Label: Northern Silence Productions
Black metal has shown many new outings, exploring new sounds and forms of expression. Some come up with strange avant-garde outings, others go in more conservative directions. Adding folk to metal is a risky pick though, but Saor has been pulling it of for quite some time now. It’s a fine line to walk, not to let either side really take over or become a washed down version .
Back in 2014 I wrote a bit about Saor’s previous album, titled ‘Aura’. A real experience with all the good Celtic metal has to offer. Saor is still Andy Marshall on this album, with a bunch of incredible guest musicians. Where ‘Aura’ was a haunting experience of the foggy hills of the Scottish realm, ‘Guardians’ shows a slight change in direction. Marshall was also active in Falloch, but where that project just doesn’t hit me as much, Saor is the truely convincing output of this gentleman. Oh, he also just started Fuath, which you can read about here.
By this I by no means am traying to say that this is a bad turn. On the recently released ‘Guardians’, we hear more of the roots of the band. The folk aspect is more outspoken, more in your face as a listener. By this I don’t mean that the songs are more like jigs, but the instruments have a more pronounced position in the compositions, they’re simply much more identifiable and on their own. This is the instant greeting on title track ‘Guardians’ by proud bagpipes.
Never does the record sound boisterous, but it does have a sense of pride in its warm majestic sounds. ‘The Declaration’ is a praise of liberty and independence, delivered with grace and love for the land. Gentle passages offer respite until the guitars soar once more and rumbling drums offer a heavy under current.
There’s something splendidly sincere about this album, it’s thicktapestries of sound, but most of all the moments where it dresses down and speaks more directly. Often with one instrument taking the voice for a few lines, leaving the music to do the talking. The vocals are sparse but meaningful, but it’s those passages, like the final part of ‘Tears of a Nation’ that really do it for me. Saor is a project made with a lot of love for something Scottish, something pure and maybe even conceptual. This makes the music as direct and pure as that. Lovely.