Underground Sounds: Scáth Na Déithe – Pledge Nothing But Flesh

Label: Self released / Metal Defiance Productions
Band: Scáth Na Déithe
Origin: Ireland

The name Scáth Na Déithe translates, if I’m correct, as ‘Shadow of the Gods’. The band consists of Cathal Hughes (Dúnmharú, Nautilus) and Stephen Todd (Astralnaut). The Irish band has found a spectacular distinct sound on their second endeavour. The duo previously planted their flag with the EP ‘The Horrors of Old’, but now unleash their full length ‘Pledge Nothing But Flesh’.

The record was recorded at the start of the harvest season, or as the band puts it ‘Meitheamh agus Lúnasa’.  Though dubbed black metal, the sound of these gentleman is distinctly Irish to me. A country that seems to have an ever growing black metal scene, as goes for Scotland. In the music you find elements of its origin, In this case, the unnerving cover art may speak of darker parts of Irish history. The only other clue is the reference to the time of recording and two songtitles in Gaelic.

From the start it is clear that the two members have affinity with the slow and steady, since doom and stoner are clearly in their arsenal due to other bands they’ve been a part of. The heavy rhythm parts are accompanied by abbyssal vocals, which work well with the burbling, grimy bass. The murky, dark forest on the cover is fairly well depicted in the heavy, oppressive atmosphere this creates after intro ‘Sí Gaoithe’ on ‘Bloodless’. The pummeling drum feeds vitality into the song. A fearlessness and strength that allows the brittle tremolo guitar to soar and set apart a new atmospheric trail in the songs path.

Lyrically it appears that the band connects somehow to Primordial in the take on the self and the one sided-dialogue setting of the words. In defiance screaming at an uncaring deity. The record is filled with atmospheric parts, particularly the guitar play. A little intermission in the form of ‘Fáilte Na Marbh’ therefor fits in and offers a moment of respite for the listener. The continuous string of tremolo riffs really does its part in contrast to the sometimes almost foggy sound. At times that part just overtakes the whole sound, like on ‘the Shackled Mind’. When the torrent really unleashes, nothing can stand in the way of the thick haze of sound. The song also contains a meandering, calm guitar passage towards it’s end. Offering once more the atmospheric antics of Scáth Na Déithe in glorious beauty.

The mastering of the record took place in the Swedish Necromorbus Studio by Tore Stjerna. No surprise that the sound becomes so heavy then. With bands as Watain and Funeral Mist in his portfolio, the Swede knows the impact of extreme heaviness on music. ‘Pledge Nothing But Flesh’ is a daring entry in the current black metal world. Hopelessly atmospheric and bluntly heavy, the record is not aiming for any middle grounds. Scáth Na Déithe produced another vital stepping stone for the expanding Celtic black metal realm.

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