Underground Sounds: Velnezers – Pēdējā Saule

Label: Beverina Productions
Band: Velnezers
Origin: Latvia

Velnezers is the creation of Roberts Blūms, a Latvian musician who did everything on the first demo and album, but now the group is continuing as a four piece band. Bringing full weaponry to the table that means on their second full length ‘Pēdējā Saule’, which translates as ‘last sun’. An interesting endeavour of violent black metal.

The band has a very down to earth approach to it. So much that I’d call their sound earthy as well. The songs are rather straight forward, but with an ethnic element of rolling up your sleeves and getting in on it. The cover speaks of some sort of pastoral sound, perhaps inspired by the wintery countryside, but this is not what you get with Velnezers. The band name might be derived from a Wagars track, but I’m not certain about this.

There’s something typical about the sound of Velnezers, from the vocals (in Latvian) you can see that the language shapes the way it fits in with the music. Something I find typical about many Baltic bands. The riffing is often not too complex, but much more expressive and tasty. The track ‘Raganu Medības’is a nice bit of thrashy black metal, with rolling sound and threatening effect. Jumping from the thrashing passages, straight into the blast beat-tremolo roll, it shows how easily the band shits sound. It’s a sound that is feisty, furious and energising, but always with that darkened edge, which makes them so accesible.

Though the band stays pretty close to a rough sounding black metal band, there’s definitely a good rock’n’roll vibe going on. The clear production helps the musicians articulate their sound clearly and cohesively, without becoming the static broth you often hear. Still it sticks close to the ghoulish original Mayhem sound with the bombastic power of Behemoth at times. The clear sound helps in creating space for that vibe. The clear atmosphere never gets lost in a pile of guitar distortion. Both influences can be heard on ‘Meži Deg, Dūmi Kūp I’.  On the other hand, you can detect some death/sludge influences on ‘Svētīts Tiek Mirstīgais’.

Stranger even then, to suddenly hear a mellow, acoustic track. The vocals on ‘Meži Deg, Dūmi Kūp II’ sound distant, far removed from everything. The song flows forward like a calm river with repetitive waves and singing. It is a unusual song for a black metal album, but like most bands from the Baltics, there’s something eclectic to the sound of Velnezers. This song swells up to a gloomy expression of despair, ending with some mere piano tones. The title track closes of with some big riffs. This is a great record, if you can get past the Latvian language vocals. Enjoy!

Share Button