Label: self released
This record collects music made with the project Molodost. Molodost takes its inspiration from Slavic folk metal, particularly Alkonost and their song with the same name as the band. Molodost is however a one man project in the southern land of Lebanon, far from the Russian realms.
Originally Molodost started as a vehicle for poetry, but the one man metal band has become more than that. Finding an own sound and inspiration in the Slavic folk/black metal scene. There’s a clear ethnic element present, but also a worship of nature and the land. Though oft critisized for being very primitve and lo-fi sounding, this is definitely a choice by the artists that simply fits the need to express. The sound of Molodost is something different, something unique and highly personal. That makes this a record to check out.
The album opens with a calm piano intro, which is strangely free of a clear origin. It’s mystical sounding with synthesizers adding a dungeon synt-y feel to the whole. The blistering riffs on the second song have a metallic twang to them, which resonates with the origin of the music. The noisy drums add another layer of effec to that, which is ever so subtly present. The artist spits out the words like an enraged demon. It’s the typical Arabic pronunciation that really takes it to a new level. As many know, the Oriënt has many mysteries and strange spirits. The vocal style and meandering synths immediately invoke that feeling.
No, I’m not turning this record into a cliché, it’s way to specific and captivating for that. What I particularly like is how the artist blends in the intermissions of dungeon synth to create an aura befitting the record. The Slavic inspiration can definitely be noticed, but it meets with a very own sound on a track like [ازرع الصحراء]. The riffs sound very peculiar here, but are also very intriguing and offering another different taste of the mystique of the eastearn landscapes, also the desert under a blazing sun, the mountains when the sun crests the top.
[مائدة الفقير] is a dense song, full of synths and trickling, Burzum-esque elements. The vocals are performed by Lord Dark from the band Tears of Regret. It’s a remarkably peaceful tune, with the ever present synth elements to keep that eerie vibe up. Nonetheles, Molodost packs a punch without ever really firing up. Maintaining a steady atmosphere and an indpendent voice, make this a record I can listen to over and over.