This is different though, it takes you really to a human place in history with the deep drones and easy passage of the sounds.
This record feels more like story telling as well, it really takes you through somewhere, instead of letting you simmer in a mystical atmosphere. On both fronts Vėlių Namai performs great, but for me tracks like ‘1042’ and ‘Sventovit’ speak to the innovation in a more concrete way. Granted, I’ve been to Lithuania and Latvia and have seen these lands and meditated on their past and for that, this recor is the perfect soundtrack in all its warm, overwhelming glory.