We are what we are, because we are shaped by the land we hail from. For a long time the British isles offered much of their heritage in the form of folk, story and song. You can still see that in the more remote parts like Ireland, Wales and Scotland, but England itself seems to have lost part of it. Wolcensmen is in that sense a breath of fresh air with their heathen folk, reclaiming something that might seem forgotten.
Wolcensmen is more than just a folk project by Dan Capp (known from Winterfylleth), its a platform featureing various artists who collaborated with the Englishmen to bring his dream to life. One of the participants is Canadian cellist Raphael Weinroth-Browne (Musk Ox), who is brilliant. Another is Grimrik (Arath), who is a master of dungeon synth, and creating those Burzumesque atmospheres.
Jumping ahead for a moment to the main contribution of Grimrik, that Burzumesque feel is immediately present ”Neath a Wreath of Firs’, which was written and performed by the German artis. It truly captivates that eerie forest spirit. A great tune, but my avorite is at the start of the album. When the intro starts, I imagine beautiful landscapes like those on the Winterfylleth album covers.
That feeling remains, but even more ina an eagle-eye perspective in a soaring, praying calm on ‘The Fyre-Bough’. The second song with this majestic, droning song is a connection to The Hobbit soundtrack, particularly the song by Richard Armitage ‘Misty Mountains’. Though the similarity is not as strong as my words may suggest, there is a similar evocation of a more pure, clean world that is both rough and free as well as pastoral and calm as one can find in the work of Tolkien. I wonder if that is an inspiration for Dan Capp.
There’s something more gentle to the English folk music, compared to its Celtic counterparts. It’s gentle and freely flowing akin to a calm river through a green meadow with gnarled, old trees hanging over you. It lacks the rugged yearning of the Irish and Scottish folk, which I find is particularly true for Wolcensmen too. There are other elements woven into the music, which is mainly guitar, bodhran and synths. The droning strokes on the cello by Weinroth-Browne give the music a lot of its atmosphere with a deep, sonorous sound that gives the tunes their earthy feeling. A song like ‘Hoofes upon the Shymmeringe Path’ have something of an early approach of spring. A liveliness and hunger for green land and being alive again, with a foreboding drumming and double vocals.
A song like ‘Yerninge’ feels more like a crackling fire on a snowy winter day, when the sun has gone down and the fire offers that uncommon warmth and joy in the dark hours. There’s always a calm and tranquil feeling to the music though. It takes the listener to a time where fantastic creatures still roamed the land, like on ‘The Mon ‘O Micht. The base for the song is an old poem in dialect. The words even hold some particular wisdom. Dan Capp delivered something beautiful here.
Wolcensmen don’t sound like anything else really, but in a way they do sound very familiar. Like a voice from the past, that makes you think of a more peaceful time. A lingering memory of something that once was.