Tag Archives: Wretch

Underground Sounds: V.A. – Drums in the Deep

Label: Bad Omen Records
Band: Wretch, CC Company, Satan’s Satyrs, Wytch Hazel, Spell, The Tower, Asomvel, Flight
Origin: United Kingdom

Using classic imagery from the original Lord of the Rings films (yes, you muggle, there’s an original film with cutting edge animations in its time), the label Bad Omen Records from London presents some of its finest cuts and slices of doom metal to the peoples. A sampler then, with special attention for Wretch.

Bad Omen Records is a small label, with a particular taste for things heavy and classic. Their roster doesn’t focus on much extreme metal but sticks to the more traditional formats, which I think works perfectly fine, It gives an identity and core to the label, which is in this day and age nice and recognizable for fans. Go here for your doom, folks!

Opening up is an exclusive track by Wretch, titled ‘Sweet Revenge’.  The song sounds as if something wicked this way is coming, something just outside the door threatening the listener. The voice of Karl Simon sounds like mixture of Ozzy and Lemmy, evil and seductive. CC Company follow with a supertight, 80’s vibe track. Th rhythm is like a tense cord, with mildly raw vocals by the Swedes. Catchy as hell, this tune! Not sure if ‘World Domination’ will achieve its goal, the sound is a bit dated, but lovable nonetheless. Following that we have Satan’s Satyrs from Virginia, with fuzzy distortion and demented vocals. An change from the tight tracks before, but very welcome.

Wytch Hazel is a surprising next one, with their self titled track. It reminds me of Iron Maiden in the Blaze Bailey days (around Virtual XI). Mellow, clean sung and quite endearing to the listener. You almost want to go back when the biting vocals of Wretch follow this track on ‘Running out of Days’. A really big stadium sound can be heared when the tune ‘Dark Desires’ by Spell is unleashed. Again, Maiden… Saxon.. it has that typical NWOBHM feel to it. The vocals even feel like they’re from that era, though a bit too slick for my tastes. The same goes for the exclusive Wytch Hazel track ‘Surrender’ that follows and Flight‘s ‘Escape’, though its some mellow listening. and quite energetic stuff.

Ansomvel from England plays some sleazy, agressive heavy metal the way you know and love. ‘Shoot Ya Down’ is not a complex track, but a show of force with a Venom/Motörhead-like bite to it. Good stuff! Swedish The Tower follows with a ripping track titled ‘Wounds’. A solid boogie tune with some strict but strangely fitting vocals. There’s a solidity in the flow of the song, which I love and that peculiar vocalist really completes it.

This cool collection ends with ‘Die Screaming’ by Satan’s Satyrs. Screams of despair over a slowly progressing track, that sounds as if it is sliding down into a pit of despair. Wow, just wow this stuff. Bad Omen really wove together a collection that ignites the imagination with an oldschool feel, exactly what you’d take from the cover. Drums from the deep!


Underground Sounds: Wretch – Wretch

Label: Bad Omen Records
Band: Wretch
Country: United States

Losing friends is a sad thing and sometimes it can be extremely hard to get over that. When you lose a friend who’s a band member, I can only imagine how much stronger that bond may be. Not to trivialise friendship, but band members share time together like no other. Jason McCash and Karl Simon shared that for a good decade in The Gates of Slumber. McCash left the band in 2013 and soon after passed away following a heroin overdose (according to metal archives).

So this album is catharsis, it’s grief in musical form. Gone are the stories of swords and sorcery, this is about the grim reality. It’s Karl Simon picking up the pieces and continuing down the road of amazing doom metal albums with this new outfit Wretch. The artwork instantly screams that old school doom vibe at you and that’s what you get.

Opener ‘Running Out of Days’  is a tribute to J. McCash and opens with those gargantuan Sabbath riffs, making you instantly get into the groove of this band and (if you like) bang your head to it. There’s something really down to earth to the sound of the band though. It’s not striving for grandeur, but for something real. Slowly the riffs roll by and a thundering rhythm section vigorously fills the void around the vocals of Simon, which are laden with emotion.

There’s something tormented to the way Simon delivers his vocals. After the initial venting on the first two tracks, the following seems to wind down and go into an almost psychedelic, spacy direction. Spiralling guitar parts and dreamy vocals form a much more convincing and warm sound from the group. There’s even an interesting instrumental track, titled ‘Grey Cast Mourning’, that surprises the listener with its gentle nature.

Closing the album, we return to the traditional doom roots. With its iconic cover and great tracks, this is one to stick with you. Hopefully Karl Simon feels like unleashing some more tunes on the world.